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A young man stands in the dock accused of murder. A brutal murder, apparently motiveless. When Professor Chesney, a psychologist specialising in trauma, is called as an expert witness, he is at first baffled. This young man, Huey Dunstan, was a bubbly, smiling child not so long ago. What brought him to bludgeon an old man to death? Why does he seem determined at all cost to incriminate himself? As Ches delves into Huey's past, with the sensitive insight that perhaps only a blind man could have, a psychological mystery unravels. And the jury is asked to consider an unthinkable defence. The Crime of Huey Dunstan takes us beyond questions of guilt and innocence to thought provoking ideas on justice and humanity. An emotionally engaging, beautifully written novel from one of New Zealand's most revered writers.
Mr. Palmer, a native and life-long resident of Knox County, Indiana, describes his memories of and association with baseball in the county (written at the request of the Knox County Public Library as a part of its oral history project).
A topical and compelling novel exploring the twin enigmas of buried memory and provocation. How do I describe him? Bubbly, mischievous. Surly, uncooperative. Happy-go-lucky, straightforward. Devious, calculating? Professor Chesney - Ches for short - recalls a court case in which he was an expert witness. At its centre is Huey Dunstan, a young man accused of murdering a taxi driver in cold blood. Ches, called in to try to determine the motivation behind this uncharacteristic act of violence, is at first baffled by an ordinary, unassuming, polite young man who seems determined at all costs to incriminate himself. The crux of the case involves the twin enigmas of buried memory and provocation, both contentious elements that require risk-taking at the edge of New Zealand law. But Ches is no foreigner to dilemmas of this kind: he is a trained psychologist, specialising in trauma, and he is blind. This is a compelling, beautifully written novel. It is both emotionally engaging and thought-provoking - an important insight into the workings of the law . . . and of humanity. 'A tale told with such beguiling modesty that its toughness, maturity and emotional power will take you by surprise.' Helen Garner
A memoir that is at once a self-portrait, a hymn to a vanishing New Zealand, and a record of a varied cast of influential people. A young man leaves home a deckhand on a Norwegian freighter, to travel the world. He returns to New Zealand changed almost beyond recognition. Along the way he meets nine people who influence his life and help make him the writer he becomes. James McNeish's Touchstones has a cast of characters who include 'the Mother Courage of the English theatre', an anti-Mafia reformer in Sicily, a Kanak revolutionary who is assassinated, a rejected cousin and 'Mr Punch in naval uniform', the New Zealand poet Denis Glover. All are larger than life. Some of them, like the author's mysterious Maori aunt, are good enough to bottle. The book is witty, poignant and in the words of its editor, Emma Neale, 'rich in astonishing anecdote'.
Passport to Hell is the story of James Douglas Stark—"Starkie"—and his war. Journalist and novelist Robin Hyde came across Starkie while reporting in Mt Eden Gaol in the 1930s and immediately knew she had to write his "queer true terrible story." Born in Southland and finding himself in early trouble with the law, the young Starkie tricked his way into a draft in 1914 by means of a subterfuge involving whisky and tea. He had a subsequent checkered career in Egypt, Gallipoli, Armentières, the Somme, and Ypres. Hyde portrays a man carousing in the brothels of Cairo and the estaminets of Flanders; looting a dead man's money-belt and filching beer from the Tommies; attempting to shoot a sergeant through a lavatory door in a haze of absinthe, yet carrying his wounded captain back across No Man's Land; a man recommended for the V.C. and honored for his bravery—but also subject to nine court martials. It is a portrait of a singular individual who has also been described as the quintessential New Zealand soldier.
The true story of five talented young men in exile in the time of Hitler and Mao Tse-Tung. 'Altogether they knew five wars, three revolutions and - in the case of Ian Milner, accused in the Cold War of being a spy - a slander.' Regarded by one critic as 'the best book published in New Zealand in the last twenty years', this is a fascinating story based on letters, diaries and interviews in several countries. It is the story of a group of Rhodes scholars, five young men - James Bertram, Geoffrey Cox, Dan Davin, Ian Milner, John Mulgan - caught up in the turmoil of their times: Spain, Hitler's Germany, Greece and North Africa, Eastern Europe, China. They left New Zealand in the thirties for 'the dreaming spires' of Oxford. War intervened. Only one returned.
From the author of the highly praised The Pencil and The Evolution of Useful Things comes another captivating history of the seemingly mundane: the book and its storage. Most of us take for granted that our books are vertical on our shelves with the spines facing out, but Henry Petroski, inveterately curious engineer, didn't. As a result, readers are guided along the astonishing evolution from papyrus scrolls boxed at Alexandria to upright books shelved at the Library of Congress. Unimpeachably researched, enviably written, and charmed with anecdotes from Seneca to Samuel Pepys to a nineteenth-century bibliophile who had to climb over his books to get into bed, The Book on the Bookshelf is indispensable for anyone who loves books.
The New York Times Book Review Editors' Choice • The engrossing true-crime classic from one of Australia’s most acclaimed writers, that follows a man and his broken life, a community wracked by tragedy, and the long and torturous road to closure •"This House of Grief, in its restraint and control, bears comparison with In Cold Blood."—Kate Atkinson, author of Big Sky and Shrines of Gaiety On the evening of Father’s Day, 2005, separated husband Robert Farquharson was driving his three young sons back to their mom’s house when the car veered off the road and plunged into a dam. Farquharson survived the crash, but his boys drowned. Was this a tragic accident, or an act of revenge? The court case that followed became a national obsession—a macabre parade of witnesses, family members, and the defendant himself, each forced to relive the unthinkable for an audience of millions. In This House of Grief, celebrated writer Helen Garner tells the definitive and deeply absorbing story of it all, from crash to final verdict. Through a panoply of perspectives, including her own as a member of the public, Garner captures the exacting procedure and brutal spectacle of Australia’s criminal justice system. The result is a richly textured portrait—of a man and his broken life, of a community wracked by tragedy, and of the long and torturous road to closure. Considered a literary institution in Australia, Helen Garner’s incisive nonfiction evokes the keen eye of the New Journalists. Brisk, candid, and never dismissive of its flawed subjects, This House of Grief is a masterwork of literary journalism.
The Vietnam War, and Australia’s part in it, was a major military event, calling for willingness to face death and destruction on the battlefield on the part of those sent there, especially the men of our infantry battalions who formed the spearhead of our forces in Vietnam. For many reasons, the Australian public know relatively little about what our Army did in Vietnam during the war, particularly during the years of our peak commitment, 1965–72. This book attempts to make the true nature of the war clearer to readers, emphasising how hard fought it was during major operations. Twenty-seven of the contributing authors of this book were involved in the 1966 deployment of the 1st Australian Task Force into Phuoc Tuy Province. This formation was the first Australian Army force larger than an infantry battalion group to be deployed into a major war since World War II. 5th Battalion, the Royal Australian Regiment (5 RAR), was in the vanguard as the task force’s first element committed to operations to seize and occupy Nui Dat base and embark on establishing dominance over the enemy. The narratives presented in this book give rare insights into thoughts of the soldiers at the time and how they have come to view the Australian Government’s hurried expansion of its initial commitment to that war, the Army’s state of preparedness for that wider involvement, and how those in its forefront adapted to get the job done, both in and out of operations, despite numerous shortcomings in higher level planning. Both professional soldiers and conscripted national servicemen have contributed viewpoints to these pages.