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Marrying two exceptionally popular topics—needlework and women's history—this book provides an authoritative yet entertaining discussion of the diversity and importance of needlework in Victorian women's lives. Victorian Needlework explores these ubiquitous pastimes—their practice and their meaning in women's lives. Covering the period from 1837–1901, the book looks specifically at the crafts themselves examining quilting, embroidery, crochet, knitting, and more. It discusses required skills and the techniques women used as well as the technological innovations that influenced needlework during this period of rapid industrialization. This book is unique in its comprehensive treatment of the topic ranging across class, time, and technique. Readers will learn what needlework meant to "ladies," for whom it was a hobby reflecting refinement and femininity, and discover what such skills could mean as a "suitable" way for a woman to make a living, often through grueling labor. Such insights are illustrated throughout with examples from women's periodicals, needlework guides, pattern books, and personal memoirs that bring the period to life for the modern reader.
Covering a wide range of magazine work, including editing, illustration, poetry, needlework instruction and typesetting, this book provides fresh insights into the participation of women in the nineteenth-century magazine industry.
History from below uncovers overlooked protagonists contributing to (inter)national endeavour often against considerable odds. Mrs T. Edward Bowdich then Mrs R. Lee (1791–1856) is indicative. When women allegedly cannot participate in early nineteenth-century scientific exploration, discovery and publication, Sarah’s multiple specialist contributions to French and British natural history have attracted no book-length study. This first appraisal of Sarah’s unbroken production of discipline-changing scientific work over three decades – in modern ichthyology, in historical geography of West Africa and in the next-generational dissemination of expert scientific knowledge – does more than fill this gap. The book also pivotally investigates the intercultural, interdisciplinary and multi-genre reach of Sarah’s pioneering perspectives and contributions, and how she could achieve her work independently in her own name(s) over three decades. Sarah’s larger significance is then to provide a very different narrative for women at work in expert nineteenth-century natural history-making. By everywhere challenging the secondary, minor and domestic frames for women’s contributions of the period, the pioneering perspectives of Sarah’s story also provide alternative paradigms to the ‘leaky-pipeline’ modelstill informing women’s careers and work in STEM(M) today.