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The Cruise of the Snark by Jack London: In "The Cruise of the Snark," the adventurous writer Jack London recounts his experiences aboard the Snark, a small sailboat he and his wife, Charmian, sailed across the Pacific. This travelogue chronicles their remarkable journey, providing thrilling accounts of encounters with diverse cultures, breathtaking landscapes, and the challenges of life at sea. London's engaging narrative and sense of adventure make this book an inspiring exploration of the human spirit and the pursuit of dreams. Key Aspects of the Book "The Cruise of the Snark": Pacific Exploration: London's travelogue takes readers on a captivating journey through the Pacific, offering insights into the cultures and peoples he encountered. Adventure and Nature: The book celebrates the thrill of exploration and the beauty of the natural world, as London and his crew experience the wonders and dangers of their maritime voyage. Personal Reflections: "The Cruise of the Snark" is not only an adventure story but also a personal reflection on the author's own ambitions, ideals, and the pursuit of a fulfilling life. Jack London was an American author and adventurer, born in 1876. He is best known for his adventure novels, such as "The Call of the Wild," "White Fang," and "The Sea Wolf." London's own experiences as a sailor, gold prospector, and traveler informed much of his writing, and he often drew inspiration from his life's adventures. His works captured the spirit of exploration and the challenges of survival in the natural world, resonating with readers across generations and establishing him as a significant figure in American literature.
In April 1907 Jack London set out to sail around the world in the 45-foot ship The Snark, accompanied by his wife and a small crew. Although suffering from seasickness and tropical disease, London wrote prolifically, including a series of entertaining sketches of the voyage itself. These were later collected as The Cruise of the Snark, a remarkable record of adventure and love among the islands of the South Pacific. - Publisher.
The Cruise of the Snark is a non-fictional, illustrated book by Jack London chronicling his sailing adventure in 1907 across the south Pacific in his ketch the Snark. Accompanying London on this voyage was his wife Charmian London and a small crew.A history of what was once viewed as the heart of the American city. Urban historian Robert Fogelson gives an account of how downtown - and the way Americans thought about it - changed between 1880 and 1950. Recreating battles over subways and skyscrapers, the introduction of elevated highways and parking bans, and other controversies, this work offers a perspective on downtown's rise and fall.
In April 1907 Jack London set out to sail around the world in the 45-foot ship The Snark, accompanied by his wife and a small crew. Although suffering from seasickness and tropical disease, London wrote prolifically, including a series of entertaining sketches of the voyage itself. These were later collected as The Cruise of the Snark, a remarkable record of adventure and love among the islands of the South Pacific. - Publisher.
The Snark had two masts and was 43 feet long at the waterline, and on it London claims to have spent thirty thousand dollars. The snark was primarily a sailboat, however, it also had an auxiliary 70-horsepower engine. It was further equipped with one lifeboat. In 1906, Author Jack London began to build a 45-foot yacht on which he planned a round-the-world voyage, to last seven years. After many delays, Jack and Charmian London and a small crew sailed out of San Francisco Bay on April 23, 1907, bound for the South Pacific
Contains monthly column of the Sequoya League.
Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.