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One by one, ten children move from their old house into their new house with all their possessions. Die-cut windows reveal the interiors of the houses and the book can also be read from back to front.
Set in the middle of last century, at the height of the Empire this book follows the lives of Rohini and Vidia, growing up and getting married in a small Indian village, before being seduced by tales of the promised land and the riches they will find there.
Poetry. Akin to a bookkeeper's accounting of what's given and taken in a fraught, uncertain exchange, THE COUNTING HOUSE goes on to record the pageantry and pedantry of courtly affection gone awry. Symbols and origins of traditional rhymes involving kings and queens serve as inventory, alongside elements of Michel Foucault's Discipline and Punish and Simone de Beauvoir's The Second Sex. In forensic sequences of inquisition, scrutiny, and reckoning, Ridley reveals the maiden as muse as modern darling--unhoused and exacting--in "all of her violet forms." "Sandra Ridley has revealed our closest contradictions in poems where harm is exhausted in both pleasure and pain. These poems find a blackbird baked into a pie, and our own drooling expectation of dessert, the edible object, is replaced by the excitement of the bird that escapes it, somehow alive. We revel in the spectre of the creature's death and resurrection. How close we are to pain and destruction here, but Ridley surprises us with life that stubbornly and lovingly continues. In language that soothes and bites word by word, THE COUNTING HOUSE is a book that lives fiercely in the complex in-between of love and punishment, pleasure and pain, coo and cry."--Jenny Sampirisi
Chicago Public Library’s 2017 Best of the Best Books selection "A fine addition to book collections about families, food, counting, and joyous gatherings" — The Horn Book This sweet, rhyming counting book introduces young readers to numbers one through fifteen as Grandma’s family and friends fill her tiny house on Brown Street. Neighbors, aunts, uncles, nieces, nephews, and grandkids crowd into the house and pile it high with treats for a family feast. But when the walls begin to bulge and nobody has space enough to eat, one clever grandchild knows exactly what to do.
'The Counting House' is a tale of black magic and murder set in rural Scotland in the 1970s.
Newbery-winning Rules meets Counting by 7s in this affecting story of a girl’s devotion to her brother and what it means to be home When eleven-year-old Thyme Owens’ little brother, Val, is accepted into a new cancer drug trial, it’s just the second chance that he needs. But it also means the Owens family has to move to New York, thousands of miles away from Thyme’s best friend and everything she knows and loves. The island of Manhattan doesn’t exactly inspire new beginnings, but Thyme tries to embrace the change for what it is: temporary. After Val’s treatment shows real promise and Mr. Owens accepts a full-time position in the city, Thyme has to face the frightening possibility that the move to New York is permanent. Thyme loves her brother, and knows the trial could save his life—she’d give anything for him to be well—but she still wants to go home, although the guilt of not wanting to stay is agonizing. She finds herself even more mixed up when her heart feels the tug of new friends, a first crush, and even a crotchety neighbor and his sweet whistling bird. All Thyme can do is count the minutes, the hours, and days, and hope time can bring both a miracle for Val and a way back home. With equal parts heart and humor, Melanie Conklin’s debut is a courageous and charming story of love and family—and what it means to be counted.
'An excellent introduction to number systems that is a beautiful wordless picture book as well. . . Over the course of a year (each picture represents a different month and time of day) a little town grows up with viewers witnessing the building of bridges, streets, and railroads. . . . Extraordinary lovely art work.' 'SLJ.