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Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.
This book, originally published in 1979, traces the growth of English radicalism from the time of Wilkes to the final suppression of the radical societies in 1799. The metropolitan radical movement is described in the context of the general democratic evolution of the West in the age of the American and French revolutions, by showing how its direction was influenced by events in France, Scotland and Ireland. The book emphasizes the importance of the great regional centres of provincial radicalism and of the evolution of a local, radical press. It also throws light on the impact of Painite radicalism, the origins of Anglo-french hostilities in 1793, the English treason trials of 1794, the protest movement of 1795 and the final phase of Anglo-Irish clandestine republicanism.
First published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.
Containing scientific abstracts of important and interesting works, published in English; a general account of such as are of less consequence, with short characters; notices, or reviews of valuable foreign books; criticisms on new pieces of music and works of art; and the literary intelligence of Europe, &c.