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Travelling between yesteryear and today, Ron Secoy explores the bond betweenThe Cowboy, the Creation and the Creator. Moving easily from the Pony Express to 9-11 to the drought of 2011, he tells the tale of the Old West then and today. He brings the message about The Big Trail Boss and his love for his creation. With cowboy verbiage, timeless themes and varied relationships, he exposes the heart, fabric and mind of his favorite subject, the American cowboy. Patriotism clashes with shame, heaven with the Chisholm Trail and the darkness with the light in this collection. It's not only well written poetry, but cowboy poetry; not only cowboy poetry but Christian cowboy poetry. His vignettes are of real people, real times in this celebration of The Cowboy, the Creation and the Creator.
As business interests have commercialized the American West and publishers and studios have created compelling imagery, the expectations of readers and moviegoers have influenced perceptions of the cowboy as a hero. This book describes the evolution of the cowboy hero as a mythic persona created by dime novels, television and Hollywood. Much of our concept of the cowboy comes to us from movies and the book's main focus is his changing image in cinema. The development of the hero image and the fictional West is traced from early novels and films to the present, along with shifting audience expectations and economic pressures.
Through the Lens of Love: A Journey of Healing on the Great Plains. When city-born photojournalist Camilla's lens captures the heart of cowboy Beau on the Great Plains, their worlds intertwine, revealing a path to healing and love. Can they overcome their pasts and focus on a future together? In "Focusing on the Cowboy," Camilla Santos, a dedicated photojournalist, embarks on an assignment to capture the essence of life on the Great Plains. Her plans take an unexpected turn when she meets Beau Rivers, a genuine cowboy with a guarded heart. As Camilla delves into the tranquility of the plains and Beau's complex world, their budding relationship faces the test of unresolved pasts. Set against a backdrop of breathtaking landscapes, their story is a poignant exploration of healing, resilience, and the unexpected ways love can develop. Perfect for fans of "Big Sky Country" by Linda Lael Miller and "Wind River Wrangler" by Lindsay McKenna. Visit Daisy's website to find out about upcoming releases or to join her newsletter at www.daisylandishromance.com.
Unique in its coverage of contemporary American children's literature, this timely, single-volume reference covers the books our children are--or should be--reading now, from board books to young adult novels. Enriched with dozens of color illustrations and the voices of authors and illustrators themselves, it is a cornucopia of delight. 23 color, 153 b&w illustrations.
Humans are endowed with potential evolving great soul and a potential to become nothing at all . . . Spreading smoke screen over our foolishness is human’s/nation’s specialty and the reason for our constant stumbling over our feet and the reign of Idiocracy now. There are no exceptional people or nations because of moral alone. The only exceptionalism is attained by pursuing the goals of global sustainability, fairness, and farsighted and wise evolvement beyond sapiens limitations. This book tries to show how we can rid us of our cursed global Idiocracy by pursuing a long term, viable course for farsighted, wise and sustainable future development.
The Comic Book Western explores how the myth of the American West played out in popular comics from around the world.
Recipient of three National Endowment for the Arts grants and with works exhibited at the prestigious Biennale de Paris, New York’s Whitney Museum, the de Menil Collection in Houston, and other venues, Bob “Daddy-O” Wade started “keeping it weird” in 1961 when he arrived in Austin with his ’51 custom Ford hot rod and his slicked-back hair. Primed to study art at the University of Texas, Wade’s coif and dragster earned him his trademark moniker, and the abstract, welded sculptures he fashioned from automobile bumpers in his frat house basement laid the foundations for the distinctive, larger-than-life art pieces that would eventually make him famous. Daddy-O is the creator of the forty-foot iguana that perched atop the Lone Star Café in New York City, the immense cowboy boots (entered in the Guinness Book of World Records) outside San Antonio’s North Star Mall, and Dinosaur Bob, who graces the roof of the National Center for Children’s Illustrated Literature in Abilene, Texas. He is widely recognized as one of the progenitors of the “Cosmic Cowboy Culture” that emerged in Texas during the 1970s. Daddy-O’s Book of Big-Ass Art features images of more than a hundred of Wade’s most famous pieces, complete with the wild tales that lie behind the art, told in brief essays by both Wade and more than forty noted artists and writers familiar with Wade’s work.
In the late 1990s, a little bay horse with white socks and a blaze was born. Dubbed “Fergus,” he has now traveled the world many times over by print, web, and satellite, inspired a line of merchandise, and gained a devoted following in the hundreds-of-thousands on Facebook and other social media. Who is this horse and how can we explain his magnetism? What makes him so special? Fergus the Horse (Equus hilarious) is the creation of Jean Abernethy, and the truth is, he isn’t meant to represent any one breed or discipline. Perhaps it’s this generic “everyhorse” quality that’s led to his popularity. “When fans write, ‘Fergus reminds me of my horse,’ I cannot be paid a higher compliment,” says Abernethy. And it’s his expressiveness, honesty, charm, and keen sense of humor that truly wins our hearts. Now Abernethy has brought together the backstory of Fergus the Horse—how he came to be, his early years, the history of his “friends”—and combined it with his “greatest hits,” including most-loved comic strips, some personal sketches, and brand new additions. The result is a lively, colorful, highly illustrated treasury that will entertain anyone with an eye for a horse and a need for a laugh.
This book presents a comprehensive and systematic study of the narrative history and narrative methods of Chinese and Western popular fiction from the perspectives of narratology, comparative literature, and art and literature studies by adopting the methodology of parallel comparison. The book is a pioneering work that systematically investigates the similarities and differences between Chinese and Western popular fiction, and traces the root causes leading to the differences. By means of narrative comparison, it explores the conceptual and spiritual correlations and differences between Chinese and Western popular fiction and, by relating them to the root causes of cultural spirit, allows us to gain an insight into the cultural heritage of different nations. The book is structured in line with a cause-and-effect logical sequence and moves from the macroscopic to the microscopic, from history to reality, and from theory to practice. The integration of macro-level theoretical studies and micro-level case studies is both novel and effective. This book was awarded Second Prize at the Sixth Outstanding Achievement Awards in Scientific Research for Chinese Institutions of Higher Learning (Humanities & Social Sciences, 2013).
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.