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The weaving of lau hala represents a living tradition borne on the great arc of Pacific voyaging history. This thriving tradition is made immediate by masters of the art who transmit their knowledge to those who are similarly devoted to, and delighted by, the smoothness, softness, and that particular warm fragrance of a woven lau hala treasure. The third volume in the Hawai‘inuiākea series, ‘Ike Ulana Lau Hala is an intriguing collection of articles and images about the Hawaiian tradition of ulana lau hala: the weaving, by hand, of dried Pandanus tectorius leaves. ‘Ike Ulana Lau Hala considers the humble hala leaf through several, very different lenses: an analysis of lau hala items that occur in historic photographs from the Bishop Museum collections; the ecological history on hala in Hawai‘i and the Pacific including serious challenges to its survival and strategies to prevent its extinction; perspectives–in Hawaiian–of a native speaker from Ni‘ihau on master weavers and the relationship between teacher and learner; a review–also in Hawaiian– of references to lau hala in poetical sayings and idioms; a survey of lau hala in Hawaiian cultural heritage and the documentation project underway to share the art with a broader audience; and a conversation with a master artisan known for his distinct and intricate construction of the lei hala. Rich with imagery, this extraordinary volume will guide the reader to a better understanding of the cultural scope and importance of lau hala, fostering an appreciation of the level of excellence to which the art of ulana lau hala has risen under the guidance of masters who continue to steer the Hawaiian form of the tradition into the future.
"A guide to learn how to weave with coconut fronds; instructions for making simple objects such as fish, bird, baskets, and more included"--Provided by publisher.
"A fun book full of wonderful things to make from palm fronds.... The diagrams that accompany each project are coupled with clearly written instructions. These, combined with a list of terms and techniques, make this a very easy book to use.... Those of you who live where palms flourish should love this book." --Textile Booklist
For those who work with FIBER in weaving, spinning, crocheting, knitting, macrame; for those who work with CLOTH in batik, tie-dying, quilting, applique, soft sculpture, sewing. With this book you can come one step closer to making it from "scratch" - increasing your involvement and satisfaction in your craft, while enhancing the beauty and value of your finished product. Rich, soft, subtle colors, not easily copied by synthetic man-made dyes, are commonly obtained from natural dye sources. The end reward is beautiful natural colors, but equally rewarding is the pleasure to be derived from collecting natural materials and from the dyeing process itself. The world around you becomes a treasure house of "hidden" possibilities, with common and readily available plant materials yielding colors that can be as surprising as they are special. Like the ancient Hawaiians who colored their tapa cloth with dyes from kukui, ferns, and other plants of their islands, you become more sensitive to your natural environment. A greater respect for craftspeople of the past and a deeper appreciation for the materials are every natural dyer's gain. Val Frieling Krohn-Ching is a distinguished weaving and textile design artist whose curiosity and desire for experimenting has also made her the authority on dyeing with plant materials in Hawaii using wool fibers. She now shares the results of her years of experimentation - and her enthusiasm - with others. Even beginners can use her basic principles and techniques successfully to achieve new results of their own. Hawaii Dye Plants and Dye Recipes is itself an artistic production, filled with charming, botanically accurate pen-and-ink drawings to aid in plant identification. Instructions are concise and easy to follow. Interesting information about each plant enlivens the text, as do personal comments about the author's experimentation and sources of natural materials. A color chart, photographed from actual wool samples prepared by the author, shows more than 300 beautiful results that the natural dyer can achieve using recipes in this book.
Palmetto Braiding and Weaving is the definitive book for creating a variety of crafts from palm fronds, straw, rush, and grass. In this well-illustrated volume, artists and authors Viva Cooke and Julia Sampley explore thoroughly one of the most fascinating traditions of the southern United States: palmetto basketry. This tradition of crafts made from palm leaves has been passed on through generations. Palmetto Braiding and Weaving includes techniques and patterns for braiding and weaving-from simple to complex-for a variety of creations. In addition to baskets, Palmetto Braiding and Weaving explains how to make hats, handbags, trimmings, mats, fans, belts, and more.Palmetto Braiding and Weaving explores a wide array of uses of this native plant. Cooke and Sampley give full instructions for basketry,including samples of popular braids that have been developed and passed on by word-of-mouth, from generation to generation. Instructions are clear and accurate, and samples and finished pieces are shown with drawings and photographs of the authors' creations. The combination of drawings, photographs and thorough instructions make for the perfect how-to resource for palmetto basketry, and are adaptable to the use of other fibers including straw, rush, and grass.
These 50 interesting and entertaining projects are designed to teach beginners the basic skills of the Maori craft of plaiting.Fun with Flaxshows how to make items ranging from a simple windmill, a dart and a whistle to more complex puzzles, balls, birds, fish and even a caterpillar. Each project is described one step at a time with easy-to-follow line drawings and instructions. All are fun and will delight children and adults with their ingenuity, their beauty and the amusement they provide. This book is ideal for kohanga reo, playcentres, kindergartens, Maori crafts groups and New Zealand homes. It aims not only to teach the skills of plaiting to young New Zealanders but also to nurture a new generation of flaxworkers. Mick Pendergrast first became interested in plaiting and other Maori crafts while teaching in small communities in the East Cape area. He has spent time as a VSA teacher in the Solomon Islands and on the remote Polynesian outlier of Tikopia, and has worked in a number of New Zealand's major museums. He is the author of Te Mahi Kete- Maori Basketry for Beginners, Feathers and Fibre, a catalogue of the first major exhibition of Maori flaxcrafts, of which he was the curator, and Raranga Whakairo, a collection of plaiting patterns.