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"Stunning. . . . a bit like if you took Charlie and the Chocolate Factory and Monsters Inc. and shoved them in a TARDIS."—Buzzfeed It’s a tentacled, inventive, gooey, world in there. . . . Elliot Von Doppler and his friend Leslie think nothing ever happens in Bickleburgh, except inside the gleaming headquarters of DENKi-3000—the world’s eighth-largest electronics factory. Beneath the glass towers and glittering skywalks, there's a rambling old mansion from which all the company’s amazing inventions spring forth. And no one except Uncle Archie knows what’s behind the second-to-last door at the end of the hall. Until Elliot and Leslie are invited to take a glimpse inside. They find stooped, troll-like creatures with jutting jaws and broken teeth. Tiny winged things that sparkle as they fly. And huge, hulking, hairy nonhumans (with horns). It is unlike anything they’ve ever seen. But when Chuck Brickweather threatens to shut down the DENKi-3000 factory if a new product isn’t presented soon, the creatures know they are in danger. And when Uncle Archie vanishes, it’s up to Elliot, Leslie, and every one of the unusual, er, “employees” to create an invention so astonishing it will save the Creature Department.
Offers a sophisticated rhyming adventure featuring a courageous girl named Katrina Katrell and her intriguing quest to uncover the secrets of the mysterious Zorgamazoo. 30,000 first printing.
Jamie Carpenter's father is dead, his mother is missing, and he was just rescued by an enormous creature named Frankenstein. Now Jamie is pulled into a secret organization responsible for policing the supernatural, founded more than a century ago by Abraham Van Helsing. . . . Department Nineteen takes us through history, across Europe, and beyond - from the cobbled streets of Victorian London to prohibition-era New York, from the icy wastes of Arctic Russia to the treacherous mountains of Transylvania. Part modern thriller, part classic horror, it's packed with mystery, mayhem, and a level of suspense that makes a Darren Shan novel look like a romantic comedy.
IF THESE CREATURES DON'T PUT ON A SHOW, THEY'LL BE PUT ON A PLATE! When Jean-Remy receives a singing telegram from his long-lost sister, Eloise Yvette, the Creature Department is once again thrown into an invention frenzy. Rumor has it that the Ghorks have taken Heppleworth’s Food Factory hostage. And worse, they are threatening to make tasty treats of the creatures inside! Elliot and Leslie lead the way to the town of Simmersville with Ghork-grappling inventions in hand. A grand Food Festival is in full swing, and the fanciest restaurant in town is serving a very suspicious Special. Elliot takes a bite, but when strange green hair starts growing on his arm, he wishes he hadn’t. A very hairy Elliot, a blurrified Leslie, and our favorite department of creatures finally come nose-to-snout with the Ghorks and uncover a sinister scheme. But can they fend off the gang of ravenous Ghorks before dinnertime? Praise for The Creature Department: “Stunning. . . . a bit like if you took Charlie and the Chocolate Factory and Monsters Inc. and shoved them in a TARDIS.”—Buzzfeed “The creatures are a giggle-inducing example of an imagination run wild.”—Associated Press “The creatures are the main appeal . . . and their antics, coupled with the strong visuals, will attract readers who enjoy imaginative, slightly silly fantasies.”—School Library Journal “A literal Creature feature, with plenty of cinematic and digital spinoff potential.”—Kirkus “A lot of silliness, a bit of rickum rockery, and a giggle of grossness.”—New York Journal of Books
Elliot Von Doppler and his friend Leslie think nothing ever happens in Bickleburgh, except inside the gleaming headquarters of DENKi-3000--the world's eighth-largest electronics factory.
This acclaimed biography shines a light on a trailblazing woman who created a classic movie monster—and the author’s quest to rescue her from obscurity. As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But while Patrick should have been hailed as a pioneer in the genre, there was little information available about her. As O’Meara discovered, Patrick’s contribution had been claimed by a jealous male colleague and her career had been cut short. No one even knew if she was still alive. As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since. A Hugo and Locus Award Finalist A Thrillist Best Book of the Year One of Booklist’s 10 Best Art Books of the Year
From bestselling authors Maggie Stiefvater and Jackson Pearce comes an exciting new series full of magical creatures, whimsical adventures, and quirky illustrations. Here's a list of things Pip Bartlett can talk to:UnicornsMiniature Silky GriffinsBitterflunksBasically, all magical creaturesHere's a list of things she can't talk to (at least, not very well):ParentsTeachersBasically, all peopleBecause of a Unicorn Incident at her school (it was an accident!), Pip is spending the summer with her Aunt Emma at the Cloverton Clinic for Magical Creatures. At first, it's all fun, games, and chatting with Hobgrackles, but when Fuzzles appear and start bursting into flame at the worst possible places, Pip and her new friend Tomas must take action. Because if the mystery of the Fuzzles isn't solved soon, both magical and unmagical creatures are going to be in a hot mess of trouble.
“[A] kaleidoscopic narrative . . . Tenacious, wildly original, and full of insight.” —San Francisco Chronicle “An alluring, atmospheric debut.” —People A Belletrist Book Club Pick A Most Anticipated Book of the Year Entertainment Weekly • The Millions • Bustle On the eve of Evangeline’s wedding on Winter Island, the groom may be lost at sea, a dead whale is trapped in the harbor, and Evie’s mostly absent mother has shown up out of the blue. From there, in this mesmerizing, provocative debut, the narrative flows back and forth through time as Evie reckons with her complicated upbringing—a weed-dealing, charming but neglectful father, a wild-child best friend—in this lush land off the coast of Southern California. With wit, love, and bracing flashes of anger, Creatures probes the complexities of family and abandonment, guilt and forgiveness, betrayal and grief—and exerts a pull as strong as the tides.
Ever since his father's arrest for the murder of Little Red Riding Hood, teen wolf Henry Whelp has kept a low profile in a Home for Wayward Wolves . . . until a murder at the Home leads Henry to believe his father may have been framed. Now, with the help of his kleptomaniac roommate, Jack, and a daring she-wolf named Fiona, Henry will have to venture deep into the heart of Dust City: a rundown, gritty metropolis where fairydust is craved by everyone and controlled by a dangerous mob of Water Nixies and their crime boss leader, Skinner. Can Henry solve the mystery of his family's sinister past? Or, like his father before him, is he destined for life as a big bad wolf?
The renowned philosopher and political theorist presents a summation of his influential work in this series of Columbia University lectures. A pioneer in the fields of modern linguistics and cognitive science, Noam Chomsky is also one of the most avidly read political theorist of our time. In this series of lectures, Chomsky presents more than half a century of philosophical reflection on all three of these areas. In precise yet accessible language, Chomsky elaborates on the scientific study of language, sketching how his own work has implications for the origins of language, the close relations that language bears to thought, its eventual biological basis. He expounds and criticizes many alternative theories, such as those that emphasize the social, the communicative, and the referential aspects of language. He also investigates the apparent scope and limits of human cognitive capacities. Moving from language and mind to society and politics, Chomsky concludes with a philosophical defense of a position he describes as "libertarian socialism," tracing its links to anarchism and the ideas of John Dewey, and even briefly to the ideas of Karl Marx and John Stuart Mill. Demonstrating its conceptual growth out of our historical past, he also shows its urgent relation to our present moment.