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In this accessible and attractive book, beautiful illustrations accompany an involving contextualization of life in Ireland's Cork City at the beginning of the 20th century. Focusing on the "International Exhibition of Manufactures, Arts, Products and Industries," a monumental event which opened its doors in the summer of 1902 and which Cork City has not paid witness to before or since, local historians Daniel Breen and Tom Spalding provide an enlightening account of an Irish city during a time when civic and cultural life was celebrated in the spirit of the age, and not obscured by the divisive politics that severely marked the preceding century and following decade. The book provides a picture of Edwardian Cork, going beyond reportage to instill a real sense of the age. The International Exhibition was emblematic of this remarkably cooperative period, seeing individuals of strongly opposing political backgrounds working in unison and interacting with a huge array of international exhibitors from as far away as Russia, China, and Turkey. As an exhibition devoted to art and industry, the Cork International Exhibition acted as a focal point that expanded upon contemporary art, architecture, music, sports, and more. Filled with colorful illustrations of archival material, this elegant book presents a complete picture of the astonishing scale and vibrancy of this immense occasion in Ireland's social history. Exhibitions of this kind were showcased in major global cities, such as London, Paris, Glasgow, St. Louis, and Chicago. The fact that it came to a burgeoning city such as Cork, ahead of Belfast or Dublin, was of historic importance within Ireland.
This book brings together new research on loyalism in the 26 counties that would become the Irish Free State. It covers a range of topics and experiences, including the Third Home Rule crisis in 1912, the revolutionary period, partition, independence and Irish participation in the British armed and colonial service up to the declaration of the Republic in 1949. The essays gathered here examine who southern Irish loyalists were, what loyalism meant to them, how they expressed their loyalism, their responses to Irish independence and their experiences afterwards. The collection offers fresh insights and new perspectives on the Irish Revolution and the early years of southern independence, based on original archival research. It addresses issues of particular historiographical and political interest during the ongoing 'Decade of Centenaries', including revolutionary violence, sectarianism, political allegiance and identity and the Irish border, but, rather than ceasing its coverage in 1922 or 1923, this book - like the lives with which it is concerned - continues into the first decades of southern Irish independence. CONTRIBUTORS: Frank Barry, Elaine Callinan, Jonathan Cherry, Seamus Cullen, Ian d'Alton, Sean Gannon, Katherine Magee, Alan McCarthy, Pat McCarthy, Daniel Purcell, Joseph Quinn, Brian M. Walker, Fionnuala Walsh, Donald Wood
This fascinating selection of photographs traces some of the many ways in which Cork Harbour has changed and developed over the last century.
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
Cork has long been an important hub for international trade, including the lucrative transatlantic routes. This wealth is reflected in the city's fine architecture, which boasts a wide variety of styles, from Neoclassical to Gothic. Following on from their successful Dublin Strolls, the Brackens guide us on charming walks through Cork's architecture, sharing expert insights and intriguing historical detail along the way. Striking hand-drawn illustrations capture the beauty of Ireland's second city. Each of the walks through the city starts where the previous one left off, allowing readers to extend their explorations. They are bookended by landmarks of the city skyline: to the north, the Cathedral of St Mary and St Anne in Shandon and to the west, St Vincent's Church in Sunday's Well. In between, they meander through the city, taking in Ireland's tallest building, the hotel where Michael Collins spent his last night and classic Cork sights such as the English Market, St Fin Barre's Cathedral, and the old Beamish and Crawford brewery. There are also strolls covering outlying attractions like Fota House and Blarney Castle, as well as the neighbouring seaside towns of Cobh and Kinsale. This illuminating guide reveals the city and county in a whole new light.
The planning of Holy Trinity church in Cork City began in 1825, and the building was finally completed some sixty years later. The story of its completion mirrors the turbulent history of Ireland of the time, and the development of the cultural and civic life of the community, particularly in charting the life of its patron, Father Theobald Matthew and the important role of the Capuchin Order. In this new work, Patrica Curtin-Kelly chronicles the fascinating history of this building and details some of its treasures, including the stained-glass windows by renowned Irish artist Harry Clarke.
Michael Lenihan delves into the rich tapestry of Cork history to reveal some of its most bizarre events and strangest characters. From quack doctor Baron Spolasco, to the outlaw Art O Laoghaire, Cork has seen some eccentric, wonderful and downright nasty people. With revelations of mass graves in Bishop Lucey Park and how Jonathan Swift was insulted by being awarded the freedom of the city, and stories of the Gas Works' strike, Hidden Cork opens the door on history, dumps the boring bits and brings to life the flow of time through the streets of Cork.
This fascinating selection of photographs traces some of the many ways in which North Cork has changed and developed over the last century.
Old Ireland in Colour brings to life the rich history of Ireland and the Irish through the colour restoration of these stunning images of all walks of Irish life throughout the nineteenth and twentieth centuries. From the chaos of the Civil War to the simple beauty of the islands; from legendary revolutionaries to modest fisherfolk, every image has been exquisitely transformed and every page bursting with life. Using a combination of cutting-edge artificial intelligence technology and his own historical research, John Breslin has meticulously colourised these pictures with breath-taking attention to detail and authenticity. With over 190 photographs from all four provinces, and accompanied by fascinating captions by historian Sarah-Anne Buckley, Old Ireland in Colour breathes new life into the scenes we thought we knew, and brings our ancestors back to life before our eyes.