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"The Crooked Stick" follows the adventures of Pollie, a young woman who is sent to live with her uncle in the Australian outback after being caught in a scandalous situation. Pollie must navigate life's challenges in the harsh wilderness, including dangerous animals and the often-treacherous behavior of her fellow settlers. Moreover, the novel explores themes such as loyalty, betrayal, and the complexities of human relationships. Boldrewood's vivid descriptions of the Australian landscape and well-drawn characters make for a compelling and memorable read.
Reproduction of the original: The Crooked Stick by Rolf Boldrewood
A Romance of Canvas Town and Other Stories by Rolf Boldrewood is about Evan Cameron. Evan compassionately defends a young Miss Melton on the day of a market and finds the love of his life. Excerpt: "DWELLERS in Melbourne during 1851 and the immediately succeeding years of the golden age in Australia will remember Canvas Town. Good cause, doubtless, has certain prosperous citizens to recall the strange suburb of Melbourne across the river, in which they, with hundreds of strangers and pilgrims, were fain to abide, pending suitable lodgings or employment."
"Shearing in the Riverina, New South Wales" by Rolf Boldrewood is a book about Australian animal culture. Excerpt: "Shearing commences to-morrow!" These apparently simple words were spoken by Hugh Gordon, the manager of Anabanco station, in the district of Riverina, in the colony of New South Wales, one Monday morning in the month of August. The utterance had its importance to every member of a rather extensive "CORPS DRAMATIQUE" awaiting the industrial drama about to be performed.
The Miner's Right, A Tale of the Australian Goldfields by Rolf Boldrewood is a first-person account of Boldrewood's experience as Goldfields Commissioner at Gulgong in the 1870s. Excerpt: "I AM in Australia at last--actually in Botany Bay, as we called the colony of New South Wales when Joe Bulder and I first thought of leaving that dear quiet old Dibblestowe Leys in Mid-Kent. More than that, I am a real gold digger--very real, indeed--and the holder of a Miner's Right, a wonderful document, printed and written on parchment, precisely as follows."
Robbery Under Arms is a bushranger novel by Rolf Boldrewood. Boldrewood was an Australian author. Excerpt: "Father was one of those people that gets shut of a deal of trouble in this world by always sticking to one thing. If he said he'd do this or that he always did it and nothing else. As for turning him, a wild bull half-way down a range was a likelier try-on. So nobody ever bothered him after he'd once opened his mouth. They knew it was so much lost labour. I sometimes thought Aileen was a bit like him in her way of sticking to things. But then she was always right, you see. So that clinched it. Mother gave in like a wise woman, as she was. The clergyman from Bargo came one day and christened me and Jim—made one job of it. But mother took Aileen herself in the spring cart all the way to the township and had her christened in the chapel, in the middle of the service all right and regular, by Father Roche."
A Sydney-Side Saxon by Rolf Boldrewood is about Christmas time at Bandra's house for Job Claythorpe and his family. Excerpt: "'CHRISTMAS time, and old Mr. Claythorpe, of Bandra, Willendoon, Yugildah, and a lot of other stations--for he's a well-in squatter, that took up runs or bought them cheap before free selection, and land-boards, and rabbits, and all the other bothers that turn a chap's hair gray before his time."
"In Bad Company, and other stories" by Rolf Boldrewood s a collection of short stories and prose essay. The tales in this volume's collection are: "In Bad Company" "Morgan the Bushranger" "How I Became a Butcher" "Moonlighting on the Macquarie" "An Australian Roughriding Contest" "The Mailman's Yarn : An Ower True Tale" "Dear Dermot" "The Story of an Old Log-Book" "A Kangaroo Shoot" "Five Men's Lives For One Horse" "Reedy Lake Station" "A Forgotten Tragedy" "The Horse You Don't See Now" "How I Began to Write" "A Mountain Forest" "The Free Selector : A Comedietta" "Free Hospitality" "Lapsed Gentlefolk" "Shearing in the Riverina, New South Wales" "Ancient Sydney" "After Long Years" "In the Droving Days" "The Australian Native-Born Type" "My School Days" "Sydney, Fifty Years Ago" "Old Time Thoroughbreds" "The First Port Fairy Hunt" "Bendemeer" "Sport in Australia" "Old Stock-Riders" "Mount Macedon" "Walks Abroad" "From Tumut to Tumberumba" "In the Throes of a Drought" "A Spring Sketch" "New Years Day 1886" "A Dry Time" "In the Bloom of the Year" "Fallen Among Thieves" "A Transformation Scene" and "In Bushranging Days".
"The Ghost Camp; or, the Avengers" by Rolf Boldrewood. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This work presents an intriguing story based on the war of Maori. The war took place between the New Zealand Colonial government and allied Maori on one side and Maori and Maori-allied settlers on the other. The romantic novelist Rolf Boldrewood has blended the past and the period in which he wrote the book remarkably. The events described in this romance of the Maori war were of the sixties, but the people and localities belonged to 1899. The vivid descriptions and skills of the author along with the unique plot made this work stand out during its time. Excerpt from "War to the Knife;" or, Tangata Maori "Think of the grand hall, sixty feet in length, twenty-six in width, extending to the roof with its fine old oaken rafters and queer post trusses! Think of the floor of polished oak, the walls with their priceless oak panelling, with carved frieze and moulded cornice; the mullioned windows, with arched openings giving light to King Edward's corridor on the first floor, carried across one corner of the hall by the angle gallery!"