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Mothers and daughters. Sisters. Legacies and prophecies. The inevitable and the avoidable. The sixteen stories of Weird fiction and horror in The Cuckoo Girls, Patricia Lillie’s debut collection, feature female protagonists of various ages. Young or old, they must deal with the expectations of their twisted worlds. Some can’t escape their fate, some accept it—and some will burn it down. “Lillie makes the unreal feel all too possible…. This grim, witchy collection will grab anyone looking for a subtle fright.” —Publishers Weekly
“Full of rich language that is reminiscent of an old fairy tale. . . . [a] spine-chilling, creative work [and] a well-wrought fantasy.” —School Library Journal (starred review) Following a mysterious incident that leaves her feverish and sopping wet, Triss awakens to a world that’s eerily off-kilter. Her memories are muddled, her sister despises her, and when she brushes her hair, out come crumbled fragments of leaves. Is she going mad? Or has she endured a nightmarish chain of events? Is this related to the illnesses she’s had since her brother died in the Great War? And why is she so hungry? In her search for the truth, Triss ventures from the shelter of her parents’ protective wings into the city’s underbelly. There she encounters strange creatures whose grand schemes could forever alter the fates of her family, in an unnerving tale of one girl’s struggle to confront her darkest fears. “Few authors can evoke a twinned sense of terror and wonder better . . . Vivid, frightening, and inventive, with narrative twists and turns. . . . A piercing, chilling page-turner.” —Booklist (starred review) “Nuanced and intense.” —Kirkus Reviews (starred review) “Quiet but elegant prose moves the story seamlessly from an effectively creepy horror tale to a powerful, emotionally resonant story of regret and forgiveness.” —Bulletin of the Center for Children’s Books (starred review) “Gorgeously written and disconcerting . . . Hardinge delves deeply into the darker side of family life.” —Publishers Weekly (starred review) “Cuckoo Song transcends its teen-reader designation. The psychological and historical nuances . . . will mesmerize older readers as well.” —BookPage
A reunion between childhood friends stirs up the traumas of the past—and poses a threat in the present . . . As a young, deeply insecure girl, Karen was targeted, and traumatized, by her friend Sandra’s father. Now, decades later, he is dead—and Karen has been reunited with Sandra, whom she hasn’t seen in ages. Against her better judgment, she agrees to meet Sandra at a nearby restaurant, and Sandra proves to be just as thoughtless and self-absorbed as she was back when the two of them and their friend Yvonne were attending school dances together. Karen has a husband and children now, and they live in a beautiful home thanks to a successful family business. Sandra is supposed to be in town only temporarily, so Karen tolerates her excessive drinking and intrusive questions. But things become more difficult as her life starts to go awry—and as this taut, unsettling novel moves between past and present, secrets come to the surface and both women will come to understand the true cost of betrayal . . .
A compulsively gripping lockdown thriller by the bestselling author of The One Who Got Away On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to be his granddaughter. She needs help and has nowhere else to go. He welcomes her in, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay? As Don and the girl start to forge a bond, Don's adult daughter has her own suspicions about what the newcomer is after. But, unable to travel, how can she protect Don and discover if the girl really is who she claims to be? 'You won't put The Cuckoo's Cry down. It's an addictive, read-in-one-sitting book with some surprisingly tender moments, a compelling relationship between the two main protagonists, and an unexpected twist at the end.' Better Reading Praise for Caroline Overington: 'Deft, dramatic and psychologically astute' Saturday Age 'Overington keeps you guessing until the last' Daily Telegraph 'Caroline Overington has an ability to home in on the darker, unsettling sides of life, seizing upon topics you might see headlining the news and spinning them into gripping page-turners.' Hannah Richell, Australian Women's Weekly
A novel of slow burn horror.Carole knows there can be no tie between her autistic daughter and the strange events in Port Massasauga. It's not logical.It's not possible.The Ceiling Man has picked up other watchers in his travels, but they all dismissed him as a nightmare. The girl is different. She knows he's real.Teenage Abby is an innocent. The stranger only she sees and hears introduces her to evil. When Carole falls under the stranger's sway, Abby must solve the puzzle of The Ceiling Man and save them both.
IN THIS ASYLUM, YOUR MIND PLAYS TRICK ON YOU ALL THE TIME ... Delia's new house isn't just a house. Long ago, it was the Piven Institute for the Care and Correction of Troubled Females -- an insane asylum nicknamed "Hysteria Hall." However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep "troubled" girls locked away. So, in the most horrifying way, Delia becomes trapped. And that's when she learns that the house is also haunted.Ghost girls wander the hallways in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia learns that all the spirits are unsettled and full of dark secrets. The house, too, harbors shocking truths within its walls -- truths that only Delia can uncover, and that may set her free. And she'll need to act quickly -- before the house's power overtakes everything she loves.Katie Alender brings heart-pounding suspense, gorgeous writing, and a feminist twist to this tale of memories and madness.
Gothic, intoxicating, feminist, darkly provoking and deeply romantic - this is the breathtakingly imagined untold story of the brides of Dracula, by bestselling author Kiran Millwood Hargrave in her much-anticipated YA debut. They say the thirst of blood is like a madness - they must sate it. Even with their own kin. On the eve of her divining, the day she'll discover her fate, seventeen-year-old Lil and her twin sister Kizzy are captured and enslaved by the cruel Boyar Valcar, taken far away from their beloved traveller community. Forced to work in the harsh and unwelcoming castle kitchens, Lil is comforted when she meets Mira, a fellow slave who she feels drawn to in a way she doesn't understand. But she also learns about the Dragon, a mysterious and terrifying figure of myth and legend who takes girls as gifts. They may not have had their divining day, but the girls will still discover their fate...
An annual anthology of strange and darksome tales, which this year profiles the work of 21 contemporary scribes: V.H. Leslie, J.T. Glover, Joanna Parypinski, Steve Rasnic Tem, L.S. Johnson, Daniel Braum, M. Lopes da Silva, Mathew Allan Garcia, April Steenburgh, Charles Wilkinson, Farah Rose Smith, Armel Dagorn, Cate Gardner, Jackson Kuhl, Christi Nogle, Ross Smeltzer, Jennifer Loring, Tim Jeffreys, Elana Gomel, Mike Weitz, Kirsty Logan. "A very promising anthology." -Ellen Datlow, Best Horror of the Year "An annual highlight of the genre." -Anthony Watson, Dark Musings "Weirdness with truth at its heart." -Des Lewis, Real-Time Reviews
On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more “If you’re looking for a superb novel, look no further.” —The Washington Post From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times Book Review). Among the most celebrated and beloved novels of recent times, Cloud Cuckoo Land is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope, and a book. In the 15th century, an orphan named Anna lives inside the formidable walls of Constantinople. She learns to read, and in this ancient city, famous for its libraries, she finds what might be the last copy of a centuries-old book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. Outside the walls is Omeir, a village boy, conscripted with his beloved oxen into the army that will lay siege to the city. His path and Anna’s will cross. In the present day, in a library in Idaho, octogenarian Zeno rehearses children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. Anna, Omeir, Seymour, Zeno, and Konstance are dreamers and outsiders whose lives are gloriously intertwined. Doerr’s dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own.
The autobiography of a girl who was incarcerated in a state mental hospital at age 12, and her adult self-reconciling of that experience through her professional lens as a trauma therapist.