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Cotton made the fortune of the Fuda family, Egyptian landed gentry with peasant origins, during the second part of the nineteenth century. This story, narrated and photographed by a family member who has researched and documented various aspects of her own history, goes well beyond the family photo album to become an attempt to convey how cotton, as the main catalyst and creator of wealth, produced by the beginning of the twentieth century two entirely separate worlds: one privileged and free, the other surviving at a level of bare subsistence, and indentured. The construction of lavish mansions in the Nile Delta countryside and the landowners' adoption of European lifestyles are juxtaposed visually with the former laborers' camp of the permanent workers, which became a village ('Izba), and then an urbanized settlement. The story is retold from the perspective of both the landowners and the former workers who were tied to the 'Izba. The book includes family photo albums, photographs of political campaigns and of banquets in the countryside, documents and accounting books, modern portraits of the peasants, and pictures of daily life in the village today. This is a story that fuses the personal and emotional with the scholar's detached ethnographic reporting-a truly fascinating, informative, and colorful view of life on both sides of a uniquely Egyptian socio-economic institution, and a vanished world: the cotton estate.
Cotton made the fortune of the Fuuda family, Egyptian landed gentry with peasant origins, during the second part of the nineteenth century. This story, narrated and photographed by a family member who has researched and documented various aspects of her own history, goes well beyond the family photo album to become an attempt to convey how cotton, as the main catalyst and creator of wealth, produced by the beginning of the twentieth century two entirely separate worlds: one privileged and free, the other surviving at a level of bare subsistence, and indentured. The construction of lavish mansions in the Nile Delta countryside and the landowners' adoption of European lifestyles are juxtaposed visually with the former laborers' camp of the permanent workers, which became a village ('izba), and then an urbanized settlement. The story is retold from the perspective of both the landowners and the former workers who were tied to the 'izba. The book includes family photo albums, photographs of political campaigns and of banquets in the countryside, documents and accounting books, modern portraits of the peasants, and pictures of daily life in the village today. This is a story that fuses the personal and emotional with the scholar's detached ethnographic reporting--a truly fascinating, informative, and colorful view of life on both sides of a uniquely Egyptian socio-economic institution, and a vanished world: the cotton estate.
Author Frances Cheston Train recalls the magic of summers spent at Friendfield Plantation in the 1930s, golden days insulated from the hardships of the Depression and filled with innocence, kindness and uncomplicated fun. This tender, minutely observed and humorous memoir is packed with detailed descriptions of everyday life on Friendfield Plantation and the romance of bygone days in the Lowcountry.
Historical Fiction, concerning the decline of activity on a southern plantation after the civil war; how freedom affected former slaves, and the concerns of the land owners Author's email address: [email protected].
The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.
Slavery Remembered is the first major attempt to analyze the slave narratives gathered as part of the Federal Writers' Project. Paul Escott's sensitive examination of each of the nearly 2,400 narratives and his quantitative analysis of the narratives as a whole eloquently present the differing beliefs and experiences of masters and slaves. The book describes slave attitudes and actions; slave-master relationships; the conditions of slave life, including diet, physical treatment, working conditions, housing, forms of resistance, and black overseers; slave cultural institutions; status distinctions among slaves; experiences during the Civil War and Reconstruction; and the subsequent life histories of the former slaves. An important contribution to the study of American slavery, Slavery Remembered is an ideal classroom text for American history surveys as well as more specialized courses.
Remembering Enslavement explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014–17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved. Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums. It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.