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A heart-warming and emotional saga perfect for the coronation, perfect for fans of Nancy Revell, Rosie Goodwin and Vicky Beeby 'This joyful saga is the perfect read to get you in the Coronation spirit!' MY WEEKLY 'Entirely charming and utterly joyful' TRISHA ASHLEY ____________ Spring, 1953. The sun is shining on Little Green Street, the bunting is being brought out, and Britain is getting ready to crown its new Queen. For Helen Jones, whose father died on the same day as the old king, the coronation might just represent a fresh start. Her husband Tad, organiser of the local street party, is determined to put a smile back on her face. Whereas for Emlyn Hughes, who has secretly admired beautiful single mother Nancy for years, the sudden festive spirit might just be the prompt he needs to finally confess his feelings. As the cakes are baked and the national anthem is rehearsed, the street is finally ready to cast aside the shadow of war for a moment of true joy. But Emlyn and Tad's plans are shaken by the arrival of an unexpected letter and an unwelcome guest. As old secrets threaten to ruin their new starts, only the power of good neighbours and kind hearts can keep the street together - and make sure they have a party that's fit for a Queen . . .
On June 2, 1953, Her Majesty Queen Elizabeth II was crowned in Westminster Abbey. In 2013 - 60 years later - a nation comes together once more to celebrate that special event.
This volume examines how literature was central to the debates about royal succession and political culture of the early eighteenth century. It reshapes our understanding of writers such as Daniel Defoe, Alexander Pope, and Joseph Addison, as well as our understanding of political, literary, and material cultures of the time.
Susan Ronald, acclaimed author of Hitler's Art Thief takes readers into the shadowy world of the aristocrats and business leaders on both sides of the Atlantic who secretly aided Hitler and Nazi Germany. Hitler said, “I am convinced that propaganda is an essential means to achieve one’s aims.” Enlisting Europe’s aristocracy, international industrialists, and the political elite in Britain and America, Hitler spun a treacherous tale everyone wanted to believe: he was a man of peace. Central to his deception was an international high society Black Widow, Princess Stephanie Hohenlohe-Waldenburg-Schillingsfürst, whom Hitler called “his dear princess.” She, and others, conspired for Hitler at the highest levels of the British aristocracy and spread their web to America's wealthy powerbrokers. Hitler’s aristocrats became his eyes, listening posts, and mouthpieces in the drawing rooms, cocktail parties, and weekend retreats of Europe and America. Among these “gentlemen spies” and “ladies of mystery” were the Duke and Duchess of Windsor, Lady Nancy Astor, Charles Lindbergh, and two of the Mitford sisters. They were the trusted voices disseminating his political and cultural propaganda about the “New Germany,” brushing aside the Nazis’ atrocities. Distrustful of his own Foreign Ministry, Hitler used his aristocrats to open the right doors in Great Britain and the United States, creating a formidable fifth column within government and financial circles. In a tale of drama and intrigue, Hitler’s Aristocrats uncovers the battle between these influencers and those who heroically opposed them.
This is the first book to consider the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate, and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism, and chivalry. It was also used to emphasize the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales, and Ireland to the imperial project.
In 1701, Frederick I crowned himself the first King in Prussia. This title required a process of royal status construction in conjunction with other European rulers, and Frederick found his most willing partners in the English monarchy. This volume examines their ceremonial and military cooperation. Diplomatic ceremonial was the medium through which the English state and its representatives recognised the new royal rank of the Hohenzollern dynasty. In exchange, Frederick engaged in extensive military cooperation with the English in the War of the Spanish Succession. Yet English statesmen and diplomats also instrumentalised Anglo-Prussian relations for their own status production, furthering their careers and elevating their rank via the symbolic construction of Prussian royal dignity. This book investigates this reciprocal construction of status and rank, exploring the aims and actions of actors involved, and assessing the extent to which they succeeded. Consequently, this book represents an actor-centred work of ‘new diplomatic history’ that simultaneously reinterprets the reign of Frederick I and assesses a crucial yet understudied chapter in the rise of Prussia. This book will appeal to scholars and students of early modern diplomatic history, as well as general readers interested in the history of England and Prussia.