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'Laura is a masterful writer, her deliciously gothic stories so skilfully woven that you can't get them out of your head even if you wanted to' Stacey Halls, author of The Familiars 'The Corset is a contender for my Book of the Year. Beautifully written, intricately plotted, a masterpiece' Sarah Hilary Is prisoner Ruth Butterham mad or a murderer? Victim or villain? Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder. When Dorothea's charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress – and self-confessed murderess – who nurses a dark and uncanny secret. A secret that is leading her straight to the gallows. As Ruth reveals her disturbing past to Dorothea, the fates of these two women entwine, and with every revelation, a new layer of doubt is cast... Can Ruth be trusted? Is she mad, or a murderer? *Laura Purcell's spine-chilling new novel, The Whispering Muse is out now*
"[An] uncanny Gothic mystery... Satisfying."—New York Times Book Review "A romping read with a deliciously dark conceit at its center... Reminded me of Alias Grace."—Kiran Millwood Hargrave From the author of The Silent Companions, a thrilling Victorian gothic horror story about a young seamstress who claims her needle and thread have the power to kill Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea: that it is possible to kill with a needle and thread--because Ruth attributes her crimes to a supernatural power inherent in her stitches. The story Ruth has to tell of her deadly creations—of bitterness and betrayal, of death and dresses—will shake Dorothea's belief in rationality, and the power of redemption. Can Ruth be trusted? Is she mad, or a murderer? For fans of Shirley Jackson, The Poison Thread is a spine-tingling, sinister read about the evil that lurks behind the facade of innocence.
“Reality TV has never been more entertaining than here as the wickedly funny MacAlister has her heroine record her hilarious experiences with a quirky cast of characters and her passionate encounters with Max in a laughter-laced diary that is a saucy, sexy delight.”—Booklist No woman in her right mind would consent to wearing a corset for a month. Especially a “skinny-challenged” woman like Tessa. But dreams of being debt-free dance in her head when she gets an offer to appear in a reality TV show. A Month in the Life of a Victorian Duke is about real people pretending to live on an English estate, circa 1879. And Tessa's leading man—a real-life Duke—is so handsome she can barely breathe, with or without the corset...
Think of a corset as a blank canvas. Linda Sparks' The Basics of Corset Building: A Handbook for Beginners is a comprehensive guide to building your first corset, including: Section One: Tools and Materials for Corset Building Discusses the tools you'll need, plus types of steel, plastic, and textiles. Section Two: Building a Corset Everything you need to know about working with bones and busks, setting grommets and eyelets, and creating a beautifully finished corset. Section Three: Construction Techniques Covers all the steps, including making a modesty panel, making a mock-up, and building single layer, double layer, and fashion fabric corsets. Section Four: Alterations and Fit Discusses commercial corset patterns, as well as how to fit and style a corset for exactly the look you want.
Korsettets kulturhistorie fra renæssancen til det 20. århundrede
Ever since Eve's first blush, clothes have girded, graced and transformed the female physique. Fascinating and insightful, The Corset and the Crinoline is an illustrated history of clothing's attendant underpinnings—especially those that whittled the female waist to its most slender proportions. Reproduced from a rare 1868 fashion publication, each page reveals how the use of wood, whalebone, steel, hoops, and tight laces had a gripping influence on shaping the figures of women from ancient Greece to nineteenth-century Vienna. Enlivened by excerpts from authentic letters, magazine articles, and satiric poems, over fifty exquisite black-and-white engravings highlight the wardrobes—and what was worn underneath them—of a Persian dancing girl, an ancient Egyptian woman, a Roman lady of high rank, Queen Elizabeth, Marie de Medici, a woman of the French revolutionary period, and many more. Costume designers, artists, and anyone interested in the history of fashion will be captivated!
On Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset—ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment—not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman—and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
This is an invaluable treatise on corsets and crinoline. Popular mainly in the 1800s, the corset is a woman's tightly fitting undergarment worn to shape the figure, and the crinoline is a stiff petticoat used to hold out a woman's skirt. This work presents the history of these pieces of clothing, their construction, use, and their impact on shaping the body. In addition, the writer aimed to provide the readers with all the essential information about the harm corsets can cause to women's bodies as they mold their waist and restrict their moment for as long as they're wearing them. This work talks about how one can acquire the desirable without causing any injury to the health.
Progressing through almost two centuries of corset-making, this fascinating collection showcases an astonishing range of period pieces, from the 1750 whale-boned corsets, through the invention of the sewing machine and mass-produced corsets of the 1850s to the makeshift corsets of World War I. Reflecting the changing fashions and attitudes of women throughout the centuries, the collection includes corsets for pregnancy, riding corsets for sportswomen and hard-wearing corsets for housemaids. There are even corsets for small children and their dolls. The book is packed with practical information on how to recreate these stunning period pieces for yourself. Each corset features an annotated pattern, a detailed drawing and close-up photography so historical detail can be captured accurately by the maker. A brief overview places the corset within its historical context and explains any features or alterations necessary for making up the patterns. For those new to dressmaking there are two step-by-step projects - one for a hand-stitched, pre-1850 corset and one for a post-1850 corset made using the sewing machine. There is also invaluable advice on a range of corset-making techniques, from cutting and fitting the patterns to adding historical detail. Information on lacing the corsets, inserting eyelets, gussets and split busks and on stitching and flossing is all included.
Ambrose has extensive experience designing and cutting costumes. She has discovered some time-saying and simple methods for building hats and period clothing and is sharing her knowledge in this charming minibook series. Each book is extensively illustrated and is 4 x 6, paper, saddle stitched, with a four-color cover.