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From “one of the most important American writers of the 20th century” (Walter Mosley) comes a classic thriller in the trailblazing Harlem Detectives series, in which love and jealousy erupt into violence. One early morning, Reverend Short is watching from his bedroom window as the A&P across the street is robbed. As he tries to see the thief get away, the opium-addicted preacher leans too far and falls out--but he is unscathed, thanks to an enormous bread basket outside the bakery downstairs. As the crowd gathers to see what happened, a shocking discovery is made: There is another body in the bread basket, and Valentine Haines is dead, really dead. It's up to Grave Digger Jones and Coffin Ed Johnson to find out who murdered Val.
The night's over for Ulysses Galen. It started going bad for the big Greek when a knife was drawn, then there was an axe, then he was being chased and shot at. Now Galen is lying dead in the middle of a Harlem street. But the night's just beginning for detectives Grave Digger Jones and Coffin Ed Johnson. Because they have a smoking gun but it couldn't have killed Galen, and they had a suspect but a gang called the Real Cool Moslems took him. And as patrol cars and search teams descend on the neighbourhood, their case threatens to take a turn for the personal. The Real Cool Killers is loaded with grizzly comedy and with all the raucous, threatening energy of the streets it's set on.
When sun flares hit the Earth, intense heat, toxic radiation and flooding followed, wiping out much of the human race. Those who survived live in basic communities in the mountains, hunting for food. For Mark and his friends, surviving is difficult, and then an enemy arrives, infecting people with a highly contagious virus. Thousands die, and the virus is spreading. Worse, it's mutating, and people are going crazy. It's up to Mark and his friends to find the enemy - and a cure - before the Flare infects them all ...
Best friends Lucy, Elena, and Michael are excited to see "To Kill A Mockingbird" on their summer reading list. But not everyone in their class shares the same enthusiasm. So they hatch a plot to get the entire town talking about Harper Lee's classic novel.
The New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results. Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying. We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets. We were not planning on what happened next. We swear. Praise for Kill the Boy Band “Moldavsky’s sharp, shocking debut is like no other.” —Entertainment Weekly “Fiercely entertaining . . . One of the smartest YA releases of the year.” —New York Daily News “Misery for the Belieber generation.” —Observer.com “Boy bands gets the Heathers treatment in this madcap macabre . . . A sendup of the artificiality of the fame-making machine from both sides, the novel’s humor is mercilessly black, and no one comes up smelling like roses.” —Kirkus Reviews “Wickedly funny.” —NPR.org “Bitingly satirical.” —Publishers Weekly “[For] anyone who’s ever had the fortune-or misfortune-of being a fan.” —Booklist “Hilarious . . . A must-have.” —School Library Journal
‘I don’t like killing, but I’m good at it. Murder isn’t so bad from a distance, just shapes popping up in my scope. Close-up work though – a garrotte around a target’s neck or a knife in their heart – it’s not for me. Too much empathy, that’s my problem. Usually. But not today. Today is different . . . ‘ The year is 1955 and something is very wrong with the world. It is fourteen years since Churchill died and the Second World War ended. In occupied Europe, Britain fights a cold war against a nuclear-armed Nazi Germany. In Berlin the Gestapo is on the trail of a beautiful young resistance fighter, and the head of the SS is plotting to dispose of an ailing Adolf Hitler and restart the war against Britain and her empire. Meanwhile, in a secret bunker hidden deep beneath the German countryside, scientists are experimenting with a force far beyond their understanding. Into this arena steps a nameless British assassin, on the run from a sinister cabal within his own government, and planning a private war against the Nazis. And now the fate of the world rests on a single kill in the morning . . .
How do you get away with the murder of 11 million people? The answer is simple—and disturbing. You lie to them. Learn how you can become an informed, passionate citizen who demands honesty and integrity from your leaders. In this nonpartisan New York Times bestselling book, Andy Andrews emphasizes that seeking and discerning the truth is of critical importance, and that believing lies is the most dangerous thing you can do. You’ll be challenged to become a more careful student of the past, seeking accurate, factual accounts of events that illuminate choices our world faces now. By considering how the Nazi German regime was able to carry out over eleven million institutional killings between 1933 and 1945, Andrews advocates for an informed population that demands honesty and integrity from its leaders and from each other. This short, thought-provoking book poses questions like: What happens to a society in which truth is absent? How are we supposed to tell the difference between the “good guys" and the “bad guys”? How does the answer to this question affect our country, families, faith, and values? Does it matter that millions of ordinary citizens aren't participating in the decisions that shape the future of our country? Which is more dangerous: politicians with ill intent, or the too-trusting population that allows such people to lead them? This is a wake-up call: we must become informed, passionate citizens or suffer the consequences of our own ignorance and apathy. We can no longer measure a leader’s worth by the yardsticks provided by the left or the right. Instead, we must use an unchanging standard: the pure, unvarnished truth.
Among the many writers who lent their talents to the creation of hard-boiled detective fiction, few have approached it from a more original perspective than Chester Himes. A former criminal himself, Himes brought to the writing of detective fiction the perspective of the black man. Himes made his debut with the brilliant For Love of Imabelle, for which he was awarded the coveted Grand Prix de la Littérature Policière. Two Guns from Harlem probes Himes's early life and career for the roots of this series and for its heroes, Coffin Ed Johnson and Grave Digger Jones. Skinner discusses how Himes's experience as a black man, combined with his unique outlook on sociology, politics, violence, sex, and race relations, resulted not only in an unusual portrait of black America but also opened the way for the creation of the ethnic and female hard-boiled detectives who followed.
The Killing of Chief Crazy Horse is a story of envy, greed, and treachery. In the year after the Battle of the Little Big Horn, the great Oglala Sioux chief Crazy Horse and his half-starved followers finally surrendered to the U.S. Army near Camp Robinson, Nebraska. Chiefs who had already surrendered resented the favors he received in doing so. When the army asked for his help rounding up the the Nez Percés, Crazy Horse's reply was allegedly mistranslated by Frank Grouard, a scout for General George Crook. By August rumors had spread that Crazy Horse was planning another uprising. Tension continued to mount, and Crazy Horse was arrested at Fort Robinson on September 5. During a scuffle Crazy Horse was fatally wounded by a bayonet in front of several witnesses. Here the killing of Crazy Horse is viewed from three widely differing perspectives--that of Chief He Dog, the victim's friend and lifelong companion; that of William Garnett, the guide and interpreter for Lieutenant William P. Clark, on special assignment to General Crook; and that of Valentine McGillycuddy, the medical officer who attended Crazy Horse in his last hours. Their eyewitness accounts, edited and introduced by Robert A. Clark, combine to give The Killing of Chief Crazy Horse all the starkness and horror of classical tragedy.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?