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Her father and her uncle were U.S. congressmen. Her grandfather was a U.S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances in many plays of the 1920s brought her to the notice of Hollywood. She starred in such Paramount films as My Sin, Faithless, The Devil and the Deep, and Thunder Below. Even though she won a New York Film Critics Circle Award for her leading role in Alfred Hitchcock's Lifeboat (1944), she never achieved the prominence in movies that she enjoyed in the theater and on radio. On the New York stage she originated the starring roles of Regina Giddens in Lillian Hellman's The Little Foxes and of Sabina in Thornton Wilder's The Skin of Our Teeth. Tallulah, like Eudora, Flannery, and Coretta, was a southern woman identifiable by her first name. Her flamboyant public personality may be the most fully realized and memorable character Bankhead ever played. She became famous for her snappy repartee, candid quotes, and scandalous lifestyle. She was disposed to remove her clothes and chat in the nude. Overfond of Kentucky bourbon and wild parties, she was a lady baritone who called everybody “Dahling.” In Tallulah, first published in 1952 and a New York Times bestseller for twenty-six weeks, Bankhead's literary voice is as lively and forthright as her public persona. She details her childhood and adolescence, discusses her dedication to the theater, and presents amusing anecdotes about her life in Hollywood, New York, and London. Along with a searing defense of her lifestyle and rambunctious habits, she provides a fiercely opinionated, wildly funny account of American stage at a time when the movies were beginning to cast theater into eclipse. This is not only a memoir of an independent woman but also an inside look at American entertainment during a golden age.
This vintage book contains the complete novels of J. Meade Falkner including “Moonfleet”, “The Lost Stradivarius”, and “The Nebuly Coat”. These fantastic novels will appeal to all fiction lovers and constitute must-reads for fans and collectors of Falkner's wonderful work. “Moonfleet” - The titillating tale of smuggling, treasure, and shipwreck set in 18th century England. "The Lost Stradivarius" - When a young wealthy man discovers a violin in a secret compartment of a college dorm, he becomes strangely reclusive and obsessed with a mysterious piece of music, roaming throughout England and Italy haunted by the ghost of the violin's previous owner. “The Nebuly Coat” - A suspense novel that tells the story of Edward Westray, a young architect overseeing the restoration of Cullerne Minister. He finds himself caught up in Cullerne life, and hears rumours about a mystery surrounding the claim to the title of Lord Blandamer. John Meade Falkner (1858–1932) was an English novelist and poet best known for his 1898 novel, “Moonfleet”. As well as being an accomplished writer, Falkner was also a successful businessman, becoming chairman of the weapons manufacturer Armstrong Whitworth in the First World War.
This vintage book contains John Meade Falkner's 1895 novella, "The Lost Stradivarius". When a young wealthy man discovers a violin in a secret compartment of a college dorm, he becomes strangely reclusive and obsessed with a mysterious piece of music, roaming throughout England and Italy haunted by the ghost of the violin's previous owner. John Meade Falkner (1858–1932) was an English novelist and poet best known for his 1898 novel, “Moonfleet”. As well as being an accomplished writer, Falkner was also a successful businessman, becoming chairman of the weapons manufacturer Armstrong Whitworth in the First World War.
Musaicum Books presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: The Adventures of Ferdinand Count Fathom The Castle of Otranto The Old English Baron Vathek The Ghost-Seer The Castle of Wolfenbach Caleb Williams The Mysteries of Udolpho The Italian A Sicilian Romance The Romance of the Forest The Monk The Orphan of the Rhine The Rime of the Ancient Mariner Christabel Zastrozzi St. Irvyne Manfred Northanger Abbey Frankenstein... Isabella, or the Pot of Basil La Belle Dame Sans Merci The Raven The Tell-Tale Heart The Fall of the House of Usher The Cask of Amontillado... The Vampyre... The Private Memoirs and Confessions of a Justified Sinner Porphyria's Lover St, John's Eve The Viy... Jane Eyre Wuthering Heights Sweeney Todd, the Demon Barber of Fleet Street The House of the Seven Gables... The Woman in White Goblin Market The Headless Horseman Strange Case of Dr Jekyll and Mr Hyde Carmilla Uncle Silas The Man-Wolf The Great Amherst Mystery The Hound of the Baskervilles... The Picture of Dorian Gray The Horla The Forsaken Inn The Yellow Wallpaper The Island of Doctor Moreau The Invisible Man The Beetle The Turn of the Screw... Dracula… The Necromancers The House on the Borderland The Phantom of the Opera… Wolverden Tower...
In Sounds as They Are, author Richard Beaudoin recognizes the often-overlooked sounds made by the bodies of performers and their recording equipment as music and analyzes these sounds using a bold new theory of inclusive track analysis (ITA). In doing so, he demonstrates new expressive, interpretive, and embodied possibilities and also uncovers insidious inequalities across music studies and the recording industry, including the silencing of certain sounds along lines of gender and race.
