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On 4 June 1629, the Batavia, pride of the Dutch East India Company Fleet, was wrecked on her maiden voyage in a seemingly empty expanse of the Indian Ocean. The question “how did this happen?” led to 300 years of investigation by those curious to solve the enigma: what are corals and how are coral reefs formed?. Relying heavily on primary source material Part 1 traces the sequential evolution of scientific thought and practice as the author explores the way this evolution is reflected in the search for understanding corals. At each stage, answers lead to fresh questions that challenge investigators to solve the riddle and new branches of science emerge. Then, with the first enigma finally understood, a new enigma arose. Why are Reefs dying? Part 2 traces the range of problems that have emerged in the past 50 years as marine, ecological, reef and climate scientists attempt to put the pieces of the jigsaw together. Is there a new “canary in the coal mine” warning of the fate of the world as we know it if man’s impact on his environment continues unchecked?.
This poignant tribute to the beauty of coral reefs sheds light on the destruction of global reef ecosystems and the climate science behind the conservation efforts to save them. Broken into three parts—Discovering Corals, Wonder and Devastation, and Searching for Hope—and told through a series of gripping stories, author and documentarian David Alexander Baker takes readers on a global adventure to the front lines of an unfolding ecological crisis. More than half of the world's coral reefs have been destroyed in the past fifty years due to the climate crisis. The Lost Continent helps readers gain a deeper understanding of coral reefs and why they are vital to the health of our oceans—and the survival of our planet—and highlights the incredible conservation and restoration strides being made around the world. With over 60 breathtaking photographs of coral reefs spanning from Colombia to Australia to the Florida Keys readers will be moved both by the majesty of nature and the urgency to preserve and restore these great cities of the seas.
On 4 June 1629, the Batavia, pride of the Dutch East India Company Fleet, was wrecked on her maiden voyage in a seemingly empty expanse of the Indian Ocean. The question “how did this happen?” led to 300 years of investigation by those curious to solve the enigma: what are corals and how are coral reefs formed?. Relying heavily on primary source material Part 1 traces the sequential evolution of scientific thought and practice as the author explores the way this evolution is reflected in the search for understanding corals. At each stage, answers lead to fresh questions that challenge investigators to solve the riddle and new branches of science emerge. Then, with the first enigma finally understood, a new enigma arose. Why are Reefs dying? Part 2 traces the range of problems that have emerged in the past 50 years as marine, ecological, reef and climate scientists attempt to put the pieces of the jigsaw together. Is there a new “canary in the coal mine” warning of the fate of the world as we know it if man’s impact on his environment continues unchecked?.
Winner, 2023 Choice Outstanding Academic Title One morning in Miami Beach, an unexpected guest showed up in a luxury condominium complex’s parking garage: an octopus. The image quickly went viral. But the octopus—and the combination of infrastructure quirks and climate impacts that left it stranded—is more than a funny meme. It’s a potent symbol of the disruptions that a changing climate has already brought to our doorsteps and the ways we will have to adjust. Rob Verchick examines how we can manage the risks that we can no longer avoid, laying out our options as we face climate breakdown. Although reducing carbon dioxide emissions is essential, we need to adapt to address the damage we have already caused. Verchick explores what resilience looks like on the ground, from early humans on the savannas to today’s shop owners and city planners. He takes the reader on a journey into the field: paddling through Louisiana’s bayous, hiking in one of the last refuges of Joshua trees in the Mojave Desert, and diving off Key Largo with citizen scientists working to restore coral reefs. The book emphasizes disadvantaged communities, which bear the brunt of environmental risk, arguing that building climate resilience is a necessary step toward justice. Engaging and accessible for nonexpert concerned citizens, The Octopus in the Parking Garage empowers readers to face the climate crisis and shows what we can do to adapt and thrive.
This book presents a history of radioecology, from World War II through to the critical years of the Cold War, finishing with a discussion of recent developments and future implications for the field. Drawing on a vast array of primary sources, the book reviews, synthesizes and discusses the implications of the ecological research supported by the Atomic Energy Commission (AEC) of the United States government, from World War II to the early 1970s. This was a critical period in the history of ecology, characterized by a transition from the older, largely descriptive studies of communities of plants and animals to the modern form of the science involving functional studies of energy flow and mineral cycling in ecosystems. This transition was in large part due to the development of radioecology, which was a by-product of the Cold War and the need to understand and predict the consequences of a nuclear war that was planned but has never occurred. The book draws on important case studies, such as the Pacific Proving Grounds, the Nevada Test Site, El Verde in Puerto Rico, the Brookhaven National Laboratory and recent events such as the nuclear disasters at Chernobyl and Fukushima. By revisiting studies and archived information from the Cold War era, this book offers lessons from the history of radioecology to provide background and perspective for understanding possible present-day impacts from issues of radiation risks associated with nuclear power generation and waste disposal. Post-Cold War developments in radioecology will be also reviewed and contrasted with the AEC-supported ecology research for further perspectives. This book will be of great interest to students and scholars of radioecology, environmental pollution, environmental technology, bioscience and environmental history.
In recent years, a catastrophic global bleaching event devastated many of the world’s precious coral reefs. Working on the front lines of ruin, today’s coral scientists are struggling to save these important coral reef ecosystems from the imminent threats of rapidly warming, acidifying, and polluted oceans. Coral Whisperers captures a critical moment in the history of coral reef science. Gleaning insights from over one hundred interviews with leading scientists and conservation managers, Irus Braverman documents a community caught in an existential crisis and alternating between despair and hope. In this important new book, corals emerge not only as signs and measures of environmental catastrophe, but also as catalysts for action.
