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02 The most comprehensive and up-to-date anthology of major documents in literary criticism and theory from Plato to the present, with a highly praised critical apparatus, including introductions, headnotes, bibliographies, and glosses.
"The most comprehensive and up-to-date anthology of major documents in literary criticism and theory from Plato to the present, with a highly praised critical apparatus, including introductions, headnotes, bibliographies, and glosses." --Publisher.
Critical theory emerged in the 1920s from the work of the Frankfurt School, the circle of German-Jewish academics who sought to diagnose -- and, if at all possible, cure -- the ills of society, particularly fascism and capitalism. In this book, Stephen Eric Bronner provides sketches of leading representatives of the critical tradition (such as George Lukács and Ernst Bloch, Theodor Adorno and Walter Benjamin, Herbert Marcuse and Jurgen Habermas) as well as many of its seminal texts and empirical investigations. This Very Short Introduction sheds light on the cluster of concepts and themes that set critical theory apart from its more traditional philosophical competitors. Bronner explains and discusses concepts such as method and agency, alienation and reification, the culture industry and repressive tolerance, non-identity and utopia. He argues for the introduction of new categories and perspectives for illuminating the obstacles to progressive change and focusing upon hidden transformative possibilities. In this newly updated second edition, Bronner targets new academic interests, broadens his argument, and adapts it to a global society amid the resurgence of right-wing politics and neo-fascist movements.
The final section explores concepts of the artist as a producing subject and of the viewer as a produced subject with respect to such artists as Pablo Picasso, Marcel Duchamp, Andy Warhol, and Sherrie Levine.
Henry Louis Gates, Jr.'s Tradition and the Black Atlantic is both a vibrant romp down the rabbit hole of cultural studies and an examination of the discipline's roots and role in contemporary thought. In this conversational tour through the halls of theory, Gates leaps from Richard Wright to Spike Lee, from Pat Buchanan to Frantz Fanon, and ultimately to the source of anticolonialist thought: the unlikely figure of Edmund Burke. Throughout Tradition and the Black Atlantic, Gates shows that the culture wars have presented us with a surfeit of either/ors -- tradition versus modernity; Eurocentrism versus Afrocentricism. Pointing us away from these facile dichotomies, Gates deftly combines rigorous scholarship with humor, looking back to the roots of cultural studies in order to map out its future course.
Edward Lobb’s study, first published in 1981, is a thorough examination of Eliot’s relation to Romantic criticism. This title also makes extensive use of Eliot’s Clark Lectures on metaphysical poetry. Delivered in 1926, the lectures complete the picture of literary history set out in Eliot’s published work, and are, the author believes, essential to a full understanding of the poet’s ideas and their place in tradition. Drawing on a wide variety of primary sources and earlier scholarship, T. S. Eliot and the Romantic Critical Tradition will be of interest to students of literature.
The current political climate of uncompromising neoliberalism means that the need to study the logic of our culture—that is, the logic of the capitalist system—is compelling. Providing a rich philosophical analysis of democracy from a negative, non-identity, dialectical perspective, Vasilis Grollios encourages the reader not to think of democracy as a call for a more effective domination of the people or as a demand for the replacement of the elite that currently holds power. In doing so, he aspires to fill in a gap in the literature by offering an out-of-the-mainstream overview of the key concepts of totality, negativity, fetishization, contradiction, identity thinking, dialectics and corporeal materialism as they have been employed by the major thinkers of the critical theory tradition: Marx, Engels, Horkheimer, Lukacs, Adorno, Marcuse, Bloch and Holloway. Their thinking had the following common keywords: contradiction, fetishism as a process and the notion of spell and all its implications. The author makes an innovative attempt to bring these concepts to light in terms of their practical relevance for contemporary democratic theory.
Nicholas addresses the failure of reason in modernity to bring about a just society, a society in which people can attain fulfillment.
"A comprehensive study on Barthes and photography . . . the most studious research on the topic."--Antoine Compagnon, Columbia University and the Sorbonne "Interesting and significant. . . . Important for scholars, students, and general readers interested in literature, art, photography, critical theory, and media studies."--Scott Nygren, University of Florida French theoretician Roland Barthes enjoyed a long and shifting relationship with photography, using it first as metaphor, moving on to explore its use in movies, film stills, political campaigns, and popular photographic essays, and finally confronting it anew with the death of his mother. Although Barthes' last book, and his only book-length study of photography, Camera Lucida, has enormously influenced study of visual images in the arts and humanities, this is the first examination in English of Barthes's work on the visual arts. Nancy Shawcross brings together and analyzes for the first time--in any language--all of Barthes's writings, both direct and indirect, about visual media in its many forms. Shawcross reads Camera Lucida against the whole of Barthes' work, an intertextual approach that reanimates his earlier writings in a way that a strictly chronological discussion would not. By focusing on the border between literature and photography, Shawcross combines theoretical and philosophical questions with the history and cultural contexts of photography. This meticulously researched book places Barthes's thought on photography in the context of his own developing ideas about semiology, tracking origins, rejections, and departures. It shows Barthes's affinities with and distinction from other theorists of photography such as Baudelaire and Benjamin and, finally, examines his thought in the context of postmodern discussions of photography that followed it. Nancy Shawcross teaches comparative literature at the University of Pennsylvania and serves as curator of manuscripts in the Department of Special Collections there. She co-organized a 1994 international conference on Barthes at the university and has published articles and book chapters in the field of literary criticism.
Of Critical Theory and its Theorists is an intelligent , accessible overview of the entire Critical Theory Tradition, written by one of the leading experts on the subject. Filled with original insights and valuable historical narratives, Of Critical Theory and ItsTheorists covers the work of major philosphical thinkers such as Benjamin, Horkheimer, Adorno, Marcuse and Habermas and revisits the contributions of lesser-known figures such as Karl Korsch and Ernst Bloch. Bronner measures the writing of these theorists against each other, postmodernist philosophers and the critical tradition reaching back to Hegel. Of Critical Theory andIts Thoerists presents new insights useful to experienced scholars and offers clear summaries for students making this book an ideal introduction to the debates surrounding one of the most important intellectual traditions of the 20th Century.