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THE FIRST CAMPION MYSTERY 'Margery Allingham stands out like a shining light' Agatha Christie A suspicious death and a haunted family heirloom were not advertised when Dr George Abbershaw and a groupof London's brightest young things accepted an invitation to the mansion of Black Dudley. Skulduggery is most certainly afoot, and the party-goers soon realise that they're trapped in the secluded house. Amongst them is a stranger who promises to unravel the villainous plots behind their incarceration - but can George and his friends trust the peculiar young man who calls himself Albert Campion?
“A top-notch mystery full of keen characterization, humor, old English atmosphere, a charmingly decadent family, and a few sudden deaths.” —The New York Times A beggarwoman on a bench arouses Albert Campion’s curiosity—and helps Scotland Yard lure him into a case of family dysfunction. The seemingly destitute woman is none other than a member of the eccentric Palinode family, which has recently lost two of its members. The police suspect a poisoner is on the loose, which is why Campion is willing to go undercover as a lodger in the boardinghouse where they live. As the recently deceased are exhumed, Campion becomes acquainted with the old-fashioned, out-of-the-ordinary family members, who talk in crossword puzzle clues, sneak out at night, and cook vats of stinky food in the basement to save money. And if that’s not enough to keep Campion on his toes, the local undertaker seems to be digging himself into a hole . . . Praise for Margery Allingham “Margery Allingham stands out like a shining light.” —Agatha Christie “The best of mystery writers.” —The New Yorker “Don’t start reading these books unless you are confident that you can handle addiction.” —The Independent “One of the finest Golden-Age crime novelists.” —The Sunday Telegraph “Spending an evening with Campion is one of life’s pure pleasures.” —The Sunday Times
A house-party with a glittering guest-list. An imposing country estate with endless shadowy staircases and unused rooms. The breathless period between the two world wars. It's the ideal setting for the classic English murder mystery, and bringing it to perfection is the introduction - in a supporting role, for the first and last time - of Albert Campion, the consummate (if compulsively quipping) Gentleman Sleuth. The guests take some time to be grateful for Campion's presence; he is a bit peculiar, and they have more than enough distractions, what with various complicated love affairs, a curious ritual involving a jewelled dagger, and a deadly game of hide-and-seek. But the savvy reader will be singing hosannas from Campion's first appearance, knowing that it marks the beginning of one of the most intelligent and delightful series in the history of crime fiction. An extremely fine tale of death in an English country house - New York Times
The imperious Caroline Faraday runs her house like a Victorian fiefdom, unconcerned with the fact that it's 1931. Furniture and meals are heavy and elaborate, both motorcars and morning tea are forbidden on account of vulgarity. The Faraday children - now well into middle age -- chafe at the restrictions, but with no money of their own, they respond primarily by quarreling amongst themselves. Their endless squabbling is tedious but nothing more until one of them turns up missing and then dead, followed shortly by his petulant, whining sister. Though neither will be much missed, decency demands that Caroline Faraday hire the nearly respectable Albert Campion to investigate their untimely ends. Unfortunately, what Mr. Campion discovers will force the modern world relentlessly into Mrs. Faraday's stuffy Victorian parlor. A richly detailed and entertaining romp, with a fascinating resolution and an unconventional and winning sleuth - Chicago Tribune
Private detective Albert Campion hunts a serial killer in London’s theatre district, in this crime novel from “the best of mystery writers” (The New Yorker). A spate of murders leaves Campion with only two baffling clues: a left-hand glove and a lizard-skin letter-case. These minimal leads, and a series of peculiar events, set the gentleman sleuth on a race against time that takes him from an odd museum of curiosities hidden in a quiet corner of London to a scrapyard in the East End. Margery Allingham shows her dark edge in Hide My Eyes and evokes the sights, sounds, and inimitable atmosphere of 1950s London, once again proving herself “one of the finest ‘golden age’ crime novelists” (Sunday Telegraph). “Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky “Allingham’s characters are three-dimensional flesh and blood, especially her villains.” —Times Literary Supplement
“Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky World War II is limping to a close and private detective Albert Campion has just returned from years abroad on a secret mission. Relaxing in his bath before rushing back to the country, and to the arms of his wife, Amanda, Campion is disturbed when his servant, Lugg, and a lady of unmistakably aristocratic bearing appear in his flat carrying the corpse of a woman. The reluctant Campion is forced to put his powers of detection to work as he is drawn deeper into the case, and into the eccentric Caradocs household, dealing with murder, treason, grand larceny, and the mysterious disappearance of some very valuable art. “Margery Allingham deserves to be rediscovered.” —P.D. James “Margery Allingham was one of the greatest mid-20th-century practitioners of the detective novel.” —Alexander McCall Smith
“The Tiger in the Smoke is a phenomenal novel.” —J. K. Rowling A fog is creeping through the weary streets of London—so too are whispers that the Tiger is back in town, undetected by the law, untroubled by morals. And the rumors are true: Jack Havoc, charismatic outlaw, knife-wielding killer, and ingenious jail-breaker, is on the loose once again. As Havoc stalks the smog-cloaked alleyways of the city, it falls to Albert Campion to hunt down the fugitive and put a stop to his rampage—before it’s too late . . . “Allingham’s work is always of the first rank.” —The New York Times
A mysterious invention causes mayhem in a coastal English village—from “my very favourite of the four Queens of Crime” (J. K. Rowling). The ancient hamlet of Saltey, once the haunt of smugglers, now hides a secret rich and mysterious enough to trap all who enter . . . and someone in town is willing to terrorize, murder, and raise the very devil to keep that secret to themselves. When a transistor thought to be the key to telepathic communication is found, Albert Campion is called to sort fact from fiction. But the device at the center of the mystery is in the possession of two schoolboys, and whether they stole it or invented it, there are others who will kill to get hold of it. “Allingham has a strong, well controlled sense of humour, a power of suggesting character with a few touches and an excellent English style. She has a sense of the fantastic, and is never dull” —Times Literary Supplement
DigiCat Publishing presents to you this special edition of "Flowers for the Judge" by Margery Allingham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
DigiCat Publishing presents to you this special edition of "The Crime at Black Dudley" by Margery Allingham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.