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Book 2 of Gresham Chronicles. Romance blossoms in this historical tale set in a quaint English village.
Cassie, pretending to be her older sister Leonora, begins exchanging letters with a gentleman she hopes will be a match for Leonora, but instead falls in love with him herself.
"Matthews' tale hits all the high notes of a great romance novel...Cue the satisfied sighs of romance readers everywhere." -Kirkus Reviews A World-Weary Rake After years of unbridled debauchery, Tristan Sinclair, Viscount St. Ashton has hit proverbial rock bottom. Seeking to escape his melancholy, he takes refuge at one of Victorian society's most notorious house parties. As the Christmas season approaches, he prepares to settle in for a month of heavy drinking...until an unexpected encounter changes his plans--and threatens his heart. A Prim Vicar's Daughter Valentine March is not the drab little spinster she appears to be. When her new job as a lady's companion lands her smack in the middle of Yorkshire with England's most infamous rake, she resolves to keep her head down and her eyes fixed firmly on her future--a future which most definitely does not include a sinfully handsome viscount. A Match Made in Scandal A friendship is impossible. An affair out of the question. But when one reckless act binds them together, will two star-crossed souls discover there's more to each other than meets the eye? Or will revelations from the past end their fragile romance before it begins?
"Readers will easily fall for Sophie and Ned in their gaslit surroundings." -Library Journal, starred review A Courtship of Convenience Sophie Appersett is quite willing to marry outside of her class to ensure the survival of her family. But the darkly handsome Mr. Edward Sharpe is no run-of-the-mill London merchant. He’s grim and silent. A man of little emotion—or perhaps no emotion at all. After two months of courtship, she’s ready to put an end to things. A Last Chance for Love But severing ties with her taciturn suitor isn’t as straightforward as Sophie envisioned. Her parents are outraged. And then there’s Charles Darwin, Prince Albert, and that dratted gaslight. What’s a girl to do except invite Mr. Sharpe to Appersett House for Christmas and give him one last chance to win her? Only this time there’ll be no false formality. This time they’ll get to know each other for who they really are.
Twelve years in prison has stripped him of his humanity...Saving him is her only chance to escape a terrible fate Armand, Comte de Valère has lost the ability to interact with polite society, until his family hires him a beautiful tutor, and he starts to come alive again. Felicity Bennett vows she'll do whatever it takes to help Armand fight back the demons that have held him captive for so long. With Felicity's help, Armand begins to heal, until a buried secret threatens to destroy their growing passion. Equal parts action and desire, fans of Sabrina Jefferies and Stephanie Laurens will be sucked in by this heart wrenching tale of family, intrigue, and learning what it means to love. The second in RITA nominee Shana Galen's Regency romance trilogy about three brothers struggling to reconnect and restore their noble heritage in the aftermath of the French Revolution, each losing his heart along the way. Sons of the Revolution Trilogy: The Making of a Duchess (Book 1) The Making of a Gentleman (Book 2) The Rogue Pirate's Bride (Book 3) Praise for Bestselling Author Shana Galen: "Galen's signature sense of humor, expertly blended with deep emotions, will hold readers captive right to the end."-Romantic Times "Lively dialogue, breakneck pace and a great sense of fun."-Publishers Weekly
In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. "Staying On far transcends the events of its central action. . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain's silver age."—Robert Towers, Newsweek "Scott's vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy."—Jean G. Zorn, New York Times Book Review "A graceful comic coda to the earlier song of India. . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott."—Paul Gray, Time "Staying On provides a sort of postscript to [Scott's] deservedly acclaimed The Raj Quartet. . . . He has, as it were, summoned up the Raj's ghost in Staying On. . . . It is the story of the living death, in retirement, and the final end of a walk-on character from the quartet. . . . Scott has completed the task of covering in the form of a fictional narrative the events leading up to India's partition and the achievement of independence in 1947. It is, on any showing, a creditable achievement."—Malcolm Muggeridge, New York Times Book Review
The Four Loves is a 1960 book by C. S. Lewis which explores the nature of love from a Christian and philosophical perspective through thought experiments. The book was based on a set of radio talks from 1958 which had been criticized in the U.S. at the time for their frankness about sex. C.S. Lewis examines storge or empathy love; philia, friendship love; eros, romantic love; and agape, or God love. Excerpt: "GOD is love," says St. John. When I first tried to write this book I thought that his maxim would provide me with a very plain highroad through the whole subject. I thought I should be able to say that human loves deserved to be called loves at all just in so far as they resembled that Love which is God."
BONUS: This edition contains an excerpt from Mary Balogh's The Secret Mistress. All of London is abuzz over the imminent arrival of Wulfric Bedwyn, the reclusive, cold-as-ice Duke of Bewcastle, at the most glittering social event of the season. Some whisper of a tragic love affair. Others say he is so aloof and passionless that not even the greatest beauty could capture his attention. But on this dazzling afternoon, one woman did catch the duke’s eye—and she was the only female in the room who wasn’t even trying. Christine Derrick is intrigued by the handsome duke…all the more so when he invites her to become his mistress. What red-blooded woman wouldn’t enjoy a tumble in the bedsheets with a consummate lover—with no strings and no questions asked. An infuriating lady with very definite views on men, morals, and marriage, Christine confounds Wulfric at every turn. Yet even as the lone wolf of the Bedwyn clan vows to seduce her any way he can, something strange and wonderful is happening. Now for a man who thought he’d never lose his heart, nothing less than love will do. With her trademark wit, riveting storytelling, and sizzling sexual sparks, Mary Balogh once again brings together two polar opposites: an irresistible, high-and-mighty aristocrat and the impulsive, pleasure-loving woman who shows him what true passion is all about. A man and a woman so wrong for each other, it can result only in the perfect match.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.