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When a suicide terrorist strikes in Israel, the usual contingent of first responders that one might see anywhere in the world -- police, medics, firefighters -- are accompanied by another group, one found only in Israel. They wear yarmulkes, white coveralls, rubber gloves, and dayglo yellow vests. These are the men of ZAKA, an Israeli religious organization dedicated to dealing with the mutilated and scorched bodies and the severed limbs of the victims of violent death, mainly those killed by Palestinian terrorism. ZAKA arose, reached its peak, and gained fame during the two waves of suicide terrorism that characterized the intensification of the Israeli-Palestinian conflict in the last decade of the 20th century and the first five years of the twenty-first century. ZAKA has a few hundred all-male activists, typically volunteers, exclusively Haredi (ultra-orthodox) Jews. Well trained and equipped, they are among the first to arrive at the sites of unnatural death, especially the arenas of mass mortality, where they perform a scrupulous procedure, laden with symbolism. This involves collecting the corpses and body parts, sorting them, identifying them, and reassembling them while diligently preserving respect for the dead and for body parts, and preparing them for burial according to the rigid strictures of Jewish law. Gideon Aran has spent years embedded with the men of ZAKA, and in this gripping ethnography he takes readers inside the organization and on the ground with these men as they do their gruesome -- but, in their view, holy -- work.
"On the ground with Zaka - The sights, noises, and smells of the arena in the immediate aftermath of the explosion as experienced by the haredi volunteers who have been there. The typical procedures of Zaka's operation in the arena. Zaka's activities after they leave the scene and in the few days following the day of the attack. Zaka's operation in other arenas of unnatural death. A comparison. The religious logic of the deep structure of the arena. A test case: the extreme opposite deathwork as challenging as that of post-terrorism one"--
"The deceptively simple prose keeps the book brisk and even gripping as its puzzles grow more craggy and complex. This is Evenson's singular, Poe-like gift: He writes with intelligence and a steady hand, even when his characters decide to lop their own limbs off."—Time Out New York When Kline is kidnapped by a dark sect that believes amputation brings you closer to God, he's tasked with uncovering who murdered their leader. Will he uncover the truth in time to save himself, take on the mantle of prophet, or destroy all he sees with a rain of biblical violence?
In 2017, nearly six thousand people were killed in suicide attacks across the world. In The Smile of the Human Bomb, Gideon Aran dissects the moral logic of the suicide terrorism that led to those deaths. The book is a firsthand examination of the bomb site at the moment of the explosion, during the first few minutes after the explosion, and in the last moments before the explosion. Aran uncovers the suicide bomber’s final preparations before embarking on the suicide mission: the border crossing, the journey toward the designated target, penetration into the site, and the behavior of both sides within it. The book sheds light on the truth of the human bomb. Aran’s gritty and often disturbing account is built on a foundation of participant observation with squads of pious Jewish volunteers who gather the scorched fragments of the dead after terrorist attacks; newly revealed documents, including interrogation protocols; interviews with Palestinian armed resistance members and retired Israeli counterterrorism agents; observations of failed suicide terrorists in jail; and conversations with the acquaintances of human bombs. The Smile of the Human Bomb provides new insights on the Middle East conflict, political violence, radicalism, victimhood, ritual, and death and unveils a suicide terrorism scene far different from what is conventionally pictured. In the end, Aran discovers, the suicide terrorist is an unremarkable figure, and the circumstances of his or her recruitment and operation are prosaic and often accidental. The smiling human bomb is neither larger than life nor a monster, but an actor on a human scale. And suicide terrorism is a drama in which clichés and chance events play their role.
A Contribution to Current Research on Hallucinations Drawn from Coptic and Other Texts.
Preliminary Material /J. Gwyn Griffiths -- The Original Myth /J. Gwyn Griffiths -- The Original Cult /J. Gwyn Griffiths -- An Upper Egyptian God of The Royal Dead /J. Gwyn Griffiths -- The Association with Water and Vegetation /J. Gwyn Griffiths -- The Ruler and Judge of the Dead /J. Gwyn Griffiths -- The Cult and the Society /J. Gwyn Griffiths -- An Embryonic System of Salvation /J. Gwyn Griffiths -- Addenda /J. Gwyn Griffiths -- Bibliography /J. Gwyn Griffiths -- Index of Texts Cited /J. Gwyn Griffiths -- General Index /J. Gwyn Griffiths -- Linguistic Indices /J. Gwyn Griffiths.
