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Amid the turbulence of prerevolutionary Russia, the lives of two families become inextricably entwined. When Anna Burenin leaves her tiny village to work in St. Petersburg, she is thrust into the life of the spoiled Princess Katrina Fedorcenko. Soon both peasant and princess will face the prospect of their beloved Russia being torn apart.
Anna Yevnovana Burenin, a young peasant girl, brings her faith to her new work in a prince's palace in St. Petersburg where it has a transforming effect on the spoiled Princess Katrina.
A collection of critical essays that examines Arthur Miller's classic drama, "The Crucible;" and contains an historical overview of the play, chronology of the life and works of the author, and introduction by Harold Bloom.
A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post
A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post
The Crucible and the Crown is a reasoned, scholarly examination of the Church in the end times. In his insightful exploration of this controversial theological issue, Louis Moesta, M. Div., has drawn upon original Greek and Hebrew texts to make a convincing case for the posttribulation rapture position.