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Those of my readers who happen to be well acquainted with Weymouth, will also be assuredly acquainted with a certain lane, known as Buxton’s Lane, branching off to the right from the high-road at Rodwell, and connecting that suburb with the picturesque little village of Wyke. I make this assertion with the most perfect confidence, because Buxton’s Lane happens to afford one of the most charming walks in that charming neighbourhood; and no one can well be a sojourner for any length of time in Weymouth without discovering this fact for him or herself, either through inquiry or by means of personal exploration. And of those who have enjoyed a saunter through this lane, some there will doubtless be who can remember a substantial stone-built house, standing back a distance of about a hundred yards or so from the roadway, and environed by a quaint old-fashioned garden, the entire demesne being situate on the crest of the rise just before Wyke is reached, and commanding an unparalleled view of the roadstead of Portland, with the open channel as far as Saint Alban’s Head to the left, while on the right the West Bay (notorious for its shipwrecks) stretches from the Bill of Portland, far away westward, into the misty distance toward Lyme, and Beer, and Seaton; ay, and even beyond that, down to Berry Head, past Torquay, the headland itself having been distinctly seen from Wyke Nap on a clear day, so it is said, though I cannot remember that I ever saw it myself from that standpoint. The house to which I refer is (or was, for I believe it no longer exists) known as “The Spaniards,” and was built by my ancestor, Hubert Saint Leger, with a portion of the proceeds of the Spanish prize that— having so harried and worried her that she at length became separated from the main body of the Great Armada—he drove into Weymouth Bay, and there, under the eyes of his admiring fellow-townsmen, fought her in his good ship Golden Rose, until she was fain to strike her colours and surrender to a craft of considerably less than half her size. “The Spaniards” had continued in possession of the Saint Leger family from the time of its building down to the date of my story; and under its roof I was born. And to its roof I had returned from an Australian voyage, a day or two previous to the events about to be related, to find my dear mother in the direst of trouble. My father, like all the rest of the male Saint Legers, for as many generations as we could trace back, had been a seaman, and had died abroad, leaving my mother such a moderate provision as would enable her, with care, to end her days in peace and comfort beneath the old roof-tree. It was a lonely life for her, poor soul! for I was her only child, and—being a Saint Leger—took naturally to the sea as a profession. That I should do so was indeed so completely a foregone conclusion, that I was especially educated for it at Greenwich; upon leaving which, I had been bound apprentice to my father. And under him I had faithfully served my time, and had risen to the position of second mate when death claimed him, and he passed away in my arms, commending my mother to my tenderest care with his last breath.
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Those of my readers who happen to be well acquainted with Weymouth, will also be assuredly acquainted with a certain lane, known as Buxton's Lane, branching off to the right from the high-road at Rodwell, and connecting that suburb with the picturesque little village of Wyke. I make this assertion with the most perfect confidence, because Buxton's Lane happens to afford one of the most charming walks in that charming neighbourhood; and no one can well be a sojourner for any length of time in Weymouth without discovering this fact for him or herself, either through inquiry or by means of personal exploration.
Today, on the Keys between Key West and the mainland, some forty thousand residents and thousands of visitors fish, swim, sail and dive int he crystal clear waters off a tropical reef; relax in the sun adn cooling trade wind breezes; and sleep in the air-conditioned comfort of their homes and hotel rooms. On these same islands, as short a time as eighty years ago, fewer than three hundred inhabitants tried to eke out a living without benefit of electricity, running water, radios, or telephones. The stories of these hard pioneers and their predecessors, as far back as the Native Americans who lived on the Keys at least one thousand years ago, are told, many for the first time, in this book.
From one of the greatest writers of our time, his first collection of short stories, written between 1979 and 2011, chronicling—and foretelling—three decades of American life Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused rhythms of his early work to the spare, distilled, monastic language of the later stories. In “Creation,” a couple at the end of a cruise somewhere in the West Indies can’t get off the island—flights canceled, unconfirmed reservations, a dysfunctional economy. In “Human Moments in World War III,” two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Mark Rothko. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.