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Things are not always as they seem; the first appearance deceives many. — Phaedrus When widower and bank clerk Theodore Streater discovers his late mother was not only the headmistress of Warwick's Grammar and Finishing School, but also its owner, he's in need of someone to run the rather lucrative enterprise. He turns to the woman who helped him regain his position at the bank after he lost an arm fighting in Belgium. His best friend's wife, Elizabeth Bennett-Jones, Viscountess Bostwick, still runs her charity, Finding Work for the Wounded. She is sure there's an applicant who would be perfect as headmistress of her old school. Having lost her position as an operative with the Home Office—her slight limp from a gunshot wound is hard to hide—Daisy Albright is at a loss as to what to do next. She could return to her father's home. The Duke of Ariley would like nothing more than to have his oldest illegitimate daughter under his protection until a suitable marriage can be arranged. But after several years of handling her own affairs away from the aristocracy, Daisy is determined to retain her independence. So when Viscountess Bostwick informs her she has a position in mind, Daisy immediately pays a call on the new owner of Warwick's to apply. Poor Teddy Streater has no idea what he's in for when he hires the ex-spy to run the finishing school. He would prefer to court the comely lady who seems prim and proper, but what woman wants to marry a man with only one arm? Perhaps he should be in search of a mistress. Trouble is, he can only imagine Miss Albright in the role in The Conundrum of a Clerk.
An expert in pottery restoration, Frances Longworth spends her days in the basement of a museum, applying her skills to damaged artifacts so they can be put on display. If only she didn’t have to constantly prove herself to men who expect her to be a man. The bastard son of an earl, Gabe Wellingham eschews a life of leisure by accepting a position at the same museum as an archivist, cataloguing Ancient Greek artifacts. He has no qualms about a woman reassembling the latest arrival from an archaeological expedition. He does find her manner rather prickly, however. Annoying, defensive, and far too uptight for his tastes. So why does he feel the need to pull the pins from her too-tight bun and kiss her senseless? Having just returned to London after a lengthy absence, James Burroughs seeks a quiet place to stay. With the rest of her extended family gone for the holiday, childhood friend Emily Grandby offers him a room at the estate. Secretly grieving the loss of the man she might have married, she never imagines his desire for a perfectly quiet life might also include her. But then, neither does he in The Puzzle of a Bastard.
The Conundrum is about a cowboy who isn't sure of what side of the fence he wants to ride, law or outlaw. He gets into Colorado mining and meets two beautiful women. One is a gold-digger after his money, the other is his mining partner. Others try to horn in on his beholdings and he's the wrong man with which they should tangle.
A sensual tale of a book, a baron, and a bride-to-be In need of income for the struggling Sommers barony, Jeffrey Althorpe arranges for the publication of a book he’s written–anonymously, of course. A dowry would be easier, but then he would have to find a willing wife. While her brother is away on an expedition, Lady Evangeline is left behind to spend her days creating exquisite embroideries and reading books. She's about to buy The Story of a Baron when Lord Sommers suddenly appears, intent on buying the very same book—but there’s only one copy. Desperate to discover what his publisher might have done to his story—without letting on he’s the author—Jeffrey suggests they read it together. Evangeline's sterling reputation could use a bit of scandal, so she agrees. As the two read the book, Evangeline realizes some of the characters are a bit too familiar and the settings are a bit too close to home. Was she the inspiration for the baron’s secret love, a bold, brash woman whose reputation is in tatters? With her own reputation suddenly in question, Evangeline finds her life imitating art. How can the book have a happy ending when she wishes she’d never purchased The Story of a Baron?
They say you learn from mistakes ... but what if they're not your own? After four Seasons and no prospects, Lady Samantha is resigned to life as a spinster. Her aunt, Caroline Fitzsimmons, Viscountess Chamberlain, insists they set sail to Italy for a tour she hopes might allow her charge to meet and marry a European aristocrat. His mines having suffered a multitude of disasters, Ethan Range, Marquess of Plymouth, is determined to secure a recent invention from an Italian count to alleviate the danger of fires. He's none too happy to discover Lady Caroline traveling on the same ship as he is to Rome. He knows her secret and is rather incensed she's been able to hide Samantha's true past from the ton. While taking a late-night stroll on deck, Samantha is confronted by the scowling marquess. Incensed by his assertion that Caroline is really her mother, Samantha barely has time to slap the man before a sudden storm sends a wave of water onto the ship, washing them both overboard. Forced to save each other, the two end up as castaways on a deserted island in the Mediterranean. Although they face perils a plenty during the week they're stranded, they have far more to fear from one another than from hunger, weather, and pirates. Can the two overcome their circumstances and realize the mistakes of the past are not their own? Or will their week on the island lead to more turbulence? The heart may be the best life preserver in The Passion of a Marquess.
Being color blind isn't the same as being blind... unless you're in love. Alexander, heir to the Everly earldom, has just discovered he’s color blind. The malady explains why he didn’t do well in his natural science classes at Cambridge. What’s worse is it impairs his ability to choose gemstones for the jewelry he creates. If only he had a second pair of eyes that could correctly identify colors. The beguiling gray eyes—or are those green?— belonging to the daughter of a renown jeweler are only a temporary fix. He’s too young to marry, and besides, who wants a man who can’t see colors correctly? Margaret spends her days assisting her father in the creation of jewelry for the wealthy. Her knowledge of gemstones is gleaned from years of watching him work and dealing with gem merchants. Although she’s old enough to be out in Society, embarrassment over her withered arm keeps her in the shop. What’s she to do when her latest client insists she attend a ball? He can secure an invitation and has promised her two dances, but is it worth being subjected to the censure and gossip her arm is sure to elicit? Or the wrath of the gem merchant to whom her father owes so much? His proposal might solve the debt issue, but at what price to her? Meanwhile, their impending wedding anniversary has Alexander’s parents reacting in much different ways. Middle age has Harold remembering his youth and fearing his mortality while Stella isn’t ready to succumb to the preconceived notions of what it is to be a matron with grown children. Their solution may require they meet in the middle—of a bed.
Why does it matter that our leaders care about us? What might we reasonably expect from a caring leader, and what price are we prepared to pay for it? Is caring leadership something ‘soft’, or can it be linked to strategy and delivery? International scholars from the fields of ancient and modern philosophy, psychology, organization studies and leadership development offer a strikingly original debate on what it means for leaders to care.