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In "The Case of the Templar's Sword," Brains Benton (Operative X) and Jimmy Carson (Operative Three) find themselves up to their eyeballs in mystery. A house appears to be haunted and it gets broken into. However, nothing was taken! What were they looking for? The firm of Benton and Carson flies into high gear and uses all of their resources to try and figure things out. That includes using their new hydrofoil speedboat and going on a perilous journey underneath a mountain of rock! Join our daring operatives in their latest adventure of chills and spills!
Join math detective in solving nearly 40 puzzles inspired by methods in computer science and mathematics. The Tower of Lego, Odd Doors Problem, Spies and Double Agents, many more. Solutions.
Suitable for both students and teachers who love mathematics and want to study its various branches beyond the limits of school curriculum. This book contains vast theoretical and problem material in main areas of what authors consider to be 'extracurricular mathematics'.
"...A full color, 224-page reference for identifying fake gold coins from dollars to double eagles, plus commemoratives and California fractionals."--p. [4] of cover.
Larson became intrigued by the ingenuity of the processes involved in creating numismatic forgeries. He shows you how they are done, so that you may be forewarned when inventing in your collection.
The portrait style Spanish-American eight-reales was one of the most well known, and extensively circulated silver trade coins that the world has ever seen. Produced in Spain's new world colonies from 1772 to 1825, the coin made Spain a major player on the world financial stage in the eighteenth and early nineteenth centuries. This was due in large measure to the fact this coin accounted for about sixty percent of the annual silver production worldwide. The popularity and general acceptance of this particular coin - the portrait style piece-of-eight - made it the object of forgers who operated in all areas of the globe. It was a coin not merely counterfeited in the countries of origin, but in all of the places where it was accepted as currency in day-to-day transactions. It was produced in small back-room operations and in large factories. It was produced at times in utter secrecy, yet at other times it was more or less an "open secret." It was produced as both worthless base metal copies and as "perfect" imitations containing the correct amount of silver. It has been made to circulate as currency, as well as to specifically deceive collectors. The fascinating story of these counterfeit issues created from shortly after the coin appeared until the present, is the subject of this book. The author, Robert Gurney, known to many coin collectors as "Swamper Bob," has been a lifelong enthusiast of the series. His interest commenced as a teen when he met and spoke to one of the forgers who actually made these coins for a living in the 1920's. The story may at times not seem possible, but the newest scientific tests available provide conclusive evidence for the production of counterfeit versions made for circulation as late as 1930. With contributions made by several notable collectors, including Richard August, John Lorenzo and Gordon Nichols, this book documents the four different classifications of counterfeit eight-reales developed by the author to fit the needs of this particular series. The book illustrates and describes literally hundreds of different types of counterfeits known to have circulated alongside the genuine versions. It specifically expands upon the Thirty-nine varieties noted by Dr. John L. Riddell as existing in circulation in New Orleans in 1845, and swells that number to some 589 varieties. This book was not written just for coin collectors, the subject is actually much broader. It is at its heart a history of the coin covering a period of 240 years of use and production. It is also the story of the methods and reasons for producing both counterfeits and forgeries during that same interval. The players and their motivations for the production of deceptive copies for over 240 years, provides insight into human nature. The book is presented as a start to a long needed discussion - one that is decades overdue. It is only a start. The author hopes that this publication will bring old counterfeits out of their hiding places and into the light of day, where the varieties from childishly crude to artistically superb can be appreciated by everyone. Solamente el comienzo!
The award-winning title has now been revised to offer the most up-to-date information and consumer protection advice available.
Is giving possible? Is it possible to give without immediately entering into a circle of exchange that turns the gift into a debt to be returned? This question leads Jacques Derrida to make out an irresolvable paradox at what seems the most fundamental level of the gift's meaning: for the gift to be received as a gift, it must not appear as such, since its mere appearance as gift puts it in the cycle of repayment and debt. Derrida reads the relation of time to gift through a number of texts: Heidegger's Time and Being, Mauss's The Gift, as well as essays by Benveniste and Levi-Strauss that assume Mauss's legacy. It is, however, a short tale by Baudelaire, "Counterfeit Money," that guides Derrida's analyses throughout. At stake in his reading of the tale, to which the second half of this book is devoted, are the conditions of gift and forgiveness as essentially bound up with the movement of dissemination, a concept that Derrida has been working out for many years. For both readers of Baudelaire and students of literary theory, this work will prove indispensable.
Harley J. Spiller began collecting money at the age of five when, home sick from school, his father tossed him a sack of pennies and a Whitman coin folder. In the five decades since, author Spiller has amassed one of America's most extensive collections of unusual financial artifacts as well as a wealth of anecdotes and quirky historical details about U.S. currency. In Keep the Change, Spiller takes an irreverent look at our most uncommon coins and bills. Readers learn why greenbacks are green; what happens to worn-out bills (compost is involved); how artists navigate the fine line between art and mutilation; whether it's ever acceptable to burn money (short answer: maybe); and how coin clippers and counterfeiters through the ages have profited by manipulating money. This highly selective tour through currency legends and lore will inspire readers to look with a new sense of wonder at the bills that pass through our hands every day.
The start of an effort to organize and bring structure to this area of colonial numismatics.