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The British surrealist painter and writer Ithell Colquhoun recalls episodes from her travels in Ireland as a young woman turning her back on the modern world and setting out across the unruly Irish countryside. Here, among the holy wells, monasteries and tumuli, she finds a canvas on which her sensibility and animist beliefs can freely express themselves. Her style is beguiling, her voice sincere, and through her unique perceptions we discover a land that is fiercely alive and compelling. It is a place where the wind cries, the stones tell old tales and the mountains watch over the roads and those who travel on them. By intuiting the eerie magic of Ireland, Colquhoun casts her own spell. She offers up a land of myth and legend, stripped of its modern signs, at the same time offering herself to the reader in this portrait of the artist as a young woman.
Crying Wind gives insights into American Indian culture and the cultural barriers Indians must hurdle when they accept Christ.
This epic and sweeping 200-year saga of an ancient island and its violent transformation from Eden-like paradise to the tourist-destination Tasmania of today, is told through the lives of four families. Aboriginal child Tom, stolen in 1812 and forced into early adulthood with no family, no identity, and no love; the hard working Scottish Fairfield family who leave all that is familiar to establish themselves in an alien place; the convict George Turner whose gentleness and conscience are finally destroyed by hard fate; and later the Dijkstras - displaced from Java and then from the Netherlands by WWII - come seeking a new home in the fabled isle that their own Abel Tasman had discovered in 1642. In the wake of invasion and genocide, the remnant Aborigines struggle for bare subsistence and recognition on the remote Bass Strait Islands while the pastoral settlers build their empires on someone else's land; the convict's sons try to create a new identity, and the Dutch search for peace but bring memories of other wars. All of them are in an alien environment full of ghosts and strange presences. As their descendants - ordinary people whom you might meet on the streets of Hobart today - interact around the troubled boy Ty, a threatening environmental mystery, and a fiery climax on the slopes of the grand Western Tiers, this is raw history as well as the heart-warming story of ordinary people, loving, hating and battling along in a difficult setting, indelibly marked by their past, yet striving to rise above it and seek redemption. "This rich and absorbing story's other ending is still out there, waiting in the wind to be heard..." Dr Alison Bleaney
' What need have you to dread the monstrous crying of wind?' -W.B. Yeats Buenos Aires, 1939: Anna McGeoch arrives in Argentina from Scotland to join her brother and his wife and work on a Christian mission among the Matacos Indians. But within hours of her arrival she learns that her brother has been killed. Anna stays on in Buenos Aires and is welcomed into the glamorous lifestyle of the Hurlingham Club's polo-playing community. When she marries Tito Cadoret, a life of wealth and happiness seems to lie ahead. But, unknown to Anna, Cadoret is already in thrall to a corrupt and powerful lawyer, and as the years pass, he and his family are drawn ever deeper into a dark world of murder, blackmail, and the 'Dirty War'. When, in 1982, the British Task Force sails for the Falklands, Anna's daughter Nikki sails with it as a naval nurse aboard a hospital ship. After the battles are over, she tends the wounds of British and Argentine sailors and soldiers, and sees at first hand the tragedy and futility of armed conflict. As in the case of so many women down the centuries, Anna and Nikki suffer much in order to keep the family together, and the price they pay for personal freedom is high.
A Carnegie Medal winner, this delightful fantasy will appeal to children who love Alice in Wonderland and The Wind in the Willows. Major Palfrey is leaving for the wars, and he tells his two girls, Dinah and Dorinda, to be good while he is gone. But the sisters aren’t sure they can be. As Dorinda explains, “When we think we are behaving well, some grown-up person says we are really quite bad. It’s difficult to tell which is which.” Sure enough, the sisters are soon up to their usual mischief. They convince a judge that minds must be changed as often as socks, stage an escape from the local zoo (thanks to a witch’s potion which turns them into kangaroos), and—in the company of a golden puma and silver falcon—set off to rescue their father from the wicked tyrant of Bombardy. Penned at the height of World War II, this tale of hilarity and great adventure is also a work of high seriousness; after all, “life without freedom,” as the valiant puma makes clear, “is a poor, poor thing.”
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
In the year 2036, much farmland has been lost due to higher temperatures; coastal flooding has uprooted thousands of families, creating 'the displaced'; environmental movements have become radicalized; and climate change has become the central topic in the presidential election. There are many issues, and the US is crying out for a leader who will give them hope. Dana Stein has created an exciting story line that weaves its way through the lives of a displaced farmer, a National Security Council staffer, and a college professor. Will these three individuals be able to come up with a plan to reverse the severe damage to the globe? Is it too late to squelch the Fire in the Wind?