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A permanently frozen London is the setting for Roma Tearne’s 'thoughtful exploration' [The Guardian] of survival in a dystopian near-future. 'Tearne reminds us that, woven into London's cosmopolitanism, are memories of places to which individuals can never return' Brixton Review of Books A permanently frozen London is the setting for this harrowing yet lyrical tale of survival in a dystopian near-future. Through endless years of glacial winter, artist Hera has known loss. Her one comfort has been her relationship with Raphael. As the thaw begins, can she track down her elusive lover?
Award-winning author Simon Morden's stunning quest continues, unravelling magic and uncovering secrets on the way . . . LET'S FACE IT, NONE OF US DESERVE TO BE SAVED. Since escaping London's inferno, Mary and Dalip have fought monsters and won - though in the magical world of Down, the most frightening monsters come from within. Now they hold the greatest of treasures: maps that reveal the way to the White City, where they can find the answers they're looking for, and learn the secrets of Down. But to get there they must rely on Crows, who has already betrayed them at every turn. As they battle their way towards the one place in all of Down without magic, they must ask themselves how far they will go to find their way home. After all, if there's one thing the White City offers those brave enough to enter, it's more than they bargained for. SIMON MORDEN'S DOWN STATION WAS AN EXTRAORDINARY QUEST FOR MEANING AND IDENTITY. NOW HE'S LEADING US TO THE KIND OF TRUTHS THAT LEAVE US CHANGED.
The first book in the Spirit Gates Chronicles. Harvey must discover his true identity and importance in a world of free love and peace, finding that doing so uncovers a singular truth, that free love and peace don't equal freedom and that the decision to leave his world torn and war strewn ultimately lays in his hands.
Mysterious Disappearances Taint the Chicago World’s FairStep into True Colors -- a new series of Historical Stories of Romance and American Crime While attending the Chicago World’s Fair in 1893, Winnifred Wylde believes she witnessed a woman being kidnapped. She tries to convince her father, an inspector with the Chicago police, to look into reports of mysterious disappearances around the White City. Inspector Wylde tries to dismiss her claims as exaggeration of an overactive imagination, but he eventually concedes to letting her go undercover as secretary to the man in question—if she takes her pistol for protection and Jude Thorpe, a policeman, for bodyguard. Will she be able to expose H. H. Holmes’s illicit activity, or will Winnifred become his next victim?
It is the year of our lord, 1893. The crackle of electricity's first sparks, the mechanical whine of Ferris's wheel, the tinkling of crystal from the majestic city atop the hill--the sounds of a new era pervade the air as the century's last World's Fair commences in Chicago. But darkness lurks beneath the metropolis so austere it has been dubbed the White City. Strikes loom on the horizon, racism runs rampant, and a murderer unlike any America has ever seen before is on the loose, terrorizing the city. His crimes are so brutal, newspapers have christened him the Husker. Hiding behind the cloak of a city in chaos, he taunts his pursuers, littering the grounds of the fair with the corpses of children as he slips through the shadows. Dr. Elizabeth Handley, the first forensic psychologist of her kind, has been called in to capture the killer, but when the son of prominent architect William Rockland goes missing, the case takes on an entirely new urgency. In this city of bombastic politics and cutthroat egos, everyone has his own agenda, but time is running out. As she races to save the boy, Dr. Handley fights to maintain her sanity as the line between captor and quarry blurs, and violence casts its spell. From the depths of the seediest brothels to the pristine enclaves of the elite, The White City is a strange, beguiling first novel, a thriller that masterfully blends fact and fiction. An exhilarating voyeur's glimpse at Chicago in all its glory, it also probes the dark side that was never far from its core.
Ted White a ten-year-old boy recently moved from Minneapolis to Minnesota’s Mesabi Iron Range and solves the mystery of a haunted house in the ghost town of White City. A mysterious Jesuit priest also adds to the mystery as he seeks a rare Douay Bible stolen from a church in Chicago. Also, there is a problem regarding sudden infant death syndrome of which Ted White is able to give comfort to his mother. A haunted house, mysterious happenings, a refuge for two boy’s horse.
In From the Steel City to the White City, Zachary Brodt explores Western Pennsylvania’s representation at Chicago’s Columbian Exposition, the first major step in demonstrating that Pittsburgh was more than simply America’s crucible—it was also a region of developing culture and innovation. The 1893 Columbian Exposition presented a chance for the United States to prove to the world that it was an industrial giant ready to become a global superpower. At the same time, Pittsburgh, a commercial center that formerly served as a starting point for western expansion, found itself serving as a major transportation, and increasingly industrial, hub during this period of extensive growth. Natural resources like petroleum and coal allowed Western Pennsylvania to become one of the largest iron- and steel-producing regions in the world. The Chicago fairgrounds provided a lucrative opportunity for area companies not only to provide construction materials but to display the region’s many products. While Pittsburgh’s most famous contributions to the 1893 World’s Fair—alternating current electricity and the Ferris wheel—had a lasting impact on the United States and the world, other exhibits provided a snapshot of the area’s industries, natural resources, and inventions. The success of these exhibits, Brodt reveals, launched local companies into the twentieth century, ensuring a steady flow of work, money, and prestige.
The one thing Sylvie Townsend wants most is what she feared she was destined never to have--a family of her own. But taking in Polish immigrant Rose Dabrowski to raise and love quells those fears--until seventeen-year-old Rose goes missing at the World's Fair, and Sylvie's world unravels. Brushed off by the authorities, Sylvie turns to her boarder, Kristof Bartok, for help. He is Rose's violin instructor and the concertmaster for the Columbian Exposition Orchestra, and his language skills are vital to helping Sylvie navigate the immigrant communities where their search leads. From the glittering architecture of the fair to the dark houses of Chicago's poorest neighborhoods, they're taken on a search that points to Rose's long-lost family. Is Sylvie willing to let the girl go? And as Kristof and Sylvie grow closer, can she reconcile her craving for control with her yearning to belong?
This study traces the use of spectacle during late nineteenth century American society. My examination of spectacle centers on two widespread models--the World's Columbian Exposition in Chicago and the traveling circus. Using these two sites as models of the use of spectacle, I have investigated what objects and people tend to be displayed and how. This project traces how the sites of spectacle of the World's Fair and the circus shaped American perceptions of class, race, and gender.
The Ruins of Urban Modernity examines Thomas Pynchon's 2006 novel Against the Day through the critical lens of urban spatiality. Navigating the textual landscapes of New York, Venice, London, Los Angeles and the 1893 Chicago World's Fair, Against the Day reimagines urban modernity at the turn of the 20th century. As the complex novel collapses and rebuilds anew the spatial imaginaries underlying the popular fictions of urban modernity, Utku Mogultay explores how such creative disfiguration throws light on the contemporary urban world. Through critical spatial readings, he considers how Pynchon historicizes issues ranging from the commodification of the urban landscape to the politics of place-making. In Mogultay's reading, Against the Day is shown to offer an oblique negotiation of postmodern urban spaces, thus directing our attention to the ongoing erosion of sociospatial diversity in North American cities and elsewhere.