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Showcases one of Norway's most beautiful and enduring folk arts.
Celebrated for their rarity, historical importance, and beauty, the maps of the 16th, 17th, and 18th centuries in the collection of the Colonial Williamsburg Foundation provide an invaluable resource for the history of settlement in America. In the colonies, maps were essential in facilitating trade and travel, substantiating land claims, and settling boundary disputes. Today, knowing exactly what maps were owned and used during the period gives us a much richer understanding of the aspirations of early Americans.This large, handsome volume -- a carefully researched cultural investigation -- examines how maps were made and marketed, why people here and abroad purchased them, what they reveal about the emerging American nation, and why they were so significant to the individuals who owned them. Among the rare or unique examples included here are several maps that have never before been published. A must for map collectors and historians, this book will also be treasured by the millions who travel each year to Colonial Williamsburg to celebrate their American heritage.
Features forty-four coverlets and two quilts made by hand weavers who lived in Western North Carolina, Eastern Kentucky, East Tennessee, and Southwest Virginia. Ms. Wilson has spent many years researching southern Appalachian overshot coverlet weaving.
The origins and construction of 80 starwork coverlets by Pennsylvanian German weavers.
A collection of traditional eighteenth and nineteenth century weaving drafts, written sequences of the threading order on the loom used to create specific patterns. They are presented here in their original form as gathered by Frances L. Goodrich and illustrated in over 160 color photos. This volume also contains over 200 valuable modern translations of the same drafts for use by today's weavers. In 1890, Frances L. Goodrich came to the southern mountains in North Carolina from a life of culture to live and work among people who had little opportunity for education or social enrichment. Through her work for the Presbyterian Home Mission Board, she grew to love and respect these neighbors who worked so hard and had so little. She established schools, a small hospital, and the Allanstand Cottage Industries. As she traveled the mountain roads and trails on horseback, Miss Goodrich collected these precious weaving drafts from the women who wove for Allanstand Cottage Industries. In your hands is the heart of that collection.
In 2012, weavers Marty Benson and Laura Redford undertook a project to fully document each coverlet and associated weavings in the Shiloh Museum of Ozark History collection. Benson and Redford spent more than two years on the study, deciphering the physical, technical, and historic aspects of the coverlets (including homemade and professionally woven) as well as quilts and blankets with handwoven elements in the museum collection. Their work resulted in a meticulously researched body of information for the museum, but why stop there? Benson and Redford believed the stories of the Shiloh Museum coverlets needed to be told, and the museum agreed. Ozark Coverlets explores the techniques and skills of each weaver. It documents weaving patterns and structures and supplies modern weavers with drafts from which to create their own versions of these historic patterns. Finally, it is a record of the lives of the people who made and used these textiles in their homes. Read altogether, the details of each weaver's life--marriage, childbirth, farm and home management--begin to paint a picture of the lives of these "everyday" Ozark women and their families. One can begin to understand their roles in the settlement of northwest Arkansas in the 1800s, their trials during the Civil War, and the ultimate survival of these pioneering families. ­--From the foreword by Carolyn Reno, collections manager of the Shiloh Museum of Ozark History