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Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 1,0 (A), University of Stuttgart (Institute for American Studies), language: English, abstract: Henry James was 35 years old in 1878 when he wrote "Daisy Miller". He was considered a celebrity in his home country America and also in England, which was later to become his second home. Not only was he successful in writing his novel, he also changed American literature with his masterpiece. Generations of literary critics have been dealing with "Daisy Miller" in terms of the creation of a new type of American female.1 In my paper I want to approach the novel a little differently by taking a closer look at the male protagonist Frederick Winterbourne. I would also like to take a closer look at the narrative perspective and the way Winterbourne is represented by it. Furthermore I am interested in the gender relationship between Daisy and Winterbourne and their attempts to find a way to get together. The problems arising from this, concerning Winterbourne, will lead me to the last topic, the crisis in American masculinity, the images of masculinity reflected in the novel and a way of creating a new identity of American men. A main problem is procrastination that keeps people from doing the right thing and developing as a person. Another thing I want to take a look at is the mystery Daisy as an American woman is for Winterbourne and how he deals with his insecurity. In fighting it he makes attempts to create his masculinity. James also intended to make his protagonists allegories of certain features in the American mentality and shows problems of American society in the 19th century. James takes an exemplary relationship by which he tries to depict the very tricky situation of America itself and gender-relation in America in those days. The young expatriate Winterbourne and his problems with his countrywoman Daisy Miller mirror the problematic situation of the nation. The way James employs shifts in his narration shows the reader how strange the situation is and somehow also comical. Winterbourne whose main interest is the innocence of Daisy is in bigger terms looking for America′s innocence that seemed to be lost after the end of the Civil War.
Henry James’s Daisy Miller was an immediate sensation when it was first published in 1878 and has remained popular ever since. In this novella, the charming but inscrutable young American of the title shocks European society with her casual indifference to its social mores. The novella was popular in part because of the debates it sparked about foreign travel, the behaviour of women, and cultural clashes between people of different nationalities and social classes. This Broadview edition presents an early version of James’s best-known novella within the cultural contexts of its day. In addition to primary materials about nineteenth-century womanhood, foreign travel, medicine, philosophy, theatre, and art—some of the topics that interested James as he was writing the story—this volume includes James’s ruminations on fiction, theatre, and writing, and presents excerpts of Daisy Miller as he rewrote it for the theatre and for a much later and heavily revised edition.
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake-a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon. I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the "Trois Couronnes," looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before by the little steamer, to see his aunt, who was staying at the hotel-Geneva having been for a long time his place of residence. But his aunt had a headache- his aunt had almost always a headache-and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva "studying." When his enemies spoke of him, they said-but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked.
Reproduction of the original: Daisy Miller by Henry James
"They are hopelessly vulgar. Whether or no being hopelessly vulgar is being 'bad' is a question for the metaphysicians. They are bad enough to dislike, at any rate; and for this short life that is quite enough."Daisy Miller is a novella by Henry James that first appeared in Cornhill Magazine in June-July 1878, and in book form the following year.The young Daisy Miller, an American on holiday with her mother on the shores of Switzerland's Lac Leman, is one of James's most vivid and tragic characters. Daisy's friendship with an American gentleman, Mr. Winterbourne, and her subsequent infatuation with a passionate but impoverished Italian bring to life the great Jamesian themes of Americans abroad, innocence versus experience, and the grip of fate. As Elizabeth Hardwick writes in her Introduction, Daisy Miller "lives on, a figure out of literature who has entered history as a name, a vision."
a study in two parts: Henry James' 1878 publication that brought him international fame, "Daisy Miller" is subtitled "A Study in Two Parts." The plot centers around a Europeanized American man named Winterbourne, who meets a nouveau riche American woman going by the name Daisy Miller. A short novel, James wields the sword of fiction to craft a "study" of the roles of men and women, social relationships, cultural intersection, the allure of money, foolishness and wisdom, the responsibilities of parents, and the impact of one's life upon others.
Daisy Miller is a novella by Henry James that first appeared in Cornhill Magazine in June-July 1878, and in book form the following year. It portrays the courtship of the beautiful American girl Daisy Miller by Winterbourne, a sophisticated compatriot of hers.
Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.