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The cub, at Newmarket By James Boswell The cub, at Newmarket: a taleBoswell's surname has passed into the English language as a term (Boswell, Boswellian, Boswellism) for a constant companion and observer, especially one who records those observations in print. In "A Scandal in Bohemia," Sir Arthur Conan Doyle's character Sherlock Holmes affectionately says of Dr. Watson, who narrates the tales, "I am lost without my Boswell. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
"Born in Edinburgh, the 'Athens of the North', a Scot who hated living in Scotland and nourished a lifelong love affair with London, Boswell was biographer, journalist, laird, advocate, social lion, incurable rake, lover, life of the party, traveller, steadfast friend, endearing charmer, exhibitionist fool, and drunken sot. In this moving biography, Peter Martin assesses Boswell's literary achievements and uncovers the pulsating and dynamic world he thrived in, from the royal courts and the drawing rooms of fashionable ladies and gentlemen to the fleshpots of London's unsavoury underworld and the chambers of the insane. He also poignantly reveals a man in agony, easily misunderstood, relentlessly plagued by hypochondria or melancholia, buffeted like a straw in the wind by a multitude of anxieties and 'horrible imaginings'."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Filling an important gap in the history of print and reading, Elspeth Jajdelska offers a new account of the changing relationship between speech, rank and writing from 1600 to 1750. Jajdelska draws on anthropological findings to shed light on the different ways that speech was understood to relate to writing across the period, bringing together status and speech, literary and verbal decorum, readership, the material text and performance. Jajdelska's ambitious array of sources includes letters, diaries, paratexts and genres from cookery books to philosophical discourses. She looks at authors ranging from John Donne to Jonathan Swift, alongside the writings of anonymous merchants, apothecaries and romance authors. Jajdelska argues that Renaissance readers were likely to approach written and printed documents less as utterances in their own right and more as representations of past speech or as scripts for future speech. In the latter part of the seventeenth century, however, some readers were treating books as proxies for the author's speech, rather than as representations of it. These adjustments in the way speech and print were understood had implications for changes in decorum as the inhibitions placed on lower-ranking authors in the Renaissance gave way to increasingly open social networks at the start of the eighteenth century. As a result, authors from the lower ranks could now publish on topics formerly reserved for the more privileged. While this apparently egalitarian development did not result in imagined communities that transcended class, readers of all ranks did encounter new models of reading and writing and were empowered to engage legitimately in the gentlemanly criticism that had once been the reserve of the cultural elites. Shortlisted for the European Society for the Study of English (ESSE) book prize 2018