Why are we as humans so attracted to water and to colorful reefs? Indeed, why are reefs so dazzling? How did cleaning station symbiosis evolve? How come there are so many extraordinary defense mechanisms among reef animals? Do the denizens of reefs have consciousness? How did warning coloration evolve? In what ways do fundamental mathematical rules manifest in coral reefs? For answers to these questions and many more, take a dive into Reflections Underwater. Coral reefs are one of the world's great natural wonders: endlessly surprising and mesmerizing kaleidoscopic fractals of color and life. But they are also under serious threat from the effects of climate change and development. Reflections Underwater is a unique, illuminating book that explores a stunning variety of topics and concepts relating to coral reefs. Adopting a holistic, multidisciplinary perspective that weaves together scientific and humanistic ideas, including psychology, evolution, zoology, philosophy, mathematics, art, physics, and more, this book offers a compelling angle on these remarkable and fragile habitats. Meticulously researched and elegantly argued, it is illustrated throughout with exquisite photographs gleaned from the author's many marine adventures.
A welcome dive into the world of aquarium craft that offers much-needed knowledge about undersea environments. Atlantic coral is rapidly disappearing in the wild. To save the species, they will have to be reproduced quickly in captivity, and so for the last decade conservationists have been at work trying to preserve their lingering numbers and figure out how to rebuild once-thriving coral reefs from a few survivors. Captive environments, built in dedicated aquariums, offer some hope for these corals. This book examines these specialized tanks, charting the development of tank craft throughout the twentieth century to better understand how aquarium modeling has enhanced our knowledge of the marine environment. Aquariums are essential to the way we understand the ocean. Used to investigate an array of scientific questions, from animal behavior to cancer research and climate change, they are a crucial factor in the fight to mitigate the climate disaster already threatening our seas. To understand the historical development of this scientific tool and the groups that have contributed to our knowledge about the ocean, Samantha Muka takes up specialty systems—including photographic aquariums, kriesel tanks (for jellyfish), and hatching systems—to examine the creation of ocean simulations and their effect on our interactions with underwater life. Lively and engaging, Oceans under Glass offers a fresh history about how the aquarium has been used in modern marine biology and how integral it is to knowing the marine world.
The human body is admired, displayed, and dissected in this eclectic collection of stories, poems, and essays from Rick Moody, Edward Carey, and more. Being Bodies is an exploration of the complex circumstances of our flesh-and-blood existence. Our bodies dance; they’re inked; they contain prosthetics and implants. Our bodies are gendered, though not always correlative with how we perceive ourselves. Some use bodies for violence; some sacrifice their bodies for others. Our bodies are mortal, their days numbered. We do with them what we can and what we will. Through innovative poetry, fiction, and narrative nonfiction, thirty writers consider bodies as subjects; bodies as objects; bodies as loci of politics, illness, nature, artifice, performance, power, abuse, reward, disgust, and desire. Conjunctions:69, Being Bodies includes contributions from Rick Moody, Edward Carey, Carole Maso, Bin Ramke, Dina Nayeri, Rachel Blau DuPlessis, Sallie Tisdale, Stephen O’Connor, Sejal Shah, Maud Casey, Samantha Stiers, Forrest Gander, Kristin Posehn, Nomi Eve, Rosamond Purcell, Alan Rossi, Aurelie Sheehan, Peter Orner, Gregory Norman Bossert, Mary Caponegro and Fern Seiden, Anne Waldman, Jorge Ángel Pérez, Jena Osman, Michael M. Weinstein, Emily Geminder, Elizabeth Gaffney, Jessica Reed, Michael Ives, and Kyoko Mori.
"In the eighteenth and nineteenth centuries, coral specimens featured prominently in cabinets of curiosity, and in literary work by writers from Herman Melville to Lydia Huntley Sigourney. Children sang of coral in popular songs. Women, both free and enslaved, wore coral beads. Reef samples drew crowds to galleries and museums. And coral's unique qualities as animal, vegetable, and mineral inspired countless Americans to praise the "coral insect" for creating what one author called "the most wonder-provoking of all natural objects." In this account of coral's history as material and metaphor, Michele Navakas argues that coral shaped the nation's thinking and became deeply entwined with the histories of slavery, wage labor, and women's reproductive and domestic work. European slave traders used red coral to purchase persons along the coast of West Africa from the fifteenth through the eighteenth centuries, while enslaved people performed the labor that brought raw coral from Caribbean, Mediterranean, and Pacific waters to European naturalists and coral traders. In the nineteenth-century U.S., Black and white women frequently compared their bodies to reef-building polyps that silently and continually produced new beings and forged intergenerational bonds. The book traces the global flows of labor, production, manufacture, and trade that brought coral into the daily lives of nineteenth-century Americans, and discusses the cultural traditions surrounding coral in four major geographic regions-Africa, the Pacific, the Caribbean, and Europe-that shaped early American understandings of coral. It then examines works of literature and of natural history by a cross-section of U.S. authors who used the analogy of coral to describe a system in which the labors of each individual enrich all, but also as a body that grows only by silently entombing the living bodies of its most essential workers. A coda addresses the value of historically oriented environmental humanities scholarship at a time of climate crisis"--