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“Vivid…Barron has given us a rich and detailed history.” —The New York Times Book Review “Ambitious...a deep history and a thoughtful inquiry into how the constitutional system of checks and balances has functioned when it comes to waging war and making peace.” —The Washington Post A timely account of a raging debate: The history of the ongoing struggle between the presidents and Congress over who has the power to declare and wage war. The Constitution states that it is Congress that declares war, but it is the presidents who have more often taken us to war and decided how to wage it. In Waging War, David J. Barron opens with an account of George Washington and the Continental Congress over Washington’s plan to burn New York City before the British invasion. Congress ordered him not to, and he obeyed. Barron takes us through all the wars that followed: 1812, the Mexican War, the Civil War, the Spanish-American war, World Wars One and Two, Korea, Vietnam, Iraq, and now, most spectacularly, the War on Terror. Congress has criticized George W. Bush for being too aggressive and Barack Obama for not being aggressive enough, but it avoids a vote on the matter. By recounting how our presidents have declared and waged wars, Barron shows that these executives have had to get their way without openly defying Congress. Waging War shows us our country’s revered and colorful presidents at their most trying times—Washington, Lincoln, Theodore Roosevelt, Franklin Roosevelt, Truman, Eisenhower, John F. Kennedy, Johnson, both Bushes, and Obama. Their wars have made heroes of some and victims of others, but most have proved adept at getting their way over reluctant or hostile Congresses. The next president will face this challenge immediately—and the Constitution and its fragile system of checks and balances will once again be at the forefront of the national debate.
Baron's Court, All Change is the Holy Grail of hipster novels. Terry Taylor's book documents one summer in the life of an unnamed sixteen year-old narrator. Leaving home and his job he dabbles in spiritualism, is seduced by an older woman and gets rich quick from drug dealing. This is a world of sharp suits, jazz, kicks, "spades", nightclubs and sex. A London that is already swinging half a decade before the rest of the world catches on. Terry Taylor (1933-2014) was the much younger lover of Ida Kar, whose National Portrait Gallery collection includes a series of photographs of Terry getting stoned in London's Soho back in 1956. His proto-mod exploits as a young man are fictionalised in Colin MacInnes' famous novel Absolute Beginners. Throughout Taylor's life music, magic rituals and hallucinogenic drugs loomed large. Terry spent time in Goa and hung out with William Burroughs in Tangier before settling down in the wilds of north Wales, where he continued to dig modern jazz and perfect his occult practices.
In the 1966 NCAA basketball championship game, an all-white University of Kentucky team was beaten by a team from Texas Western College (now UTEP) that fielded only black players. The game, played in the middle of the racially turbulent 1960s—part David and Goliath in short pants, part emancipation proclamation of college basketball—helped destroy stereotypes about black athletes. Filled with revealing anecdotes, The Baron and the Bear is the story of two intensely passionate coaches and the teams they led through the ups and downs of a college basketball season. In the twilight of his legendary career, Kentucky’s Adolph Rupp (“The Baron of the Bluegrass”) was seeking his fifth NCAA championship. Texas Western’s Don Haskins (“The Bear” to his players) had been coaching at a small West Texas high school just five years before the championship. After this history-making game, conventional wisdom that black players lacked the discipline to win without a white player to lead began to dissolve. Northern schools began to abandon unwritten quotas limiting the number of blacks on the court at one time. Southern schools, where athletics had always been a whites-only activity, began a gradual move toward integration. David Kingsley Snell brings the season to life, offering fresh insights on the teams, the coaches, and the impact of the game on race relations in America.
In Juliana Garnett’s enchanting romance of medieval England, a dashing nobleman and a seductive aristocrat on opposite sides of the law discover that the heart knows no boundaries. Tré Devaux, Third Baron of Brayeton, has just been appointed Sheriff of Nottingham. His first task: to rid the land of the Saxon outlaws who undermine the Norman rule . . . or face the wrath of his vengeful king. Tré is determined to let no one stand in his way, not even the captivating Lady Jane Neville, a known sympathizer to the Saxon cause whose unbridled spirit evokes feelings in Tré he thought were long buried. Although she seems to be the very definition of the perfect English lady, Jane Neville is much more than an elegant noblewoman. She is the niece of the infamous outlaw Robin Hood, and has inherited her uncle’s fierce courage. But even with her warrior’s blood, Jane cannot resist the broad-shouldered, strong-willed Tré, a man whose love comes with harsh consequences. By surrendering to passion, Jane and Tré put themselves in the middle of a civil war that may cost both their hearts—and their lives. Includes a special message from the editor, as well as excerpts from these Loveswept titles: The Notorious Lady Anne, Along Came Trouble, and Strictly Business.
"Kasey Michaels aims for the heart and never misses." —New York Times bestselling author Nora Roberts He is but a pawn in someone else's game. With no choice but to do the prince regent's bidding, Justin Wilde must marry—marry!—a woman not of his own choosing. And for the man notoriously referred to as the Bad Baron, marriage is the last thing he wishes to consider. Especially when the bride has the beauty of an angel but the devil's own temper…. Stunned to find herself married to a stranger, Alina vows to uncover the reason behind their forced union. Yet the more time she spends with her roguish husband, the less the past seems to matter. But when the truth behind their wedding at last emerges, will it strengthen their fragile bond—or shatter their lives forever? Don't miss a chance to re-read Book 4 in the delectable Daughtry Families series by New York Times bestselling author Kasey Michaels! Originally published in 2010.
The Paris we know today, with its grand boulevards, its bridges and parks, its monumental beauty, was essentially built in only seventeen years, in the middle of the nineteenth century. In this brief period, whole neighborhoods of medieval and revolutionary Paris -- over-crowded, dangerous, and filthy -- were razed, and from the rubble a modern city of light and air emerged. This triumphant rebuilding was chiefly the work of one man, Baron Georges Haussmann, Napoleon III's Prefect of the Seine. It was Haussmann's task to assert, in stone, the power and permanence of Paris, to show the world that it was the seat of an empire of mythic proportions. To this end, he imposed grand visual perspectives, as when he transformed Napoleon I's Arc de Triomphe into a magnificent twelve-armed star from which radiated the broadest boulevards of Europe. Below ground, his modern sewer system became one of the wonders of the civilized world, eagerly toured by royalty and commoners alike. Haussmann's mandate was not only to create an impression of grandeur but to secure the city for better control by government. By creating formal spaces where there had previously been a maze of chaotic streets, Haussmann opened Paris to effective police control and thwarted the recurrent demonstration of its well-known revolutionary fervor. The determined and autocratic Haussmann imprinted rational order and bourgeois civility on the unruly city which had for so long simmered with riot and insurrection. Though he planted chestnut trees, installed gas lights, rebuilt the water supply, and improved transportation and housing, Haussmann's labors were (and remain) controversial. He forced tens of thousands of the poor from the center of the city, and destroyed significant parts of old Paris. But in this important new biography David Jordan reminds us that Haussmann was not immune to the charms of the old city. By leaving some areas intact, the Baron achieved the grand effect of implanting a modern city boldly within an ancient one. Here, at last, Haussmann's labors are given the aesthetic as well as the historical appreciation they deserve.