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Broadening the scope of his award-winning debut to consider the wider Indo-Caribbean community in migration across the Americas and Europe, Rajiv Mohabir uses his queer and mixed-caste identities as grace notes to charm alienation into silence. Mohabir's inheritance of myths, folk tales, and multilingual translations make a palimpsest of histories that bleed into one another. A descendant of indentureship survivors, the poet-narrator creates an allegorical chronicle of dislocations and relocations, linking India, Guyana, Trinidad, New York, Orlando, Toronto, and Honolulu, combining the amplitude of mythology with direct witness and sensual reckoning, all the while seeking joy in testimony. Praise for Rajiv Mohabir's previous book: "In his excellent debut, Mohabir exposes desire and inner turmoil through the measured incantations of a queer, Indian-American voice that refuses the burdens of a homophobic and racist world. He eloquently describes how the brown body survives, clinging vigilantly to longing, lust, and love: 'I mean to say / I am still -- this trembling breath of a comma, this coincidental object of your want.' . . . Mohabir illuminates his own wounds, and as the reader watches him dresses and stitches those wounds, 'A queer flutter knocks about your ribs.'" -- Publishers Weekly
Forming the final part of the Sanskrit Mahabharata, the Harivamsha's main business is to supply narrative details about the great god Vishnu's avatar Krishna Vasudeva, who has been a comparatively minor character in the previous parts of the Mahabharata, despite having taken centre stage in the Bhagavad Gita. Krishna is born in Mathura (some 85 miles south of present-day Delhi). As an infant he is smuggled out of Mathura for his own safety. He and his brother Baladeva grow up among cowherds in the forest, where between them they perform many miraculous deeds and kill many dangerous demons, before returning to Mathura where they kill the evil King Kamsa and his cronies. Thereafter, Krishna is the hero and unofficial leader of his people the Yadava-Vrishnis. When Mathura is besieged by enemies, Krishna leads his people to abandon the town and migrate west, founding the dazzling new city of Dvaraka by the sea. Krishna then repeatedly travels away from that base repeatedly to perform heroic deeds benefitting those in need - including his own people, his more immediate family, and the gods. After narrating the stories of Krishna, the Harivamsha ends by finishing the story of Janamejaya with which the Mahabharata began. The Harivamsha is a powerhouse of Hindu mythology and a classic of world literature. It begins by contextualising Vishnu's appearance as Krishna in several ways, in the process presenting a variety of cosmogonical, cosmological, genealogical, mythological, theological, and karmalogical materials. It then narrates Krishna's birth and adventures in detail. Presenting a wide variety of exciting stories in a poetic register that makes extensive use of natural imagery, the Harivamsha is a neglected literary gem and an ideal starting-point for readers new to Indian literature.
A survival guide that shows how bigotry and redemption are mapped on the psyche and on the body
The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three separate chapters: Krsna, Visnu, and Siva. The chapter The Goddess presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names are given the original. The editors have provided a thorough glossary to make these names accessible.
Circa 3216 BCE! The end of Dwapar Yug! The first battle between Krishn and Jarasandh, the king of Magadh, ended in favor of the former. Sixteen more battles followed, one after another, with grander strategies and bigger armies in the outskirts of Mathura. To avert the 18th battle, Krishn did something. What did Krishn do? The enmity between Krishn and Jarasandh continued. Krishn was anointed king of Dwarka. He encountered Satyabhama, daughter of king Satrajit and queen Padmini of Satrapur, a kingdom near Dwarka. Will Krishn marry Satyabhama? If no, will they ever meet again to realize common goals? Seventy-three years of twists and turns, one after another, in the life of Krishn! Who did he marry? When did he marry? Did he elope? Did he and his wife maintain celibacy for several years, doing penance in the Himalayas? Was he a one-wife man? How many children did he beget? How was Sudama, his childhood friend, benefited? What about the 16,000 celestial nymphs he freed from Narakasur’s captivity? What was Jarasandh’s fate? How shrewd was Krishn? What role did he play at the nascent stage of the Kurukshetra war? Read Blue Vanquisher to know all of these and more! Krishn, a true friend, guide, savior, warrior, protector, efficient ruler, and Yogpurush, awaits you… Krishn Trilogy depicts the story of Krishn from birth to death, delving on every aspect of his life besides refuting the many myths associated with him. The Eighth Avatar (Krishn Trilogy-1) describes Krishn’s journey from birth till the fourteenth year of his life.
This book, first published in 1957, was the first in English to provide a full and clear introduction to one of the most significant of Indian gods, and stresses his supreme role in Indian religion and art. The book relates the full Krishna story, explaining his role in Indian religion, and traces the history of Krishna in Indian painting. There are 39 plates of Indian pictures, each accompanied by a commentary by the author, revealing a wealth of subtle and poetic detail.
Brahma Purana is one of the most fundamental Puranas and covers all the 5 elements that a Purana was meant to have: Sarga (Creation), Prati Sarga (Creation merging back into the Paramatma), Vamsas (Generations of Rishis and Devas), Manvantaras (Narrations of great kings including those of Surya Vamsa and Chandra Vamsa). Brahma Purana proposes Bhagwan Vishnu as the Ultimate Parabrahma It contains about 246 5 chapters and has a supplemental text known as Gautami Mahatmya that describes the glory of the river Godavari in detail. The glory of Purushottama Kshetra (Puri Jagannath temple) is explained in detail. 11 chapters are dedicated to Yoga (as in meditation; not physical exercises). Structure of Brahma Purana * Chapters 1: 4: General lineage of Devas * Chapters 5: 7 Solar dynasty / Surya Vamsha * Chapters 6: 15: Lunar dynasty / Chandra Vamsha * Chapters 16: 22: Geography, Solar system, Syamantaka Mani (Gem) * Chapters 23: 31: Gloark of Konaditya (Konark) and the Surya Deva including 108 names of Surya * Chapters 32: 38: Parvati's tapas. Marriage of Parvati & Siva, Daksha Yagnya * Chapters 39: 44: Glory of several holy sites including Ekamra, Utkala, Avanti * Chapters 45: 54: History of Markandeya and his vision of the Pralaya (The Great Flood) * Chapters 55: 102: Sri Krishna Avatara * Chapters 103: 126: Description of Hells, Punya, Papa, Sraddha Rituals, Dharma and Virtue * Chapters: 127: 138: Samkhya, Yoga (as in meditation; not physical exercises) and the dialogue between Vasishta & Janaka This book contains chapters 1: 138 and excludes Gautami Mahatmya (which is published as a second part)
The Rādhā Tantra is an anonymous 17th century tantric text from Bengal. The text offers a lively picture of the meeting of different religious traditions in 17th century Bengal, since it presents a Śākta version of the famous Vaiṣṇava story of Rādhā and Kṛṣṇa. This book presents a critically edited text of the Rādhā Tantra, based on manuscripts in India, Nepal and Bangladesh, as well as an annotated translation It is prefaced by an introduction that situates the text in its social and historical context and discusses its significance. The introduction also looks at the composition and metrics, vocabulary and grammar, and contents and doctrine of the text. It also includes a discussion of the extensive intertextualities of the Rādhā Tantra, as well as the sources used for this edition. The Sanskrit text in Roman transliteration, following the standard IAST system, is then presented, followed by an English translation of the text. This book will be of interest to scholars of South Asian Religion, Tantric Studies and Religious History.