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This booklet is an examination of the nature of ivory, both as substance of certain consistent characteristics as well as material of varying availability treated by craftsmen in various and peculiar ways. The framework of this approach is defined by the geographical and chronological limits of the ivories at Dumbarton Oaks.
Most scientists and researchers aren’t prepared to talk to the press or to policymakers—or to deal with backlash. Many researchers have the horror stories to prove it. What’s clear, according to Nancy Baron, is that scientists, journalists and public policymakers come from different cultures. They follow different sets of rules, pursue different goals, and speak their own language. To effectively reach journalists and public officials, scientists need to learn new skills and rules of engagement. No matter what your specialty, the keys to success are clear thinking, knowing what you want to say, understanding your audience, and using everyday language to get your main points across. In this practical and entertaining guide to communicating science, Baron explains how to engage your audience and explain why a particular finding matters. She explores how to ace your interview, promote a paper, enter the political fray, and use new media to connect with your audience. The book includes advice from journalists, decision makers, new media experts, bloggers and some of the thousands of scientists who have participated in her communication workshops. Many of the researchers she has worked with have gone on to become well-known spokespeople for science-related issues. Baron and her protégées describe the risks and rewards of “speaking up,” how to deal with criticism, and the link between communications and leadership. The final chapter, ‘Leading the Way’ offers guidance to scientists who want to become agents of change and make your science matter. Whether you are an absolute beginner or a seasoned veteran looking to hone your skills, Escape From the Ivory Tower can help make your science understood, appreciated and perhaps acted upon.
From 1989 to 1994 more than fifteen hundred bone and ivory objects were excavated from the northeast slope of Rome's Palatine Hill. These remains constitute the largest such find in the western Mediterranean and the first traces of the actual working of ivory in Rome itself. In this original work, art historian Archer St. Clair explores the significance of these finds in understanding both the development of artisanship in Rome and the broader Greco-Roman cultural and artistic tradition to which they belong. Dating primarily from the first through the fifth century C.E., the carved objects include ornamentation for furniture and boxes in the form of plaques and framing strips, jewelry, dolls, a wide variety of pins, as well as smaller numbers of handles, needles, and other implements. Also present at the site was extensive evidence of a bone and ivory workshop, including prepared blanks and waste fragments that provide valuable evidence for artisanal practices in both materials. This volume includes a representative catalog of 648 objects from Palatine East, extensively illustrated with photographs and detailed drawings. Four chapters of introductory material offer a comprehensive overview of the material properties of bone and ivory, the literary evidence, and wider context of their use in the ancient world, and the particular significance of the Palatine East site. While bone has often been treated simply as an inferior and less valuable alternative to ivory, St. Clair notes the close association in their use and elucidates a complex relationship between them. In doing so, she offers a detailed, contextual study of the uses, social perception, and distribution of the two materials, revealing a shared Mediterranean vocabulary of form and technique.
This book is the first detailed study in fifty years of Byzantine ivory carving in the tenth and eleventh centuries, the era when work in that medium reached its highest level of attainment. Unique in its aim and range, "The Hand of the Master" considers how, when, and why the Byzantines used ivory for icons and other luxurious items. Based on direct study of the objects, the book discusses more than 150 pieces and is illustrated with new photographs that are indispensable to an understanding of carving techniques and styles. Cutler analyzes the normal working methods of Byzantine carvers, as well as aspects of craftsmanship that enable us to identify distinct hands. These observations are then made the basis of both a revised chronology and a more rigorous system of classification than has existed heretofore. But the recognition of particular sculptors is a means rather than an end in this book. Similarities and differences within this huge body of production allow answers to such broader questions as the functions of craftsmen in this society, their relations with clients and designers, and, ultimately, the significance of ivory in the visual culture of Byzantium.
These studies are concerned with the roles of both luxurious and less expensive materials in those periods when carved ivory reached its largest audience and performed its widest range of functions before the advent of industrial production in the Gothic era.
“[A] tour de force examination of the history of ivory . . . and the demise of the elephant and human decency in the process of this unholy quest.” —The Huffington Post Praised for the nuance and sensitivity with which it approaches one of the most fraught conservation issues we face today, John Frederick Walker’s Ivory’s Ghosts tells the astonishing story of the power of ivory through the ages, and its impact on elephants. Long before gold and gemstones held allure, ivory came to be prized in every culture of the world—from ancient Egypt to nineteenth-century America to modern Japan—for its beauty, rarity, and ability to be finely carved. But the beauty came at an unfathomable cost. Walker lays bare the ivory trade’s cruel connection with the slave trade and the increasing slaughter of elephants in the nineteenth and early twentieth centuries. By the 1980s, elephant poaching reached levels that threatened the last great herds of the African continent, and led to a worldwide ban on the ancient international trade in tusks. But the ban has failed to stop poaching—or the emotional debate over what to do with the legitimate and growing stockpiles of ivory recovered from elephants that die of natural causes. “Ivory’s Ghost is essential reading for anyone concerned with conservation and with the tenuous future of one of the most magnificent creatures our earth has ever seen.” —George B. Schaller, author of A Naturalist and Other Beast
The irreverent, brilliant memoirs of the legendary filmmaker James Ivory In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award–winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness. From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir, The New Yorker magazine’s film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J. D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant—Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved. Solid Ivory, edited by Peter Cameron, is an utterly winning portrait of an extraordinary life told by an unmatched storyteller.
The name "Suzanne Perron" is synonymous with exquisite detail. Her expertly tailored gowns -- worn at the elaborate balls of Mardi Gras and down the aisle at New Orleans weddings -- draw from the legacy of couture design. After years working alongside Vera Wang, Carolina Herrera, Anna Sui, and Ralph Rucci in New York, Louisiana native Perron returned home in 2005 to open her own custom design business, specializing in once-in-a-lifetime gowns for brides, debutantes, and Mardi Gras royalty. Designing in Ivory and White captures the rise of this talented designer, from her first Singer sewing machine to her success on Seventh Avenue to her post-Katrina move to a city in need of "something beautiful," as well as her design technique and meticulous craft. In addition to her personal story, Perron shares her process from the inside out, including: methods for creating crinolines and foundations; using draping and pattern making to transform a sketch into a three-dimensional form; manipulating fabric into pleats, pintucks, and folds; and hand sewing intricate beading, lace, embroidery, and flawless hems. Her techniques and breathtaking artistry are realized through a showcase of sixteen Suzanne Perron designs. Full-length and detail shots illustrate Perron's gorgeous silhouettes and masterful handwork. Each gown also has a story that illuminates the client experience from the first sketch to the final fitting. Designing in Ivory and White serves as a testament to the ambition and skill required to design unique dresses, and will provide inspiration for independent designers, sewing hobbyists, and all who admire couture fashion.
Fred Samarxhiu has inherited the craft of pack-saddling from his ancestors, a honed talent that gives his life purpose and provides meaning to the loneliness he feels in his unfulfilling marriage. He is happiest when sharing fairy tales with his precious blue-eyed daughter, Rita, and creating pack-saddles for his beloved hooved animals. When Rita loses an eye, Fred’s superhuman effort to repair the disfigurement of this innocent beauty transforms him into a hero. As he embarks on a travel odyssey to seek answers, Fred’s unconditional love for Rita reaches the pinnacle of the human spirit. During his journey, he realizes that he is not alone, despite the wounds in his soul. While courageously facing the great world without assistance from anyone, Fred is about to uncover an important message of solidarity, sacrifice, and triumph over destiny. Ivory Eye is the tale of a pack-saddler’s enlightening quest to seek help for his disfigured daughter after she tragically loses an eye.