Violence has always played a part in the religious imagination, from symbols and myths to legendary battles, from colossal wars to the theater of terrorism. The Oxford Handbook of Religion and Violence surveys intersections between religion and violence throughout history and around the world. The forty original essays in this volume include overviews of major religious traditions, showing how violence is justified within the literary and theological foundations of the tradition, how it is used symbolically and in ritual practice, and how social acts of violence and warfare have been justified by religious ideas. The essays also examine patterns and themes relating to religious violence, such as sacrifice and martyrdom, which are explored in cross-disciplinary or regional analyses; and offer major analytic approaches, from literary to social scientific studies. The contributors to this volume--innovative thinkers who are forging new directions in theory and analysis related to religion and violence--provide novel insights into this important field of studies. By mapping out the whole field of religion and violence, The Oxford Handbook of Religion and Violence will prove an authoritative source for students and scholars for years to come.
"An introductory survey of the whole field of study of religion and violence. It includes overviews of major religious traditions, and it analyzes patterns and themes relating to religious violence. It also explores major analytic approaches, and forges new directions in the study of this important emerging field"--
Imagining Spaces and Places seeks to produce an interdisciplinary dialogue between art history and literature studies and other fields of cultural analysis that work with the concepts of space, place and various “scapes”, such as cityscapes, bodyscapes, mindscapes and memoryscapes, as well as the more familiar landscapes. The volume was inspired by new lines of study that underline the experiential and multidimensional aspects of spaces. We explore how art, literature or urban spaces forge “scapes” by imposing or suggesting aesthetic, evaluative or ideological orderings and perceptual as well as emotive perspectives on the “raw material” or on previous ways of spatial worldmaking. We look at the role of cultural and artistic renderings of space in relation to everyday experiences of spaces. We examine how the experiences of places are mediated in various art forms and other cultural discourses or practices and how these discourses contribute to the understanding of particular places and also to understanding space in more general terms. Imagining Spaces and Places is addressed to scholars and teachers working at the intersection of cultural and spatial analyses, as well as to their undergraduate and postgraduate students.
Way of Escape is a true life-long story that starts with the rape of a four-year-old girl. The very people she should have been able to trust and run to for help, betrayed her and introduced her to a realm of repeated sexual violation and other forms of ritual abuse. The incidents of her early life defined her self-concept and dictated her life course. It portrays some of the abusive and ritualistic events in her life; some are described quite graphically; all are demonically inspired and represent the potential for evil in the hearts and minds of mankind. The book's purpose is not to place blame on any group or individual, but to give credibility to survivors of abuse, and through the life of this little girl, offer reassurance that God is real. He is faithful and will always provide a way of escape - even when it is physically impossible to break free. God lovingly separates our consciousness and physical perceptions from the inescapable abuse. He allows us to “leave” while still being physically held captive – to dissociate ourselves from the painful situation. In the realm of psychiatry, dissociation is labeled as a “disorder” – Dissociative Identity Disorder (formerly Multiple Personality Disorder). When there is no power or means to physically flee from a situation, how can being able to mentally and emotionally “leave” and preserve one’s self be called a disorder? In an inescapable abusive situation, fear and physical pain are the most horrific aspects of the victimization. How then, can it not be a blessing of God to escape to a place of psychological refuge where there is no pain, no fear? If someone being assaulted were able to run away to safety, would they not be considered resourceful, heroic, and extremely fortunate? Why then is this inward escape viewed with skepticism, or condemnation? The victim desperately strives to neutralize the terror and prevent the physical and emotional pain. Any method by which this is achieved must be applauded as inventive, and courageous. In cases of childhood sexual, satanic, or repetitive trauma, dissociation is an effective method of survival. Just as the abusive events are sequestered away from the conscious memory, non-traumatic segments of one’s life are also hidden away - inaccessible. There may be limited memory of milestone events: early childhood, school years, significant relationships, weddings, childbirth, professional experiences, emotional losses, or joyous events. Looking back on life seems like the replay of a video from which segments have been removed and the remaining scenes re-attached in non-sequential, random order. There are parts of the plot that don’t make sense because there is nothing connecting them to the original story. God promises to give back the lost scenes, the experiences that were stolen from us for the gratification of others. He splices back together the soul that was fragmented so events can be remembered and reprocessed in their entirety, without re-experiencing the emotional and physical trauma. Above all, Way of Escape is a story of redemption. From the sexual betrayal, disillusionment and ritualistic abuse of a small child, through her fragmented, emotionally volatile youth and early adulthood, God is faithful to bring about reclamation of innocence once lost, and restoration of a shattered soul. The journey is laborious and emotionally challenging, but through the counselor’s skilled and compassionate dedication, God’s unconditional love and wisdom, and the willingness of the broken human spirit to be healed, the chains of bondage are broken and wholeness is restored. The author’s hope is that the shame, guilt and destructive life path that often result from emotional trauma be resolved and replaced with a positive self-concept, absence of self-persecution, and a future of hope and freedom from the past.