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Investigator Yashim travels to Venice in the latest installment of the Edgar® Award–winning author Jason Goodwin's captivating historical mystery series Jason Goodwin's first Yashim mystery, The Janissary Tree, brought home the Edgar® Award for Best Novel. His follow-up, The Snake Stone, more than lived up to expectations and was hailed by Marilyn Stasio in The New York Times Book Review as "a magic carpet ride to the most exotic place on earth." Now, in The Bellini Card, Jason Goodwin takes us back into his "intelligent, gorgeous and evocative" (The Independent on Sunday) world, as dazzling as a hall of mirrors and utterly compelling. Istanbul, 1840: the new sultan, Abdülmecid, has heard a rumor that Bellini's vanished masterpiece, a portrait of Mehmet the Conqueror, may have resurfaced in Venice. Yashim, our eunuch detective, is promptly asked to investigate, but -- aware that the sultan's advisers are against any extravagant repurchase of the painting -- decides to deploy his disempowered Polish ambassador friend, Palewski, to visit Venice in his stead. Palewski arrives in disguise in down-and-out Venice, where a killer is at large as dealers, faded aristocrats, and other unknown factions seek to uncover the whereabouts of the missing Bellini. But is it the Bellini itself that endangers all, or something associated with its original loss? And why is it that all the killer's victims are somehow tied to the alluring Contessa d'Aspi d'Istria? Will the Austrians unmask Palewski, or will the killer find him first? Only Yashim can uncover the truth behind the manifold mysteries.
The beautiful but innocent Paolina Mansfield almost loses her life when the ship that she is a passenger on is tragically wrecked in a storm off the coast of Italy.All aboard, including her father were lost, except just for herself and her handsome rescuer, Sir Harvey Drake, who is a descendant of the famous Sir Francis Drake himself. Already reduced to the point of penury by her father’s addiction to endless gambling, Paolina now has nothing left in her life and no family or friends to come to her aid. But Sir Harvey, by his own admission a ‘gentleman adventurer’, devises a grand plan for her that would save them both, as he also has many financial problems of own in Endland. As Paolina is so beautiful and captivating, he intends to marry her off to a wealthy suitor in Italy and share the resulting riches with her. Presented to the highest echelons of Venice Society as his sister, Paolina’s demure beauty instantly bewitches some of Venice’s most illustrious and eligible gentlemen and she is overwhelmed by amorous approaches especially from the sinister and extremely rich Duke of Ferrara. Yet she is deeply unhappy. Because it seems that Paolina is condemned to marry someone she does not and cannot love and she has already lost her heart to her swashbuckling but penniless saviour.