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This book, written in 1938, offers a vivid picture of an Ireland that has all but disappeared. The O'Sullivan family invite the reader to share their many homely adventures. Michael and Brigid brave the wilds and gypsies on an errand for their injured father and come home with a new friend; twins Liam and Francie keep everyone hopping; Mother and Father draw the family together with story-telling, warmth and humor. Then Michael and Brigid find a treasure which changes the course of things for all. Illustrated by the author.
It is two years after the events in Canadian Summer. The Mitchells are settled in their new home, Friendly Gables—and twins have just been added to the family. With Mother recovering from the births and with other changes in the household, the children must come to terms with themselves in new ways. Joan’s first dance; Patsy loses her glasses; Peter’s disastrous fight; Angela’s misadventure in the woods; Timmy’s “good news”; and Catherine’s brush with fire —are only a few of the incidents in the life of this busy, growing family. With her usual humor and compassion, the author brings the Mitchell “trilogy” to a satisfying close. Illustrated by the author. 3rd book in the Mitchells Series
When her grandmother dies, orphaned Pegeen finds a temporary home with the O'Sullivan family and dreads the inevitable day when she must go to live with her uncle in America.
Homesick for his family at Bantry Bay, Francie decides to leave the hospital where he is being treated for his lame foot and walk home even though he's not altogether sure of how to get there.
During World War II a young German girl, who has been indoctrinated into the Hitler Youth, travels to occupied Amsterdam to rejoin her parents then comes to realize the truth about the war. New introduction by the author's son, John Tepper Marlin. "So, you're falsifying papers?" said Janna. "You belong to the Dutch Resistance." She looked at him curiously. The boy shrugged his shoulders. "You could call it that. I'm just helping the van Arkels rescue innocent people from certain death. They need these identification papers and food cards to keep alive. If you betray me, all these people will either starve or be forced to give themselves up to be sent to the gas chambers of a concentration camp." "Gas chambers?" Janna looked at the boy with horror. "You mean ... they are killed?" The book looked sternly at her. "Do you think," he said, "that Germany is sending Jews to a nice vacation spa, or to pretty villages with geraniums in the windows? That's what they told us at first, though in Holland we never believed it." This book is based on a true story, and even though it deals with some hard issues brought about by the German occupation of Amsterdam, it provides an opportunity to discuss World War II from a unique perspective.
This book offers the first comprehensive survey of writing by women in Ireland from the seventeenth century to the present day. It covers literature in all genres, including poetry, drama, and fiction, as well as life-writing and unpublished writing, and addresses work in both English and Irish. The chapters are authored by leading experts in their field, giving readers an introduction to cutting edge research on each period and topic. Survey chapters give an essential historical overview, and are complemented by a focus on selected topics such as the short story, and key figures whose relationship to the narrative of Irish literary history is analysed and reconsidered. Demonstrating the pioneering achievements of a huge number of many hitherto neglected writers, A History of Modern Irish Women's Literature makes a critical intervention in Irish literary history.