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This extraordinary book shows how specific musical tones and intervals are related to color, periods of time, the sun, the planets and all the natural cycles and rhythms we find in the universe around us. Cousto reveals how music is truly the language of the cosmos and of the natural world.
When music makes the laws of physics malfunction, then history is at the mercy of. THE OCTAVE DISPLACEMENT Mike Chessel is a musical genius who has discovered the Cosmic Notes, a musical composition whose notes vibrate sympathetically with microscopic structures called "strings," opening up a passage to Antiearth, Earth's cosmic twin. Now humans from forty-two thousand years into the future want those Cosmic Notes. They know the Notes can be used to detonate a weapon far more terrible than ever conceived. To make matters worse, Mike Chessel had played one wrong note making the trip to Antiearth. The physical world around him is now beginning to twist and warp. Anything could happen. Anything. THE OCTAVE DISPLACEMENT reaches beyond the fringes of imagination in a tale interweaving suspense, science fiction, humor, romance, mystery.and a chilling surprise ending. "The Octave Displacement is a highly imaginative work that merges the worlds of science and music so cleverly that one wrong note can mean the difference between life and death." -Vaughn Fritts, published poet.
One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind. With a calmness of spirit as perfect as though he were expressing an opinion upon the merits of the cigar he was smoking, a member of the Academy of Moral and Political Sciences said: “Really—I honestly believe that murder is the greatest human preoccupation, and that all our acts stem from it... “ We awaited the pronouncement of an involved theory, but he remained silent. “Absolutely!” said a Darwinian scientist, “and, my friend, you are voicing one of those eternal truths such as the legendary Monsieur de La Palisse discovered every day: since murder is the very bedrock of our social institutions, and consequently the most imperious necessity of civilized life. If it no longer existed, there would be no governments of any kind, by virtue of the admirable fact that crime in general and murder in particular are not only their excuse, but their only reason for being. We should then live in complete anarchy, which is inconceivable. So, instead of seeking to eliminate murder, it is imperative that it be cultivated with intelligence and perseverance. I know no better culture medium than law.” Someone protested. “Here, here!” asked the savant, “aren't we alone, and speaking frankly?” “Please!” said the host, “let us profit thoroughly by the only occasion when we are free to express our personal ideas, for both I, in my books, and you in your turn, may present only lies to the public.” The scientist settled himself once more among the cushions of his armchair, stretched his legs, which were numb from being crossed too long and, his head thrown back, his arms hanging and his stomach soothed by good digestion, puffed smoke−rings at the ceiling: “Besides,” he continued, “murder is largely self−propagating. Actually, it is not the result of this or that passion, nor is it a pathological form of degeneracy. It is a vital instinct which is in us all—which is in all organized beings and dominates them, just as the genetic instinct. And most of the time it is especially true that these two instincts fuse so well, and are so totally interchangeable, that in some way or other they form a single and identical instinct, so that we no longer may tell which of the two urges us to give life, and which to take it—which is murder, and which love. I have been the confidant of an honorable assassin who killed women, not to rob them, but to ravish them. His trick was to manage things so that his sexual climax coincided exactly with the death−spasm of the woman: 'At those moments,' he told me, 'I imagined I was a God, creating a world!”
Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these and many other questions and provides a wealth of scientific data. Her pioneering work is the result of a lifetime of research into the Classical Greek origin of Western music and the search for modern developments. She deepens our musical understanding by using Rudolf Steiner's spiritual science as a basis, and she elucidates many of his puzzling statements about music. The results of her work include the following discoveries: - The octave has two sizes (a 'genuine' sounding octave is bigger than the "perfect octave") - There are three sizes of "perfect fifths" - An underlying "form principle" for all scales can be found - Equal temperament is not the most satisfactory method of tuning a piano - She provides a basis for some of Steiner's statements, such as, "C is always prime" and "C = 128 Hz = Sun." Intervals, Scales, Tones is a valuable resource for those who wish to understand the deeper, spiritual aspects of music.
The M.I.T. Introductory Physics Series is the result of a program of careful study, planning, and development that began in 1960. The Education Research Center at the Massachusetts Institute of Technology (formerly the Science Teaching Center) was established to study the process of instruction, aids thereto, and the learning process itself, with special reference to science teaching at the university level. Generous support from a number of foundations provided the means for assembling and maintaining an experienced staff to co-operate with members of the Institute's Physics Department in the examination, improvement, and development of physics curriculum materials for students planning careers in the sciences. After careful analysis of objectives and the problems involved, preliminary versions of textbooks were prepared, tested through classroom use at M.I.T. and other institutions, re-evaluated, rewritten, and tried again. Only then were the final manuscripts undertaken.
The remarkable system of Vedic mathematics was created after careful study of ancient -Sanskrit texts early last century. The Vedic system with its direct, easy and flexible approach forms a complete system of mental, mathematics (though the methods can also' be written down) and brings out the naturally coherent and unified structure of mathematics. Many of the features and techniques of this unique system are truly amazing in their efficiency and originality. Being a mental system, Vedic Mathematics encourages creativity and innovation. Mental mathematics increases mental agility, improves memory, the ability to hold ideas in the mind and promotes confidence, as well as being of great practical use. This course consists of three textbooks an Answer Book and a Teacher's Guide. The course is aimed at 11-14 year old pupils though some of it is very suitable for children from 8 years. Vedic Mathematics is being taught in many schools world-wide with great success: many top mathematics prizes have been won by students of this system.
A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.
Metaphysical discussion of the teachings of Gurdjieff with emphasis on numerological and mathematical aspects. Topics include: the Enneagram, Law of Three, Law of Seven, Ratio of the Cosmic Rumple, Three inner octaves, 69 vibrations with define Life, octaves in the universe, dna, much more. Illustrated with diagrams. Cosmic Secrets is the seminal work of Russell A. Smith which brings the ubiquitous underlying objective structure of the macro- and micro-cosm into focus for the seeker of truth. Using only fundamental maths, he has presented in one volume both the knowledge and the tools required to rearrange one's inner world according to a proper law-conformable paradigm. From the opening lines of the Author's Note: "As we journey into the vast, intricate terrain of the laws of World-creation and World-maintenance, it will serve us well: to know where we are; remember where we have been; and understand where we are going. Since in our endeavors we shall not only venture horizontally-along the same scale, but vertically-traversing many scales...following guideposts...added to help the intuitive traveler find his way..." His exposition illuminates the answer to a question that has been on the mind of Man since the dawn of reason: WHY ARE THINGS THE WAY THEY ARE?