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In this wholesome holiday romance, a beautiful rancher takes a chance on a former bad boy who’s determined to prove he’s the man she needs. With two jobs, a mortgaged farm and a rebellious brother, Layla Silver is struggling to keep afloat for the holidays. But does she need Gage Cooper riding to her rescue? Back in high school, Gage was nobody’s hero. Now the injured bull rider is home Christmas, ready to make amends for his checkered past. And something about the stubborn, beautiful Layla has him wanting more than forgiveness. Now this wandering cowboy is out to turn a Christmas courtship into an everlasting love . . .
An uncommon pair finds a common cause that changes their lives—and brings the spirit of the season home—in this festive and faith-filled Christmas romance. Reformed rebel Jackson Cooper thinks he can handle anything—until a sullen teenage girl appears at his ranch, claiming the impossible. Even though he’s not Jade’s father, he can’t turn her away, knowing she’s in need. But he’s going to need the helping hand of compassionate schoolteacher Madeline Patton. An unlikely duo with their own secret fears, Jackson and Maddie certainly don’t expect the Christmas surprise of instant parenthood. Yet as they work toward giving a foster child a home, they might just discover the most wonderful gift of all: family. From Love Inspired: Uplifting stories of faith, forgiveness, and hope. Experience more western romances in the rest of the Cooper Creek series: The Bull Rider’s Baby The Rancher’s Secret Wife The Cowboy’s Healing Ways The Cowboy Lawman The Cowboy’s Christmas Courtship The Cowboy’s Reunited Family Single Dad Cowboy
"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.
Adrian Mole's first love, Pandora, has left him; a neighbor, Mr. Lucas, appears to be seducing his mother (and what does that mean for his father?); the BBC refuses to publish his poetry; and his dog swallowed the tree off the Christmas cake. "Why" indeed.
Reproduction of the original: In Darkest England and the Way out by General William Booth
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
Advancing Digital Humanities moves beyond definition of this dynamic and fast growing field to show how its arguments, analyses, findings and theories are pioneering new directions in the humanities globally.
Charles Albert Murdock (1841-1928) left Massachusetts for California in 1855 with his mother, sister and brother. For many years he was editor of the Pacific Unitarian Magazine and one of the state's most distinguished printers. A backward glance at eighty (1921) begins with Murdock's memories of his trip west and reunion with his father, who had settled in Arcata on the Humboldt River. Murdock recalls life in the town and recounts stories of his father's early years on the Humboldt, the evolution of the region's Republican Party, acquaintance with Bret Harte, the printing business in San Francisco, 1867-1910, and the San Francisco Board of Education.
A woman from Scotland recounts her travels in the U.S., focusing particularly issues relating to women (education, employment, etc.), also discussing more general cultural matters.
Princess Jehosheba wants nothing more than to please the harsh and demanding Queen Athaliah, daughter of the notorious Queen Jezebel. Her work as a priestess in the temple of Baal seems to do the trick. But when a mysterious letter from the dead prophet Elijah predicts doom for the royal household, Jehosheba realizes that the dark arts she practices reach beyond the realm of earthly governments. To further Athaliah and Jezebel's strategies, she is forced to marry Yahweh's high priest and enters the unfamiliar world of Yahweh's temple. Can her new husband show her the truth and love she craves? And can Jehosheba overcome her fear and save the family--and the nation--she loves? With deft skill, Mesu Andrews brings Old Testament passages to life, revealing a fascinating story of the power of unconditional love.