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The book outlines the history of the church. It also describes the chapels, the art and the treasures found within. Moreover it is the first book to be published after the completion of the restoration project of the main nave. This new edition retains most of the narrative of the 2010 edition however all photography has now been changed to reflect
This is a complete history of the Order of St John or Knights of Malta. Founded as a hospice for pilgrims in Jerusalem in the 11th Century, the Order has in succeeding centuries played an important military, religious and political role in the history of Europe and the Mediterranean.
"This book studies the iconography of saints and heroes of the Knights of Malta as depicted by the artist Mattia Preti between 1658 and 1698."- [preface].
"In Staging Holiness. The Case of Hospitaller Rhodes (ca. 1309-1522) Sofia Zoitou offers a study of the history of relic collections, devotional rituals and sites invested with special meaning in Rhodes, during a time when the island became one of the most frequented ports of call for ships carrying pilgrims from Venice to the Holy Land. Scrutinizing late medieval travel reports by pilgrims from all over Europe along with extant historical, archaeological, visual and material evidence, Sofia Zoitou traces the various forms of the Rhodian cultic sites' evolution and perception, ultimately considered as an overall artistic strategy for the staging of the sacred"--
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr’s interests and the equally wide impact of her career. They are linked by Carr’s expansive body of work, which ties together issues of patronage, production and influence across the medieval Mediterranean. The volume examines influences in manuscript production and reception, imperial patronage, relics and reliquaries, form and style in Cypriot architecture and icons, and the relationship between original and copy in medieval art.
The story of Baroque painting in Malta reflects that of the Italian peninsula and, in many ways, can be directly integrated within it. In terms of quantity, the island was impressively prolific. In terms of quality, works vary tremendously. There were, however, celebrated instances when the island was significantly at the forefront of stylistic development. A handful of Maltese artists worked beyond the island's shores and some, like the painter Francesco Noletti (il Fieravino), made major breakthroughs in Rome, the 'mother' of all cities. The island's small size also meant that it could be easily conditioned by one or two major artists working there. Therefore, a talented artist, Maltese or foreign, could exert tremendous influence on the stylistic currents that prevailed. The story of Baroque painting in Malta is thus marked by such artists. Contents: The pre-Baroque Years; Caravaggio; Leonello Spada; Caravaggism in Malta: Imported Works; Caravaggism in Malta: Copies after Caravaggio and Works executed in Malta; The mid- eventeenth century; Mattia Preti; The Bottega of Mattia Preti and Giuseppe d'Arena; The Erardi Family of Artists: Stefano and Alessio; The early eighteenth century; Gio Nicola Buhagiar and Enrico Regnaud; Mid-eighteenth century works by foreign artists; Francesco Zahra; Antoine Favray; Rocco Buhagiar; Giuseppe Grech; The late eighteenth century and the end of the Baroque.