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Alice is the most rootin’, tootin’ cowgirl in all of Dallas . . . Pennsylvania. Each day she puts on her favorite boots and hat and sets off on her stick pony for school with a “Yippee ki-yay!” Alice is used to being the only cowgirl around, until Lexis from Texas arrives at school one day. Lexis seems to be a real cowgirl, with her fancy hat, jingling spurs, and lasso tricks. Alice decides there’s only one way to know who the best cowgirl is: a school-yard showdown at high noon! But will Alice learn there’s room for more than one cowgirl in town? Bestselling author and illustrator Marilyn Sadler and Ard Hoyt team up to create a rollicking tale of friendship that will have readers dancing the Texas Two-Step and shouting “Yee-haw,” no matter where they’re from. Praise for Alice from Dallas "The comic watercolor-and-ink illustrations don’t miss a beat in capturing the amusing rivalry that turns into friendship...The clever ending is a yee-haw moment that will rope in readers as quick as tumbling tumbleweeds." --Kirkus Reviews "Hoyt’s bright ink-and-watercolor illustrations gleefully capture the girls’ enthusiasm for all things western, from their fringed cowgirl blouses to the bandannas tied jauntily around their necks. A lively story for cowgirls everywhere, with a breezy lesson about jealousy." --Booklist Award: NAPPA Gold Award Winner
Warm up this Christmas with a sexy cowboy firefighter who knows how to ignite flames as well as put them out... He's hotter than a wildfire Trey Duval is a rancher, proud as can be of his Wildcat Ranch. He's also the top volunteer firefighter of Wildcat Bluff, Texas, the town that pulls out all the stops for its Christmas festivities. City girl Misty Reynolds comes to Wildcat Bluff just in time to help Trey put out a suspicious fire, leading him to dub her his "Christmas angel." Unfortunately, Misty's past has left her with terrible memories of fire, and of Christmastime. As the two are thrown together again and again, Trey finds himself wanting Misty more and more, and Misty feels stronger and braver when Trey is around. Though their trust grows slowly, their passion for each other is burning hot... Praise for Kim Redford's sexy westerns: "Head-butting, heart-stopping, smoking hot romance!"—CAROLYN BROWN, New York Times bestselling author, for Belle Gone Bad
The bigger they are, the harder they fall-in love. Rough Riders, Book 7 Soldier Cameron McKay has found his niche, and it ain't ropin' steers and wearin' spurs. His deputy sheriff job-and the injuries that ended his military career-keep him right where he wants to be: off the ranch and away from his family's pity. His darkest war memories are on lockdown, leaving him skeptical he'll ever find a woman that wants a man who's less than whole. Orphaned in the Ukraine at age eleven, Domini Katzinski has had to control every aspect of her life since emigrating to the U.S. Watching others' relationships crumble has convinced her to focus on the short-term-and find a take-charge man to whom she can relinquish total sexual control. Cam fits the bill: gorgeous, with a brooding vulnerability no one else seems to see. Once Cam gets over his surprise that sweet, shy Domini wants to be dominated, he's back to issuing orders. Their passion burns as hot as a rocket-propelled grenade-and if Domini has her way, it'll be a one-shot deal. Cam is ready to launch a full-out sensual assault to make her his, but when tragedy strikes, he'll have to keep their past demons from blowing their future together all to hell...
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
Thousands of black cowpunchers drove cattle up the Chisholm Trail after the Civil War, but only Nat Love wrote about his experiences. Born to slaves in Davidson County, Tennessee, the newly freed Love struck out for Kansas after the war. He was fifteen and already endowed with a reckless and romantic readiness. In wide-open Dodge City he joined up with an outfit from the Texas Panhandle to begin a career riding the range and fighting Indians, outlaws, and the elements. Years later he would say, "I had an unusually adventurous life". That was rare understatement. More characteristic was Love's claim: "I carry the marks of fourteen bullet wounds on different parts of my body, most any one of which would be sufficient to kill an ordinary man, but I am not even crippled". In 1876 a virtuoso rodeo performance in Deadwood, Dakota Territory, won him the moniker of Deadwood Dick. He became known as DD all over the West, entering into dime novels as a mysteriously dark and heroic presence. This vivid autobiography includes encounters with Bat Masterson and Billy the Kid, a soon-after view of the Custer battlefield, and a successful courtship. Love left the range in 1890, the year of the official closing of the frontier. Then, as a Pullman train conductor he traveled his old trails, and those good times bring his story to a satisfying end.
Some cowgirls in this book live quiet lives on the range; others are better known in the rodeo arena. Some are well-known writers, others barely published. From running cattle sales and management companies to last-minute branding and bread-making, what bonds all of them is the honesty of real cowgirls, who ride and write the western range.
Cowpoke Clyde is plumb confused. An ad in his favorite catalog says he oughta buy a bike. But why should he do that? After all, he’s got a horse. Still, a bike wouldn’t buck or bite, and he wouldn’t have to feed it. He orders one, and when it comes, he mounts up and sets right off, wibble-wobblin’ down the road. Good thing he’s got his trusty friend Dawg to look out for him. Turns out learning to ride a bike is just a tad bit harder than he thought! With its rip-roaring rhyming text and turn-the-page revelations, this book is pure read-aloud fun. Praise for Cowpoke Clyde and Dirty Dawg: * “Plumb funny, fer sure.” —Kirkus Reviews, starred review
Nine novellas in one book, all dealing with cowboys and their brides.
While many scholars who write about animals deal with animal agency in some way, this volume is the first to position the question of nonhuman agency as the primary focus of inquiry. Section I presents studies of actual animals demonstrating agency; Section II moves agency into new terrain while considering key representations of animal agency in literature; Section III analyzes animals as mediators and as conveyances of human-to-human communication;and Section IV investigates the agency of beings who defy conventional species categories. The Envoi demonstrates how the microscopic polyp is interwoven into notions of agency and mythical superagency. This volume's interdisciplinary explorations press hard on issues of agency to open up space for more questions about how we can understand relationships between the human and the nonhuman.