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Ten Babies. Eight Murders. One Woman to Blame: Their Mother In March of 1949, a healthy baby boy named Richard Noe entered this world. Thirty-one days later, he left it -- found dead in his parents' bedroom in a working-class Philadelphia neighborhood. Over the next nineteen years, all nine of Marie and Arthur Noe's other children would die -- one stillborn, one in the hospital, and the other seven of unexplained causes--none lived longer than fifteen months. Gaining national sympathy for their unbelievabloe bad luck, the Noes were deemed victims of SIDS (Sudden Infant Death Syndrome). But as the years went on, may people found their SIDS defence a hard pill to swallow -- after all, SIDS is not a hereditary condition. As investigators proved, they found that in each case, the child had died while home alone with Marie Noe. Finally, in 1999 -- fifty years after her first child died -- septuagenarian Maried Noe pled guilty to killing eight of her ten dead children. Today, she remains at home on probation helping psychiatric experts understand what is perhaps one of the most disturbing and baffling mysteries of all: how and why a mother could kill her own children. In this riveting true crime account, author John Glatt goes behind the headlines and into the heart of this fascinating case to reveal the shocking answers.
Reassurance for parents who struggle with anger, guilt, and despair after a miscarriage, stillbirth, infant death.
Concentrating on technology, economics, labor, and social history, Cradle to Grave documents the full life cycle of one of America's great mineral ranges from the 1840s to the 1960s. Lankton examines the workers' world underground, but is equally concerned with the mining communities on the surface. For the first fifty years of development, these mining communities remained remarkably harmonious, even while new, large companies obliterated traditional forms of organization and work within the industry. By 1890, however, the Lake Superior copper industry of upper Michigan started facing many challenges, including strong economic competition and a declining profit margin; growing worker dissatisfaction with both living and working conditions; and erosion of the companies' hegemony in a district they once controlled. Lankton traces technological changes within the mines and provides a thorough investigation of mine accidents and safety. He then focuses on social and labor history, dealing especially with the issue of how company paternalism exerted social control over the work force. A social history of technology, Cradle to Grave will appeal to labor, social and business historians.
“Bereavement after the loss of a baby is often quiet and lonely,” writes Christine O’Keeffe Lafser, who has twice lost a child to death. “There is no wake or funeral, no grave site, no memorial to our baby’s life or death. . . . Since there are no real memories of our little one’s life, people have a hard time comprehending the depth of our love and grief.” In these reflections, Lafser offers grieving parents the empathy and courage that can come only from one who has walked the same difficult path. “Chris expressed so many of my thoughts and feelings and made me feel so normal. . . . The greatest gift is learning that God does not desert us in our time of need.” Linda Davis, Compassionate Friends, after miscarriage and stillbirth “The juxtaposition of a Scripture text with each reflection is inspired. Some of the texts are breathtaking in their beauty and appropriateness. This book is a ‘must’ for anyone who is ever touched by the loss of an infant.” Joseph Awad, poet and grieving grandfather “This book will be very helpful for parents who are mourning the loss of their child. It will also prove very beneficial to anyone who is ministering to a bereaved parent.” Robert N. Craig, O.F.M. Cap., hospital chaplain “These reflections allowed me to ‘be’ how I was feeling—not feel like I should be going through the stages of grief that other books described. With this book I was no longer a square peg trying to fit into a round hole.” Jeanette Siebels, after infant death
Year after year, one after another, the babies of Marybeth Tinning died - nine children in 14 years. Incredibly, neither police nor coroners, doctors, social workers or neighbours suspected anything. The vague verdicts of Sudden Infant Death Syndrome fooled even Marybeth's husband. On 4th February 1986, however, six weeks after the last baby's death, even he had to face the unthinkable - as his wife was charged with their murder. This book tells the story of Marybeth Tinning's children, her arrest and subsequent trial.
How did our ancestors die? Whereas in our own day the subject of death is usually avoided, in pre-Industrial England the rituals and processes of death were present and immediate. People not only surrounded themselves with memento mori, they also sought to keep alive memories of those who had gone before. This continual confrontation with death was enhanced by a rich culture of visual artifacts. In The Art of Death, Nigel Llewellyn explores the meanings behind an astonishing range of these artifacts, and describes the attitudes and practices which lay behind their production and use. Illustrated and explained in this book are an array of little-known objects and images such as death's head spoons, jewels and swords, mourning-rings and fans, wax effigies, church monuments, Dance of Death prints, funeral invitations and ephemera, as well as works by well-known artists, including Holbein, Hogarth and Blake.