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The narrative in this book is a true account of events that the author, Jóhanna Sigrún Ingvarsdóttir, experienced as a child. The setting is a small farm in a barren valley at the foot of the glacier Drangajökull in the Westfjords of Iceland, below the Arctic Circle. The title quotes a poem by Alfred Tennyson, Flower in the Crannied Wall, which he wrote in 1863. The poem appeared in the book Bahá'u'lláh and the New Era by John E. Esslemont. The residents of Lyngholt, a remote farm in the aforementioned valley of Unaðsdalur (Valley of Delight) on Snæfjallaströnd (Snowy Mountains Coast), happened to receive a copy of the first translation of the book into Icelandic. During the short time the book remained in Lyngholt, it was carefully studied. A long time later, and after a seemingly futile search, this treasured book reappeared in an unexpected way.
"The Crannied Wall explores the ways in which women in general, and religious women in particular, participated in the spiritual and cultural life of Europe in the sixteenth and early seventeenth centuries. Focusing primarily on women's religious communities, it provides a glimpse not only of the richness and range of creative experience that went on there, but also of the social forces that influenced such experience." "Craig Monson incorporates essays in music history, iconography, art history, drama, autobiography, religious history, and witchcraft. Music and drama are revealed as important strategic resources that some cloistered women employed to transcend the convent wall that kept them isolated from the outside world. Other essays expand our perspective on men's and women's views of female sanctity and women's relationship to the supernatural. Highlighting a largely neglected area of female autobiography, a discussion of women's stories of their own lives provides further valuable insight into their perception of existence." "The Crannied Wall presents aspects of women's issues that have been largely unexplored in print. It should be of interest to teachers and scholars in several fields, including women's studies, religious and cultural history, and the arts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
By acknowledging interpretive theories of the past, Brittan provides a proper historical frame of reference in which today's student can better understand figurative language in poetry.
The second edition of the “milestone” work of history that focuses on female musicians through the ages (College Music Symposium). This updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women and Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.