Download Free The Cult Of Venus In Roman Britain Book in PDF and EPUB Free Download. You can read online The Cult Of Venus In Roman Britain and write the review.

Pieces together archaeological evidence with fragmentary writings of Caesar, Tacitus, and others to give a picture of Roman Britain
A cultural history of the goddess of love, from a New York Times bestselling and award-winning historian. Aphrodite was said to have been born from the sea, rising out of a froth of white foam. But long before the Ancient Greeks conceived of this voluptuous blonde, she existed as an early spirit of fertility on the shores of Cyprus -- and thousands of years before that, as a ferocious warrior-goddess in the Middle East. Proving that this fabled figure is so much more than an avatar of commercialized romance, historian Bettany Hughes reveals the remarkable lifestory of one of antiquity's most potent myths. Venus and Aphrodite brings together ancient art, mythology, and archaeological revelations to tell the story of human desire. From Mesopotamia to modern-day London, from Botticelli to Beyoncé, Hughes explains why this immortal goddess continues to entrance us today -- and how we trivialize her power at our peril.
With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia rivals that of other provinces and deserves comparison with the art of metropolitan Rome.
Apart from Christianity and the Oriental Cults, religion in Roman Britain is often discussed as though it remained basically Celtic in belief and practice, under a thin veneer of Roman influence. Using a wide range of archaeological evidence, Dr Henig shows that the Roman element in religion was of much greater significance and that the natural Roman veneration for the gods found meaningful expression even in the formal rituals practised in the public temples of Britain.
An alternative history of Roman Britain
This volume deals with the religions of the Roman soldiers in Britain and the religious interactions of soldiers and civilians. Drawing on epigraphic and archaeological evidence, the discussion shows the complexities of Roman, Eastern, and Celtic rites, how each system influenced the ritual and liturgy of the others, and how each system was altered over time. The first part presents discursive chapters on topics such as the cult of the emperor, Mithraism in Britain, the cults of Celtic warriors and healers, the Romanization of Civilian religions, and Christianity; the second part consists of an annotated catalogue of the epigraphical sources. Of significance is the broad range of materials synthesized to show the extent to which native religions influenced and were influenced by imported Roman and Eastern cults.
Lindsay Allason-Jones has been at the forefront of small finds and Roman frontier research for 40 years in a career focussed on, but not exclusive to, the north of Britain, encompassing an enormous range of object types and subject areas. Divided into thematic sections the contributions presented here to celebrate her many achievements all represent at least one aspect of Lindsay’s research interests. These encompass social and industrial aspects of northern frontier forts; new insights into inscribed and sculptural stones specific to military communities; religious, cultural and economic connotations of Roman armour finds; the economic and ideological penetration of romanitas in the frontiers as reflected by individual objects and classes of finds; evidence of trans-frontier interactions and invisible people; the role of John Clayton in the exploration and preservation of Hadrian’s Wall and its material culture; the detailed consideration of individual objects of significant interest; and a discussion of the widespread occurrence of mice in Roman art.
Roman Archaeology for Historians provides students of Roman history with a guide to the contribution of archaeology to the study of their subject. It discusses the issues with the use of material and textual evidence to explain the Roman past, and the importance of viewing this evidence in context. It also surveys the different approaches to the archaeological material of the period and examines key themes that have shaped Roman archaeology. At the heart of the book lies the question of how archaeological material can be interpreted and its relevance for the study of ancient history. It includes discussion of the study of landscape change, urban topography, the economy, the nature of cities, new approaches to skeletal evidence and artefacts in museums. Along the way, readers gain access to new findings and key sites - many of which have not been discussed in English before and many, for which, access may only be gained from technical reports. Roman Archaeology for Historians provides an accessible guide to the development of archaeology as a discipline and how the use of archaeological evidence of the Roman world can enrich the study of ancient history, while at the same time encouraging the integration of material evidence into the study of the period’s history. This work is a key resource for students of ancient history, and for those studying the archaeology of the Roman period.
This is the first book to analyse art from the northern frontier zones of Roman Britain and to interpret the meaning and significance of this art in terms of the formation of a regional identity. It argues that a distinct and vibrant visual culture flourished in the north, primarily due to its status as a heavily militarized frontier zone.