In the fourth novel in the #1 New York Times bestselling series featuring everyone's favorite wizard for hire, Harry Dresden is suckered into the tangled—and dangerous—affairs of Faerie... Ever since his girlfriend left town to deal with her newly acquired taste for blood, Harry Dresden has been down and out in Chicago. He can’t pay his rent. He’s alienating his friends. He can’t even recall the last time he took a shower. The only professional wizard in the phone book has become a desperate man. And just when it seems things can’t get any worse, in saunters the Winter Queen of Faerie. She has an offer Harry can’t refuse if he wants to free himself of the supernatural hold his faerie godmother has over him—and hopefully end his run of bad luck. All he has to do is find out who murdered the Summer Queen’s right-hand man, the Summer Knight, and clear the Winter Queen’s name. It seems simple enough, but Harry knows better than to get caught in the middle of faerie politics. Until he finds out that the fate of the entire world rests on his solving this case. No pressure or anything...
Musaicum Books presents to you a collection of the greatest horror, supernatural and gothic tales of all time: Washington Irving: The Legend of Sleepy Hollow Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle H. P. Lovecraft: The Case of Charles Dexter Ward At The Mountains of Madness The Colour out of Space The Whisperer in Darkness The Dunwich Horror The Shunned House… Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye… John William Polidori: The Vampyre Edgar Allan Poe: The Tell-Tale Heart The Cask of Amontillado The Black Cat… Henry James: The Turn of the Screw The Ghostly Rental… Bram Stoker: Dracula The Jewel of Seven Stars The Lair of the White Worm… Algernon Blackwood: The Willows A Haunted Island A Case of Eavesdropping Ancient Sorceries… Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet… Joseph Sheridan Le Fanu: Carmilla Uncle Silas… M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Woman in White The Haunted Hotel The Devil's Spectacles E. F. Benson: The Room in the Tower The Terror by Night… Nathaniel Hawthorne: The Birth Mark The House of the Seven Gables… Ambrose Bierce: Can Such Things Be? Present at a Hanging and Other Ghost Stories Arthur Machen: The Great God Pan The Terror… William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Dr. Greatrex's Engagement… Horace Walpole: The Castle of Otranto William Thomas Beckford: Vathek Matthew Gregory Lewis: The Monk Ann Radcliffe: The Mysteries of Udolpho Jane Austen: Northanger Abbey Charlotte Brontë: Jane Eyre Emily Brontë: Wuthering Heights Rudyard Kipling: The Phantom Rickshaw Guy de Maupassant: The Horla Jerome K. Jerome: Told After Supper…
The dusk was stretching out over the windy hills. There had been a skirmish that day in upper India. Two British columns which had campaigned for months apart telescoped with frightful sounds of gladness. Her Majesty’s foot-soldiers, already tightly knotted about their supper-fires, hooted the cavalrymen who were still struggling with halter-shanks, picket-lines, and mounts that pounded the turf and nickered sky-high for the feed-wagons to come in. Every puff of wind bore a new smell—coffee, camels, leather, gun-reek, cigarettes, saddle-blankets, and nameless others. To-morrow there would be a mile square of hill-pasture so tainted by man and beast that a native-bullock would starve before cropping there until the season of torrents soaked it sweet again. The civilian correspondents grouped together for mess. There was Bingley of the Thames, respected but not loved, and rather better known as the “Horse-killer”—a young man of Napoleonic ambition and Cowperish gloom. There was Finacune of the Word, who made a florid romance of war-stuff, garnished his battle-fields with palms and ancient temples, and would no more forget his moonlight than the estimate of the number slain. Finacune made a red-blooded wooer out of the British army, and a brown, full-breasted she-devil out of the enemy. His story of the campaign was a courtship of these two, and it read like “A Passion in the Desert,” for which the Word paid him well and loved him mightily. Finacune had another inimitable peculiarity. He possessed one of those slight, natty figures which even civilized clothes cannot spoil; and he could emerge from thirty days in the field, dapper and sartorially fit as from a morning’s fox-hunt. Then there were Feeney and Trollope and Talliaferro, who carry trays and announce carriages in this narrative, though high priests of the press and Londoners of mark. The point of the gathering was old Jerry Cardinegh, of the Witness, by profession dean of the cult of the British word-painters of war, but a Tyrone patriot, bone and brain and passion. Just now, old Jerry was taking a dry smoke, two ounces of Scotch, commanding his servants to beat a bull-cheek into tenderloin, and adorning the part of master of ceremonies. Cardinegh wore easily a triple fame: first, and always first, for the quality of his work; second, for having seen more of war (twenty-seven campaigns since he messed with the Chinese Gordon, to this night in Bhurpal) than any other man on the planet; and third for being the father of Noreen Cardinegh, absolutely the loveliest young woman manifesting at the present time in London. The old man’s tenderness of heart for Ireland and for all that Ireland had done and failed, was known in part among the scribes and Pharisees. It had been an endless matter of humor among his compatriots.