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The maturing of a New England-born painter in the French Quarter of New Orleans.
Illuminates both the well- and lesser-known literary figures of New Mexico, whose collaborative efforts created enduring literary colonies. This book also discusses fifteen writers and concludes with walking and driving tours of Santa Fe and Taos.
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it—William Faulkner (1897–1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways. What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote? Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his “postage stamp of native soil,” and the world of letters within which he created his masterpieces. In this anthology, essays focus on such topics as how Faulkner's literary antecedents (in particular, Willa Cather and Joseph Conrad) influenced his writing, his literary/aesthetic feud with rival Ernest Hemingway, and the common themes he shares with fellow southerners Welty and Evans. Several essays examine the environment in which Faulkner worked. Deborah Clarke concentrates on the rise of the automobile industry. W. Kenneth Holditch shows how the city of New Orleans acted as a major force in Faulkner's fiction, and Grace Elizabeth Hale examines how the civil rights era of Faulkner's later career compelled him to deal with his ideas about race and rebellion in new ways.
Oliver La Farge was a Pulitzer-prize winning writer, an anthropologist specializing in Mayan Indians, and a major figure in 20th-century American Indian welfare and reform. Because of La Farge's long involvement with the Association of American Indian Affairs, this biography is also a history of that group.
Pulitzer Prize-winner La Farge died in 1963. Of his many books, this work has earned the affection of Santa Feans and New Mexicans, who continue to regard it as a regional classic.
"In his autobiography, Father wrote a superior account of one man's life . . . the account of how the raw material of one boy grew into a man whose life both displayed and sought out true integrity."--John Pen La Farge.