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Armenia was the first country to recognize Christianity as the official state religion in 301 AD, twelve years before Constantine's decree granting tolerance to Christianity within the Roman Empire. Ever since, Armenia has claimed the privilege of being the first Christian nation, and the wealth of Christian art produced in Armenia since then is testimony to the fundamental importance of the Christian faith to the Armenian people. This extensive new survey of Armenian Christian art, published to accompany a major exhibition at The British Library, celebrates the Christian art tradition in Armenia during the last 1700 years. The extraordinary quality and range of Armenian art which is documented includes sculpture, metalwork, textiles, ceramics, wood carvings and illuminated manuscripts and has been drawn together from collections throughout the world—many of the examples have never before been seen outside Armenia. In his authoritative text, Dr. Vrej Nersessian, Curator at The British Library, charts the development of Christianity in Armenia. This fascinating history is essential to an understanding of the art and religious tradition of Armenia, a country in which the sense of the sacred extends well beyond the purely religious, infiltrating the entire fabric of Armenian affairs to create a fascinating culture. This sumptuously illustrated book will be of immense value to anyone with an interest in Byzantine art and culture, the history of Christianity and the history of Armenia and the Middle Orient.
Abyssinian Christianity lays out a groundbreaking and compelling argument that Ethiopia may indeed have been the first Christian nation.
The Armenians traces the evolution of Armenia and Armenian collective identity from its beginnings to the Armenian nationalist movement over Gharabagh in 1988. Applying theories of national-identity formation and nationalism, Razmik Panossian analyzes different elements of Armenian identity construction and argues that national identity is modern, predominantly subjective, and based on a political sense of belonging. Yet he also acknowledges the crucial role of history, art, literature, religious practice, and commerce in preserving the national memory and shaping the cultural identity of the Armenian people. Panossian explores a series of landmark events, among them Armenians' first attempts at liberation, the Armenian renaissance of the nineteenth century, the 1915 genocide of the Ottoman Armenians, and Soviet occupation. He shows how these influences led to a "multilocal" evolution of Armenian identity in various places in and outside of Armenia, notably in diasporan communities from India to Venice. Today, these numerous identities contribute to deep divisions and tensions within the Armenian nation, the most profound of which is the cultural divide between Armenians residing in their homeland and those who live in the United States, Canada, the Middle East, and elsewhere. Considering the diversity of this single nation, Panossian questions the theoretical assumption that nationalism must be homogenizing. Based on extensive research conducted in Armenia and the diaspora, including interviews and translation of Armenian-language sources, The Armenians is an engaging history and an invaluable comparative study.
The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.
A Financial Times Book of the Year A Foreign Affairs Book of the Year A Spectator Book of the Year “A landmark contribution to the study of these epochal events.” —Times Literary Supplement “Brilliantly researched and written...casts a careful eye upon the ghastly events that took place in the final decades of the Ottoman empire, when its rulers decided to annihilate their Christian subjects...Hitler and the Nazis gleaned lessons from this genocide that they then applied to their own efforts to extirpate Jews.” —Jacob Heilbrun, The Spectator Between 1894 and 1924, three waves of violence swept across Anatolia, targeting the region’s Christian minorities. By 1924, the Armenians, Assyrians, and Greeks, once nearly a quarter of the population, had been reduced to 2 percent. Most historians have treated these waves as distinct, isolated events, and successive Turkish governments presented them as an unfortunate sequence of accidents. The Thirty-Year Genocide is the first account to show that all three were actually part of a single, continuing, and intentional effort to wipe out Anatolia’s Christian population. Despite the dramatic swing from the Islamizing autocracy of the sultan to the secularizing republicanism of the post–World War I period, the nation’s annihilationist policies were remarkably constant, with continual recourse to premeditated mass killing, homicidal deportation, forced conversion, and mass rape. And one thing more was a constant: the rallying cry of jihad. While not justified under the teachings of Islam, the killing of two million Christians was effected through the calculated exhortation of the Turks to create a pure Muslim nation. “A subtle diagnosis of why, at particular moments over a span of three decades, Ottoman rulers and their successors unleashed torrents of suffering.” —Bruce Clark, New York Times Book Review
This tenth anniversary revised edition of the authoritative text on Christianity's first thousand years of history features a new preface, additional color images, and an updated bibliography. The essential general survey of medieval European Christendom, Brown's vivid prose charts the compelling and tumultuous rise of an institution that came to wield enormous religious and secular power. Clear and vivid history of Christianity's rise and its pivotal role in the making of Europe Written by the celebrated Princeton scholar who originated of the field of study known as 'late antiquity' Includes a fully updated bibliography and index
In this literary gem Vigen Guroian chronicles not merely the changing seasons but the course of his own life as he and his family move from Maryland to a new home near the Blue Ridge Mountains of Virginia. Leaving the old garden behind and cultivating another garden become an emblem of our journey through life, marked as it is by both bitter losses and sweet new blessings. While deeply personal, The Fragrance of God vividly unfolds the great biblical themes of the grandeur of God s creation, the senses as paths to experiencing God, and the garden as a place of birth, death, and renewal. Laced throughout with quotations from Guroian s beloved church fathers and replete with theological reflection, The Fragrance of God will lead readers down a path of deeper insight into the creation and the Creator.