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M. Flobaire, You must be a truly dirty oaf to have taken my name and written a letter with it to a lady who had some favors for me which you doubtless received in my place and inherited my hat in place of which I have received yours which you left there. It is the lowness of that lady's conduct and of yours that make me think that she lacks education entirely and all those sentiments which she ought to understand.
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A revelatory collection of correspondence by the lauded author of titanic American classics such as The Recognitions and J R, shedding light on his staunchly private life. UPDATED WITH OVER TWO DOZEN NEW LETTERS AND PHOTOGRAPHS Now recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and also reveal the extent to which he drew upon events in his life for his fiction. Here we see him forging his first novel, The Recognitions (1955), while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award–winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter’s Gothic (1985); then teaches himself enough about the law to produce A Frolic of His Own (1994). Resuming his lifelong obsession with mechanization and the arts, he finishes a last novel, Agapē Agape (published in 2002), as he lies dying. This newly revised edition includes clarifying notes by Gaddis scholar Steven Moore, as well as an afterword by the author’s daughter, Sarah Gaddis.
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The Correspondence of George Sand and Gustave Flaubert captures a brilliant epistolary exchange that traverses the breadth of nineteenth-century French literary tradition. Within this collection, readers witness the unfolding of a deep, intellectual companionship that greatly influenced the literary output and critical reception of both authors. The volume is a testament to the diversity of literary styles and preoccupations of the period, showcasing the dialogue between two distinct yet harmoniously aligned literary voices. Through their letters, Sand and Flaubert navigate the realms of political tumult, aesthetic debates, and personal tribulations, offering unparalleled insights into the life of the writer in the nineteenth century. The contributors to this anthology, Sand and Flaubert, were titans of French literature, each bringing to the table a unique perspective shaped by divergent backgrounds and philosophies. Despite their differences, the correspondence reveals a mutual respect and understanding that transcends their individual stances, embodying the era's sociopolitical and cultural dynamism. Their letters create a rich tapestry that reflects the complexities of the human condition, guided by two of the most influential minds of their time. This collection is not merely an academic exercise but a doorway into the vibrant intellectual milieu of 19th-century France. It offers readers a unique opportunity to witness the interplay of ideas and emotions between two literary giants, enriching our understanding of their works and the period in which they lived. For scholars and enthusiasts of French literature, this volume is an invaluable resource that deepens our comprehension of the literary landscape of the time and the enduring power of written correspondence in shaping literary history.
After Sand's spirited defence of Flaubert's novel Salammbo in 1863, the two writers became friends. Both were excited by the attentions of the other, despite their difference in age, and their affection developed into eager and frequent correspondence. So began not a lover affair, but a deep friendship and one of the great epistolary masterpieces of modern times.
In 1862 Gustave Flaubert published Salammb , his novel of ancient Carthage. It met with a largely unenthusiastic response from the critics. One of the few who admired it was George Sand, then at the height of her popularity as a novelist and playwright, and she wrote a review championing the book. Flaubert wrote to thank her and thus began a correspondence and a friendship that were to last until Sand's death in 1876. In this correspondence, 'one of the great literary exchanges,' as Julian Barnes has called it, two writers of genius set down their thoughts on an enormous variety of subjects, from their views on the craft of fiction and on the Paris theatre to their reactions to public events such as the Franco-Prussian War and the conflict between monarchists and republicans. In their letters Flaubert and Sand created a masterpiece as compelling as any of their novels.