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In 'The Best of the World's Classics (Vol.1-10)', Henry Cabot Lodge compiles a comprehensive collection of classic literature from around the world, showcasing the richness and diversity of human experience through the ages. The book is meticulously curated with a focus on timeless works that have stood the test of time, offering readers a glimpse into different cultures, traditions, and storytelling styles. Lodge's writing is scholarly and insightful, providing readers with a deeper understanding of the literary context in which each piece was produced. The prose is elegant and engaging, making this collection a valuable resource for students and enthusiasts of world literature. Henry Cabot Lodge, a renowned American politician and scholar, was inspired to compile this collection as a way to preserve and celebrate the cultural heritage of various nations. With his keen literary sensibilities and profound knowledge of history, Lodge carefully selected the works that would best represent the literary treasures of different civilizations. I highly recommend 'The Best of the World's Classics (Vol.1-10)' to anyone interested in exploring the finest works of world literature. Lodge's meticulous curation and scholarly commentary make this collection a must-read for those seeking to broaden their literary horizons and deepen their appreciation for the global literary canon.
Washington Irving’s Critique of American Culture: Sketching a Vision of World Citizenship challenges long-standing views of Washington Irving. He has been portrayed as writing in the 18th century style of Addison and Goldsmith, without having much substance of his own. Irving has also been accused of being insufficiently American and adrift in an identity crisis. The author argues that Irving addressed the American cultural context very extensively—he was a writer of substance who articulated an ethic of world citizenship that was found in the philosophy of ancient Greek cynics and stoics. This ethic was united with a love of picturesque travel, which emphasized variety and texture in experience, resulting in an extraordinary affirmation of the value of cultural diversity in the new Republic. Irving was, in fact, a liminal figure straddling Romantic and neoclassical modes of writing and acting. The author draws attention to Irving’s success as a writer in the pictorial mode. Irving also expressed a critique of cultural loss and environmental destruction like that articulated by the artist Thomas Cole. The work embraces an interdisciplinary approach, where insights from philosophy, religion, art history, and social history shed light on an underestimated writer.