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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
Graphic Signs of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. Visual materials such as the sign of the cross, christograms, monograms, and other such devices, are examined against the backdrop of the cultural, religious, and socio-political transition from the late Graeco-Roman world to that of medieval Europe. This monograph is a synthetic study of graphic visual evidence from a wide range of material media that have rarely been studied collectively, including various mass-produced items and unique objects of art, architectural monuments and epigraphic inscriptions, as well as manuscripts and charters. This study promises to provide a timely reference tool for historians, art historians, archaeologists, epigraphists, manuscript scholars, and numismatists.
Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Cecile Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries. The African kingdom's elite independently and gradually intertwined old and new, local and foreign religious thought, political concepts, and visual forms to mold a novel and constantly evolving Kongo Christian worldview. Fromont sheds light on the cross-cultural exchanges between Africa, Europe, and Latin America that shaped the early modern world, and she outlines the religious, artistic, and social background of the countless men and women displaced by the slave trade from central Africa to all corners of the Atlantic world.
This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the early sixth century, the Corpus Dionysiacum, the collection of texts transmitted under the name of Dionysius the Areopagite, developed a number of themes which have a predominantly visual and spatial dimension. Pseudo-Dionysius’ contribution to the development of Christian visual culture, visual thinking and figural art-making are examined in this book to systematically investigate his long-lasting legacy and influence. The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.
Further Issues in Eucharistic Praying in East and West is a collection of essays concerned with the origins, development, and theologies of early Eucharistic praying. For students and teachers of liturgy, as well as all who seek solid, up-to-date scholarship on Eucharistic liturgy and theology, this volume provides current research on a variety of Eucharistic prayers in the churches of East and West. Essays and authors include: • Balancing Eucharistic Origins in the Work of Gordon Lathrop and Thomas O’Loughlin – Megan Effron • Shaping the Classical Anaphoras of the Fourth through Sixth Centuries – Nathan P. Chase • The Heis Theos Acclamations in the Barcelona Papyrus: A Eucharistic Liturgy without the Opening Line of the Christian Anaphoral Dialogue – Arsany Paul • Chiasmus in the Anaphoras of Addai and Mari and Sharar – Paul Elhallal • The Egyptian Origins of the Anaphora in Mystagogical Catechesis V ascribed to Cyril of Jerusalem - Maxwell E. Johnson • The Theology of Sacrifice in the Anaphora of Byzantine Basil – Lucas Christensen • Authority and Confluence of Traditions in Aksum: The Heritage of the Anaphora of the Apostolic Tradition in the Ethiopian Anaphora of the Apostles – Andrij Hlabse • Vernacular Translation of the Roman Canon – Julia Canonico • Igbo Translations of the Roman Canon: Inculturation or the Battle for the Soul of Latin? – Joachim Ozonze • Recent Thoughts on the Roman Anaphora: Sacrifice in the Canon Missae – Maxwell E. Johnson
This collection of sixteen essays deals with the role of magic, religion and witchcraft in European culture, 1450-1650, and the critical role of the visual in that culture. It covers the relationship of humanism and magic; the intersection of religious ritual, orthodoxy and power; the discursive links between the visual language of witchcraft and contemporary anxieties about sexuality and savagery. The introductory chapter urges us to exorcise our tendency to reduce historical experiences of the demonic to forms of unreason created in a distant past. Only then can we understand the role of the demonic in our historical definition of the self and the other. Richly illustrated with 112 images, the book will interest historians and art historians.
This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.
This collection of essays considers the development and meaning of the iconostasis, the screen used in churches to separate the sanctuary from the nave. The contributors approach the history of the icon screen from a variety of disciplines, including art history, theology, and architecture.
Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address the ethics of scholarship today by positing a global turn in response to growing demands for socially responsible medieval studies. Collectively, the contributors demonstrate how “going out of bounds” can transform modern understanding of the people, traditions, and relationships that gave rise to medieval works. As such, this book argues for the necessity of reshaping scholarly discourse about the nature and significance of medieval art and generates fresh scholarly interpretations and important new critical tools for teaching and researching the Middle Ages. The contributors to this volume are Suzanne Conklin Akbari, Michele Bacci, Jill Caskey, Eva Frojmovic, Sarah M. Guérin, Christina Maranci, Alice Isabella Sullivan, Thelma K. Thomas, Michele Tomasi, and Alicia Walker.
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In Ritual Boundaries, Joseph E. Sanzo transforms our understanding of how early Christians experienced religion in lived practice through the study of magical objects, such as amulets and grimoires. Against the prevailing view of late antiquity as a time when only so-called elites were interested in religious and ritual differentiation, the evidence presented here reveals that the desire to distinguish between religious and ritual insiders and outsiders cut across diverse social strata. The magical evidence also offers unique insight into early biblical reception, exposing a textual world in which scriptural reading was multisensory and multitraditional. As they addressed sickness, demonic struggle, and interpersonal conflicts, Mediterranean people thus acted in ways that challenge our conceptual boundaries between Christians and non-Christians; elites and non-elites; and words, materials, and images. Sanzo helps us rethink how early Christians imagined similarity and difference among texts, traditions, groups, and rituals as they went about their daily lives.