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New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.
Vintage photos from one of the largest archives of Cuban photography in the world capture the island’s history. The enduring fascination of Cuba intensifies as the island once again becomes a seductive travel destination. From Ramiro Fernández, whose collection of Cuban photography and ephemera is one of the largest outside of the island nation, comes a dazzling array of images of Cuban life, lifestyle, glamour, customs, and struggle from the nineteenth century to the Revolution. From the earliest daguerreotypes to glamorous shots of movie stars, the country’s history is represented by a rich spectrum of personalities: race-car driving aristocrats, sultry showgirls, gangsters, everyday folk, and revolutionaries who would soon transform the nation. Rare images are showcased: a portrait of Castro as a schoolboy, a bare-chested Che Guevara, and Heinz Lüning, the only Nazi spy executed in Latin America during World War II (and the unwitting inspiration for Graham Greene’s Our Man in Havana). With nearly 300 exceptional images and a foreword and poetry by Richard Blanco, the poet selected for President Obama's second inauguration, this is a multifaceted look at Cuba, then.
This award-winning book by the acclaimed travel photographer showcases the vibrant beauty of Cuba in stunning images captured over twenty-one years. In more than fifty trips to Cuba over twenty-one years, Travel Photographer of the Year Award-winner Lorne Resnick has sought to capture the experience of being in Cuba: moments filled with passion, desire, and laughter. Featuring two hundred sixty-six extraordinary color and black-and-white photos, this exceptional volume provides a stunning portrait of the vitality of Cuban culture, the beauty of the island, and the enduring spirit of the Cuban people. With a foreword by celebrated author Pico Iyer and an introduction by noted art critic Gerry Badger, this volume combines poignant stories and gorgeous visuals. Cuba: This moment, Exactly So has won several awards including a gold medal in the photography category from the Independent Publishers Book Awards; a Silver medal from the IBPA Benjamin Franklin Award for Art/Photography, 1st place for Books in the International Photography awards. It was also a Foreword Reviews’ 2015 INDIEFAB Book of the Year Award winner.
Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making over 25,000 images. Immersing herself in Cuba's history, literature and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people, creating a compelling body of work that captures the subtleties and layered complexities of day-to-day Cuba born from complete engagement and informed perspective. Cuba The Elusive Island published by Harry N. Abrams in 1996--a collector's item--first brought together 100 of these images, along with a selection of writings by some of Cuba's most important writers. Twenty years later, Giovan re-edited the images, while working to preserve the original 6 x 9 color negatives. Through this intensive re-examination, a new more complex view of the historical significance of this work has emerged. Images previously disregarded or missed now stand out as a record of elements that no longer exist and one of a Cuba poised on the brink of change. The 120 selected images featured in The Cuba Archive , many of which have never been shown, reveal Cuba at a pivotal point in its storied and fascinating history, and bear witness to an inimitable, resilient and complex country and people.
"Discusses the iconic photograph of revolutionary Che Guevara taken in 1960 by Cuban photographer Alberto Korda"--
Published to coincide with the 50th anniversary of the Cuban Revolution, this work takes a look at Cuban history seen through the collection of Ramiro Fernandez, the world's largest archive of Cuban photos and ephemera.
Fidel’s Cuba commemorates the anniversary of the Cuban leader’s victory with black-and white portraits of great power. With an insider’s intimacy, Osvaldo and Roberto Salas followed Castro from his clean-shaven days to the Sierra Maestra, where he and Che Guevara prepared to lead insurgents to victory. The infamous Bay of Pigs invasion, the only known meeting of Ernest Hemingway and Fidel, and the daily life of the Cuban people are all chronicled here.
Following on the success of the first edition of Cuba Then (2014), this revised and expanded edition introduces more than 100 dazzling new images that build on the allure of Cuba, past and present. In the last few years, Cuba has see seismic shifts in its politics and international standing: US-Cuba relations moved toward normalization, the US embassy was reopened, and Fidel Castro died. The intensified interest in Cuba has seen record numbers of Americans traveling there while they still can. In this climate, a new edition of Cuba Then will satisfy the growing curiosity around the country's history, adding to the visual culture and legacy. With thirty new pages and more than 100 newly selected vintage photographs and pieces of ephemera from the collection of Ramiro A. Fernández, the most extensive archive of Cuban photography and ephemera outside of Cuba, this book is a tribute to the lost eras of style, glamor, ebullience, intrigue, and upheaval. The more than 300 images here span the entire spectrum of photographic history, including rare nineteenth century daguerreotypes, cartes-de-visite, and stereoviews. Much of Fernández's collection is little seen and never published, presenting a rich spectrum of personalities spanning more than a century: aristocratic racecar drivers, movie actors and showgirls, magicians, spies, and campesinos. With an autobiographical introduction from the author, who was born in Havana, and peppered with selections from Richard Blanco's alluring poetry, these pages take readers inside circuses, concerts, filmsets, and street parades. From unlikely images of historical newsmakers (Fidel Castro drinking a Coca-Cola on a public bus) to a roster of jet-setting celebrities such as Celia Cruz, Winston Churchill, and María Félix, Cuba Then is a welcome new edition of this seductive and lush photographic survey of the small island that continues to fascinate the world.
Youth and the Cuban Revolution: Youth Culture and Politics in 1960s Cuba is a new history of the first decade of the Cuban Revolution, exploring how youth came to play such an important role in the 1960s on this Caribbean island. Certainly, youth culture and politics worldwide were in the ascendant in that decade, but in this pioneering and thought-provoking work Anne Luke explains how the unique circumstances of the newly developing socialist revolution in Cuba created an ethos of youth which becomes one of the factors that explains how and why the Cuban Revolution survives to this day. By examining how youth was constructed and constituted within revolutionary discourse, policy, and the lived experience of young Cubans in the 1960s, Luke examines the conflicted (but ultimately successful) development of a revolutionary youth culture. She explores the fault lines along which the notion of youth was created—between the internal and the external, between discourse and the everyday, between politics and culture. Luke looks at how in the first decade of the Cuban Revolution a young leadership—Fidel, Raúl and Che—were complemented by a group of new protagonists from Cuba’s young generation. These could be literacy teachers, party members, militia members, teachers, singers, poets… all aiming to define and shape the Cuban Revolution. Together young Cubans took part in defining what it meant to be young, socialist and Cuban in this effervescent decade. The picture that emerges is one in which neither youth politics nor youth culture can alone help to explain the first decade of the Revolution; rather through the sometimes conflicted intersection of both there emerged a generation constantly to be renewed—a youth in Revolution.
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