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Katherine Mansfield was a formidable critic: astute, witty and something more - she had, as Middleton Murry put it, an extraordinary style and critical verve, mastery and 'sureness of touch'. This is the first scholarly edition of her critical writings. A substantial introduction sets the scene for an understanding of Katherine Mansfield's position as a woman writer on the edge of, but never completely accepted by, Bloomsbury; responding to the pressures of the First World War, illness and exile, and attempting to reconcile the facts of life with the truths of fiction. Careful annotation supplies essential information for following the evolution of her ideas - and her art - from 1907 until her death in 1923.
Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield’s influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield’s life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.
This comprehensive bibliography of Katherine Mansfield's entire written output is chronologically arranged and includes extracts from unpublished material and manuscript locations.
This book offers a new introduction to Katherine Mansfield's short stories focusing on the question of the connection between life and writing in her work. This book offers a new introduction to Katherine Mansfield's short stories informed by recent biographical, critical and editorial work on her life and on her stories, letters and notebooks. The study focuses on the question of the connection between life and writing in Mansfield's work: it explores her engagements with issues of personal identity and elaborates her theory and practice of a poetics of impersonation whereby the identity of the author is merged with those of her characters. Bennett argues that Mansfield's multiple and unstable identities and identifications are bound up with issues of colonialism, nationality, gender, and sexuality, and that they may be said to be embedded within the very texture of her prose. Mansfield's impersonations, in their engagement with a 'queer' aesthetics, with strangeness and surprise, with hatred, with
Katherine Mansfield (1888-1923) was one of the leading figures in the development of the modernist short story and her writings were a profound influence on writers such as Virginia Woolf and D.H. Lawrence. Presenting for the first time draft manuscripts of some of her most important stories, this book gives scholars and students alike vivid new insight into Mansfield's creative process. With manuscripts for each text presented in facsimile and transcript, detailed notes throughout compare early drafts with later revisions and the final published work. In the final section of the book leading scholars offer vivid new critical readings exploring the manuscript history of these stories. A detailed descriptive listing of the major Mansfield archives is also included to help researchers explore the work further. The stories included are: 'Je ne parle pas francais'; 'Sun and Moon'; 'Revelations'; 'The Stranger'; 'The Daughters of the Late Colonel'; 'Mr and Mrs Dove'; 'Marriage à la Mode'; 'The Voyage'; 'Six Years After'; 'The Fly'.