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An examination of 1920s and 1930s Alsace, to reveal the many faces of fascism. The study of the region, with its interplay of French, German and Alsatian nationalities, proves a framework for understanding how this ideology has matured over time to fit changing contexts.
We often hear people say that the Church is full of hypocrites, but that is impossible even though there are hypocrites that go to church. I have grown to understand that the Church is full of love because God is love, and there is nothing hypocritical about God. The Church does consists of people, hypocrites included, but God=s love is greater and his love fills the Church. So What=s wrong with the church.... Does Jesus need to die again? Unfortunately I have experienced a lot of bad in the Church that caused me to have a negative perception early on. I was shallow minded and only thought good things happen in the Church. So when I was exposed to the bad it put a damper on what Church should of been to me. I thank God for covering me when I was not being obedient. I also thank God for renewing my mind and getting me to the point where I am able to help others now. This book is a reflection of the good and bad that happens in the church. We need to realize that people need to hear the bad about the church too. It gives closure and healing to those who are in need. Being hurt in the Church can be a painful experience. This book deals with real issues and everything written actually happen. God allowed me to experience the trials and tribulations so that I could be healed from my past. I experienced God=s Truth in writing this book and I am happy that he chose me. So Does Jesus need to die again? No, but we must die daily in order to be pleasing to God.
Based on the richest archive of witchcraft trials found in Europe, this book paints a vivid picture of life amongst the people of a small duchy on the border of France. Robin Briggs' examination of their beliefs in phenomena such as shapeshifting and werewolves proves a vital contribution to historical understanding of witchcraft.
Semi-fictional narrative of his experiences as a Nazi prisoner following the fall of France.
While visiting friends in France, Twyla becomes involved with trying to find the elusive owner of a lost Cross of Lorraine.
A gripping young adult novel that sweeps from the pioneer past to the present. In the late 1820s, Lizzie Dawson, only sixteen, was forced to be the child bride of a notorious whaler in the remote Marlborough Sounds of New Zealand. There began a living hell — until she met Matthew, a young Maori preacher, and with love came defiance. Flash forward to today. Bel, also sixteen, is sent to a remote farm in the Sounds. Her parents are in the throes of divorce and Bel's turbulent thoughts attract an uneasy force. '"At last," says a voice in my head. "You're here." And I know without a doubt that Lizzie has come for me, and me alone.' Lizzie has an urgent story to tell. Past events drive her to reach across time, across worlds. In this extraordinary first novel, Lorraine Orman evokes the nineteenth-century whalers' lives as vividly as the contemporary story. Cross Tides sweeps you into its double world with eerie, irresistible power.
From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume. “An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”